1 00:00:04,230 --> 00:00:10,830 [Music] 2 00:00:16,660 --> 00:00:14,290 good evening ladies and gentlemen 3 00:00:19,540 --> 00:00:16,670 welcome to the program I am your host 4 00:00:21,999 --> 00:00:19,550 Chris George at the Zuger and you have 5 00:00:25,800 --> 00:00:22,009 entered the den of four pull your chair 6 00:00:28,630 --> 00:00:25,810 up to the fire grab your glass of scotch 7 00:00:32,319 --> 00:00:28,640 because we're learning some coal ships 8 00:00:36,780 --> 00:00:32,329 my courtesy of none other than author 9 00:00:38,800 --> 00:00:36,790 and Kate art painting interpreter 10 00:00:40,240 --> 00:00:38,810 extraordinaire Bernie Taylor we're going 11 00:00:42,460 --> 00:00:40,250 to be discussing his new book before 12 00:00:45,880 --> 00:00:42,470 Orion finding the face of the hero as 13 00:00:48,070 --> 00:00:45,890 well as looking at the hero's journey 14 00:00:50,830 --> 00:00:48,080 and talking about - the origins of our 15 00:00:56,440 --> 00:00:50,840 civilization during the last ice age and 16 00:00:59,020 --> 00:00:56,450 welcome to the show once again I hope 17 00:01:02,380 --> 00:00:59,030 everyone had a fantastic week mine was 18 00:01:05,620 --> 00:01:02,390 chock-full of interesting times and 19 00:01:09,999 --> 00:01:05,630 adventures especially since so we just 20 00:01:14,020 --> 00:01:10,009 had a flash freeze we went from +10 21 00:01:15,609 --> 00:01:14,030 celcius down to minus 15 or 20 right now 22 00:01:20,440 --> 00:01:15,619 we're gonna be going down to minus 30 23 00:01:23,679 --> 00:01:20,450 tomorrow that's let's see an American 24 00:01:26,129 --> 00:01:23,689 that's 50 degrees down to minus 17 in 25 00:01:30,459 --> 00:01:26,139 the space of 24 hours yep things are fun 26 00:01:32,919 --> 00:01:30,469 here in Canada land but you know it's 27 00:01:34,389 --> 00:01:32,929 also fun see all of you every single 28 00:01:37,510 --> 00:01:34,399 Winker hearing all of you every single 29 00:01:39,249 --> 00:01:37,520 week and talking to each of you in the 30 00:01:41,709 --> 00:01:39,259 chat room here on the YouTube channel 31 00:01:43,690 --> 00:01:41,719 and again thank you for all those who 32 00:01:48,010 --> 00:01:43,700 are joining us on iTunes a Google Play 33 00:01:49,330 --> 00:01:48,020 stitcher tune and radio I believe I do 34 00:01:51,039 --> 00:01:49,340 have that all I know that we're going to 35 00:01:54,730 --> 00:01:51,049 be returning to deprogram radiant ones 36 00:01:56,109 --> 00:01:54,740 that launches once again and you know I 37 00:01:57,580 --> 00:01:56,119 have to say is that this show would not 38 00:01:59,019 --> 00:01:57,590 be possible on our distribution would 39 00:02:02,830 --> 00:01:59,029 not be possible if it were not for our 40 00:02:05,690 --> 00:02:02,840 patrons as you do know it is very 41 00:02:08,839 --> 00:02:05,700 difficult nowadays to 42 00:02:10,249 --> 00:02:08,849 well get a good point across especially 43 00:02:12,260 --> 00:02:10,259 you've got the sponsors they tend to 44 00:02:14,030 --> 00:02:12,270 make you want to say a certain thing a 45 00:02:15,620 --> 00:02:14,040 certain way and they kind of care about 46 00:02:19,460 --> 00:02:15,630 the subject matter you have on your show 47 00:02:21,559 --> 00:02:19,470 and we know that it is fantastic to have 48 00:02:24,020 --> 00:02:21,569 a wide variety of opinions from a wide 49 00:02:26,510 --> 00:02:24,030 variety of walks of life even if we do 50 00:02:27,500 --> 00:02:26,520 not necessarily agree with it and we 51 00:02:30,500 --> 00:02:27,510 would not be able to do that every 52 00:02:32,030 --> 00:02:30,510 single week if it is not for our patrons 53 00:02:33,830 --> 00:02:32,040 especially to our illustrious masters 54 00:02:35,690 --> 00:02:33,840 and masters our illustrious masters 55 00:02:37,699 --> 00:02:35,700 jackie across the pond tapped from 56 00:02:39,410 --> 00:02:37,709 Brooklyn and to her master's at Lee felt 57 00:02:42,229 --> 00:02:39,420 Linda Chuck Schwartz Frederick Johnson 58 00:02:45,020 --> 00:02:42,239 Jared Thompson mrs. Fox roses Wien 59 00:02:47,479 --> 00:02:45,030 Joshua mattock mark Catalano and our den 60 00:02:50,420 --> 00:02:47,489 mother Ella mccurdy as well as to the 61 00:02:52,490 --> 00:02:50,430 rest of our patrons grey yurt Charles 62 00:02:54,590 --> 00:02:52,500 Davis door mayor Reyna of its Iago Bower 63 00:02:55,940 --> 00:02:54,600 Michael akov Dean John Kennard Anthony 64 00:02:58,160 --> 00:02:55,950 dairy Atlantic Ocean Vinnie's from 65 00:03:01,160 --> 00:02:58,170 magical Egypt Christopher Moody Robin 66 00:03:04,039 --> 00:03:01,170 Webley and hobby courtesy of den of Lord 67 00:03:06,020 --> 00:03:04,049 calm I want to say thank you very much 68 00:03:08,420 --> 00:03:06,030 for all of our supporters because you 69 00:03:10,520 --> 00:03:08,430 know our listeners are our sponsors and 70 00:03:14,720 --> 00:03:10,530 you ensure that we have been able to 71 00:03:17,750 --> 00:03:14,730 survive and grow and thrive in 2017 and 72 00:03:22,009 --> 00:03:17,760 we're hoping and planning for a very 73 00:03:24,890 --> 00:03:22,019 prosperous 2018 as we get over this 74 00:03:27,199 --> 00:03:24,900 chill and again I'm gonna welcome to the 75 00:03:31,180 --> 00:03:27,209 program and he's been waiting patiently 76 00:03:34,160 --> 00:03:31,190 on screen is our guest for this evening 77 00:03:35,210 --> 00:03:34,170 mr. Bernie Taylor Bernie how are you 78 00:03:37,640 --> 00:03:35,220 doing tonight 79 00:03:39,650 --> 00:03:37,650 I'm doing great here Chris I'm in 80 00:03:41,449 --> 00:03:39,660 Portland Oregon we're not too far from 81 00:03:44,390 --> 00:03:41,459 the ocean and it's probably in the 82 00:03:45,740 --> 00:03:44,400 mid-50s sort of like Mediterranean well 83 00:03:48,979 --> 00:03:45,750 you know it's yeah 84 00:03:51,620 --> 00:03:48,989 mid 50s even in the middle of January 85 00:03:52,789 --> 00:03:51,630 very similar to be see whether I no no I 86 00:03:55,069 --> 00:03:52,799 know that you guys are very close give 87 00:03:57,500 --> 00:03:55,079 or take you know 700 to 1000 kilometers 88 00:04:01,309 --> 00:03:57,510 it's that Pacific water it brings in all 89 00:04:04,129 --> 00:04:01,319 of that fantastic tropical weather all 90 00:04:06,620 --> 00:04:04,139 the way up the west coast and I can't 91 00:04:11,599 --> 00:04:06,630 say that I'm not just a little bit 92 00:04:13,850 --> 00:04:11,609 jealous of your good fortune when we get 93 00:04:17,849 --> 00:04:13,860 this kind of weather in January usually 94 00:04:20,580 --> 00:04:17,859 means burst pipes you know damned 95 00:04:24,570 --> 00:04:20,590 rooves and a whole host of other 96 00:04:26,850 --> 00:04:24,580 flooding nightmares so I'm hoping that 97 00:04:28,800 --> 00:04:26,860 you get that continuing weather trend 98 00:04:30,119 --> 00:04:28,810 and you don't have to deal with the crap 99 00:04:31,529 --> 00:04:30,129 I have to deal with probably in the 100 00:04:35,399 --> 00:04:31,539 springtime when it comes to house 101 00:04:37,469 --> 00:04:35,409 repairs but we just don't have moderate 102 00:04:40,790 --> 00:04:37,479 winters but we have moderate summers as 103 00:04:42,990 --> 00:04:40,800 well the Pacific Ocean modulates the 104 00:04:45,629 --> 00:04:43,000 temperatures which makes conducive for 105 00:04:48,089 --> 00:04:45,639 Pinot Noir grapes which is famous for 106 00:04:51,930 --> 00:04:48,099 the part of Oregon you know it that I 107 00:04:54,749 --> 00:04:51,940 actually know I've got a few of my of my 108 00:04:57,360 --> 00:04:54,759 design clients they run a restaurant and 109 00:05:00,149 --> 00:04:57,370 they actually have some some wines from 110 00:05:01,709 --> 00:05:00,159 organ so it's or I should know it's not 111 00:05:04,230 --> 00:05:01,719 organ it's Washington and I believe it's 112 00:05:06,240 --> 00:05:04,240 actually pinot noir my interesting part 113 00:05:08,010 --> 00:05:06,250 I know that this is very much digressing 114 00:05:10,260 --> 00:05:08,020 from the subject matter we normally talk 115 00:05:12,450 --> 00:05:10,270 about on the show but I was very 116 00:05:15,719 --> 00:05:12,460 impressed with the Zinfandel that was 117 00:05:19,230 --> 00:05:15,729 coming out of Northern California back 118 00:05:21,119 --> 00:05:19,240 in 2013 2014 which I know is not 119 00:05:23,249 --> 00:05:21,129 necessarily in the area in California is 120 00:05:25,230 --> 00:05:23,259 a fairly large area but the West Coast 121 00:05:28,290 --> 00:05:25,240 is very good for wines it's why it's why 122 00:05:30,149 --> 00:05:28,300 good wines come out of BC and you know a 123 00:05:33,570 --> 00:05:30,159 lot of that can come down to the 124 00:05:35,370 --> 00:05:33,580 modulated weather but also the a lot of 125 00:05:37,680 --> 00:05:35,380 sediment that's in that area due to the 126 00:05:40,290 --> 00:05:37,690 volcanic ash that was well pretty well 127 00:05:42,510 --> 00:05:40,300 dumped on there by the very large 128 00:05:45,930 --> 00:05:42,520 supervolcano which is right next door to 129 00:05:48,089 --> 00:05:45,940 you guys and the Missouri Flood that put 130 00:05:50,869 --> 00:05:48,099 a lot of the sediments into the soil 131 00:05:54,749 --> 00:05:50,879 some a lot of the soils and named after 132 00:05:57,899 --> 00:05:54,759 those that flood well the scablands 133 00:05:59,519 --> 00:05:57,909 those were created after the end of the 134 00:06:00,629 --> 00:05:59,529 last or at least a theory goes that they 135 00:06:04,019 --> 00:06:00,639 were created at the end of the last ice 136 00:06:06,089 --> 00:06:04,029 age due to a theoretical comet impact 137 00:06:07,439 --> 00:06:06,099 and we've had a few people on on the 138 00:06:09,390 --> 00:06:07,449 show as you may know who have discussed 139 00:06:11,790 --> 00:06:09,400 that and the subject matter we're 140 00:06:15,180 --> 00:06:11,800 talking about today is born out of that 141 00:06:19,670 --> 00:06:15,190 era or much earlier than the purported 142 00:06:23,309 --> 00:06:20,909 cent 143 00:06:25,800 --> 00:06:23,319 down and talked last you were talking 144 00:06:28,260 --> 00:06:25,810 about an age of roughly thirty three 145 00:06:30,559 --> 00:06:28,270 thousand years ago which is much earlier 146 00:06:32,739 --> 00:06:30,569 than the average time 147 00:06:36,409 --> 00:06:32,749 most alternative history researchers 148 00:06:39,439 --> 00:06:36,419 bring up oh how did you get this this 149 00:06:42,139 --> 00:06:39,449 dating and you know how did you want to 150 00:06:44,299 --> 00:06:42,149 be able to to to start bring us on this 151 00:06:46,489 --> 00:06:44,309 hero's journey and we're gonna start 152 00:06:48,430 --> 00:06:46,499 40,000 years ago oh man 153 00:06:51,730 --> 00:06:48,440 and I'm gonna bring up 154 00:06:55,510 --> 00:06:54,670 bring these up here let me now this is 155 00:06:57,400 --> 00:06:55,520 the beautiful part we haven't actually 156 00:06:59,860 --> 00:06:57,410 done this in the show in a while Bernie 157 00:07:02,830 --> 00:06:59,870 actually had prepared a slide 158 00:07:05,589 --> 00:07:02,840 presentation for today and it's been oh 159 00:07:09,159 --> 00:07:05,599 the last lecture we had I think was with 160 00:07:11,110 --> 00:07:09,169 Gary a David way back in November so 161 00:07:12,460 --> 00:07:11,120 this is a big treat this is these are 162 00:07:15,189 --> 00:07:12,470 usually some of our best shows 163 00:07:16,480 --> 00:07:15,199 so please Bernie and I'm gonna duck out 164 00:07:19,150 --> 00:07:16,490 of this presentation you're not gonna 165 00:07:22,300 --> 00:07:19,160 see me see me they're in it for a bit so 166 00:07:24,159 --> 00:07:22,310 that I'm I don't I'm shrinking to the 167 00:07:28,460 --> 00:07:24,169 bone away the slides right hand we're 168 00:07:33,470 --> 00:07:29,720 we're going to start this presentation 169 00:07:37,520 --> 00:07:33,480 in the Paleolithic the program is titled 170 00:07:44,330 --> 00:07:41,390 and as as a warning label I'm gonna take 171 00:07:47,420 --> 00:07:44,340 you into the psychology of oolitic man 172 00:07:53,890 --> 00:07:47,430 so what did he feel and what do you 173 00:07:58,390 --> 00:07:55,900 to bring in a Tuareg riddle bottarga 174 00:08:00,580 --> 00:07:58,400 people of the Sahara greatest O'Hara and 175 00:08:02,250 --> 00:08:00,590 ever riddle how many hairs doesn't may 176 00:08:04,500 --> 00:08:02,260 in half 177 00:08:05,760 --> 00:08:04,510 kriste you can start wrote you know 178 00:08:08,610 --> 00:08:05,770 roaming through your head and take that 179 00:08:11,420 --> 00:08:08,620 hat off and you can you know it's a it's 180 00:08:15,990 --> 00:08:11,430 a question that's difficult to answer 181 00:08:19,080 --> 00:08:16,000 because all different now Bernie I hate 182 00:08:20,580 --> 00:08:19,090 to cut in but your your voice is cutting 183 00:08:22,740 --> 00:08:20,590 out a little bit RR is this better 184 00:08:25,790 --> 00:08:22,750 that's better thank you okay great 185 00:08:30,040 --> 00:08:25,800 and so that when asked us this question 186 00:08:34,269 --> 00:08:32,440 we're gonna go to Bilbao and the 187 00:08:37,769 --> 00:08:34,279 northern part part of Spain in the 188 00:08:47,610 --> 00:08:41,969 into the cave of Monte Castillo Monte 189 00:08:51,210 --> 00:08:47,620 Castillo is their pyramidal shaped and 190 00:08:54,710 --> 00:08:51,220 it holds the oldest cave art known to 191 00:08:57,449 --> 00:08:54,720 man or has recorded by man their dots 192 00:08:58,889 --> 00:08:57,459 one is dated about 40,000 years ago and 193 00:09:00,689 --> 00:08:58,899 the others dated the thirty seven 194 00:09:02,610 --> 00:09:00,699 thousand years ago and this was 195 00:09:06,780 --> 00:09:02,620 published in science and the major 196 00:09:08,639 --> 00:09:06,790 journals it was a chemical test and when 197 00:09:10,860 --> 00:09:08,649 they this was big news at the time 198 00:09:15,119 --> 00:09:10,870 because it became the oldest images of 199 00:09:17,730 --> 00:09:15,129 mankind and when they they wanted to 200 00:09:19,290 --> 00:09:17,740 release us to the press this image that 201 00:09:23,069 --> 00:09:19,300 you see before us didn't make a very 202 00:09:25,980 --> 00:09:23,079 good picture or eternity they just show 203 00:09:27,900 --> 00:09:25,990 you one dot or two and the next slide 204 00:09:31,019 --> 00:09:27,910 gives you the concept of what one dot 205 00:09:33,869 --> 00:09:31,029 might have looked like see those little 206 00:09:37,439 --> 00:09:33,879 stenciled hands it didn't make a very 207 00:09:43,590 --> 00:09:37,449 good story to the media so what they did 208 00:09:45,420 --> 00:09:43,600 what the disks a gallery of disks which 209 00:09:48,780 --> 00:09:45,430 dates to about thirty four thousand 210 00:09:50,790 --> 00:09:48,790 years ago using the same method and this 211 00:09:52,530 --> 00:09:50,800 this image or this this panel has been 212 00:09:54,900 --> 00:09:52,540 seen for more than a hundred years 213 00:09:57,420 --> 00:09:54,910 billions people saw this image in the 214 00:09:59,460 --> 00:09:57,430 popular scientific media as a result of 215 00:10:02,249 --> 00:09:59,470 the news stories that came out about 216 00:10:03,990 --> 00:10:02,259 that disc of 40,000 years ago this made 217 00:10:06,119 --> 00:10:04,000 a much better picture and this image was 218 00:10:06,829 --> 00:10:06,129 taken by the Spanish photographer Pedro 219 00:10:09,809 --> 00:10:06,839 soir 220 00:10:12,780 --> 00:10:09,819 it's about ten meters across this is a 221 00:10:15,629 --> 00:10:12,790 huge panel and there's been a lot of 222 00:10:17,569 --> 00:10:15,639 scientific research on this panel and 223 00:10:23,109 --> 00:10:17,579 they've counted the gist they've watched 224 00:10:29,259 --> 00:10:27,219 came up with it's a lot of disks but 225 00:10:32,289 --> 00:10:29,269 when we enter this we can think about it 226 00:10:34,029 --> 00:10:32,299 as a pail of parentis might have been he 227 00:10:35,859 --> 00:10:34,039 might have walked into the cave with his 228 00:10:37,719 --> 00:10:35,869 teacher and the teacher might have asked 229 00:10:40,209 --> 00:10:37,729 him the question similar to how many 230 00:10:43,809 --> 00:10:40,219 hairs does a man have is what do you see 231 00:10:45,129 --> 00:10:43,819 on this path and of course the practice 232 00:10:47,709 --> 00:10:45,139 the first thing is gonna start doing is 233 00:10:50,169 --> 00:10:47,719 counting read discs just as a scientist 234 00:10:52,299 --> 00:10:50,179 have done in modern times and they would 235 00:10:56,069 --> 00:10:52,309 probably come up to about apprentice 236 00:10:59,409 --> 00:10:56,079 Mike up to about 90 discs or so yeah 237 00:11:02,370 --> 00:10:59,419 teach might ask some little further what 238 00:11:03,540 --> 00:11:02,380 else do you see in the red disk 239 00:11:05,460 --> 00:11:03,550 he probably wouldn't have seen this 240 00:11:08,040 --> 00:11:05,470 image this is towards the down to the 241 00:11:10,620 --> 00:11:08,050 viewers bottom right of the gallery 242 00:11:13,500 --> 00:11:10,630 disks and you see it the teacher and his 243 00:11:15,390 --> 00:11:13,510 apprentice Exton to the wall and to the 244 00:11:20,430 --> 00:11:15,400 discs are the eyes of the apprentice 245 00:11:21,840 --> 00:11:20,440 which makes a spectacular scene now my 246 00:11:23,220 --> 00:11:21,850 guess is that the apprentice when he 247 00:11:24,090 --> 00:11:23,230 first went into that cave he didn't see 248 00:11:26,010 --> 00:11:24,100 this because he would have been in 249 00:11:30,150 --> 00:11:26,020 trance just like we we have been by 250 00:11:32,130 --> 00:11:30,160 staring at these these are disks and the 251 00:11:34,760 --> 00:11:32,140 story when we look at this we see 252 00:11:37,140 --> 00:11:34,770 teachers speaking here the apprentice 253 00:11:38,850 --> 00:11:37,150 he's telling him something perhaps he's 254 00:11:41,100 --> 00:11:38,860 telling his story there's one we think 255 00:11:44,550 --> 00:11:41,110 persons we told we passed on check 256 00:11:48,080 --> 00:11:44,560 generations what have been stores are 257 00:11:51,860 --> 00:11:48,090 seeing as well as a story 258 00:11:55,850 --> 00:11:51,870 look spectacular that image is on the on 259 00:11:59,480 --> 00:11:55,860 the shoulder the teacher is a golden 260 00:12:01,220 --> 00:11:59,490 eagle and you can see the the unmarked 261 00:12:03,440 --> 00:12:01,230 image to the viewers left and then the 262 00:12:07,190 --> 00:12:03,450 the cutout to the right of course now 263 00:12:09,890 --> 00:12:07,200 this this juvenile Eagle is about in the 264 00:12:13,460 --> 00:12:09,900 month of June I believe mid June based 265 00:12:15,650 --> 00:12:13,470 on the down on its on its side so it's a 266 00:12:17,210 --> 00:12:15,660 fledgling Eagle Eagle it hasn't flown 267 00:12:19,310 --> 00:12:17,220 yet and about the height from the 268 00:12:21,230 --> 00:12:19,320 shoulder to the top of a head now the 269 00:12:23,900 --> 00:12:21,240 artist captured this different way to 270 00:12:26,720 --> 00:12:23,910 give us two perspectives just like that 271 00:12:29,150 --> 00:12:26,730 the one is that half of the Eagle cuts 272 00:12:31,790 --> 00:12:29,160 the hairline of the teacher that makes 273 00:12:33,530 --> 00:12:31,800 his hair fine as what was his needs it's 274 00:12:36,140 --> 00:12:33,540 possible standing on your shoulder 275 00:12:37,730 --> 00:12:36,150 Bernie I I'm sorry to interrupt your 276 00:12:42,620 --> 00:12:37,740 voice is continuously cutting in and out 277 00:12:44,360 --> 00:12:42,630 is is there is there a for your 278 00:12:46,580 --> 00:12:44,370 microphone or are you close by or is 279 00:12:49,700 --> 00:12:46,590 there whether you can adjust it so was 280 00:12:53,120 --> 00:12:49,710 that try again okay 281 00:12:57,320 --> 00:12:53,130 and so the it's a spectacular image that 282 00:13:00,640 --> 00:12:57,330 we have this teacher on a shoulder is of 283 00:13:00,650 --> 00:13:07,250 okay dancers 284 00:13:12,750 --> 00:13:10,500 Joseph Campbell talked about this 285 00:13:14,550 --> 00:13:12,760 concept of the storytelling and he 286 00:13:17,460 --> 00:13:14,560 described it as the hero's journey and 287 00:13:20,490 --> 00:13:17,470 Campbell said that there's a is a core 288 00:13:23,160 --> 00:13:20,500 Beth this model that all cultures around 289 00:13:25,440 --> 00:13:23,170 the world tell it's the story of a 290 00:13:29,010 --> 00:13:25,450 person an individual that leaves a place 291 00:13:32,130 --> 00:13:29,020 of his home or her home an ordinary 292 00:13:34,620 --> 00:13:32,140 place just as Luke Skywalker leaves his 293 00:13:37,230 --> 00:13:34,630 home to go on a journey and he look Luke 294 00:13:39,690 --> 00:13:37,240 is looking for something exciting in the 295 00:13:42,570 --> 00:13:39,700 world and of course on that journey he 296 00:13:45,030 --> 00:13:42,580 has helpers he has obi-wan Kenobi even 297 00:13:48,570 --> 00:13:45,040 he has Yoda who guide him on his way and 298 00:13:51,450 --> 00:13:48,580 these these helpers we find them in the 299 00:13:54,269 --> 00:13:51,460 Lord of the Rings they're Gandalf in 300 00:13:57,720 --> 00:13:54,279 Harry Potter stories a multitude of 301 00:14:01,040 --> 00:13:57,730 characters that about Harry and in the 302 00:14:05,610 --> 00:14:01,050 west of Oz Dorothy has three helpers the 303 00:14:09,620 --> 00:14:05,620 Scarecrow Tin Man and a lion as well as 304 00:14:13,890 --> 00:14:09,630 a witch and on this journey people are 305 00:14:18,870 --> 00:14:13,900 tested they're given challenges both 306 00:14:22,110 --> 00:14:18,880 emotional challenges and Joseph Campbell 307 00:14:25,290 --> 00:14:22,120 drew much of his idea from the work of 308 00:14:27,750 --> 00:14:25,300 the psychology suici hydrous Carl Jung 309 00:14:30,780 --> 00:14:27,760 you had Laura London on some time back 310 00:14:32,579 --> 00:14:30,790 who talked a lot about young young had a 311 00:14:35,250 --> 00:14:32,589 dream early in his life and he was 312 00:14:37,050 --> 00:14:35,260 walking to a house it was a house of 313 00:14:40,380 --> 00:14:37,060 modern times as he walks down the 314 00:14:42,150 --> 00:14:40,390 hallway he finds that and the plasters 315 00:14:44,100 --> 00:14:42,160 coming off and that the plaster at that 316 00:14:46,410 --> 00:14:44,110 point is not of the house he entered but 317 00:14:48,420 --> 00:14:46,420 rather something more of ancient times 318 00:14:51,449 --> 00:14:48,430 the Greeks and the Romans he walks 319 00:14:54,030 --> 00:14:51,459 further down into the the hallway and he 320 00:14:56,940 --> 00:14:54,040 encounters that he's a ningke in a cave 321 00:14:58,829 --> 00:14:56,950 and he sees as a Paleolithic cave and in 322 00:15:03,180 --> 00:14:58,839 the stream he comes to a recognition 323 00:15:04,980 --> 00:15:03,190 that as we go deeper into our minds were 324 00:15:07,050 --> 00:15:04,990 going deeper into the Paleolithic we're 325 00:15:10,800 --> 00:15:07,060 going back to our original selves um 326 00:15:12,660 --> 00:15:10,810 after that experience young in a frenzy 327 00:15:15,470 --> 00:15:12,670 went through the mythological literature 328 00:15:17,730 --> 00:15:15,480 and he came to the same conclusion that 329 00:15:19,380 --> 00:15:17,740 Campbell ultimately did that there is 330 00:15:20,360 --> 00:15:19,390 this Monmouth there's this core story 331 00:15:24,230 --> 00:15:20,370 about 332 00:15:26,360 --> 00:15:24,240 a journey so this concept goes back in 333 00:15:30,530 --> 00:15:26,370 the literature much further than my work 334 00:15:32,930 --> 00:15:30,540 and in that story there is a actually in 335 00:15:35,900 --> 00:15:32,940 this in the model myths and in the 336 00:15:39,470 --> 00:15:35,910 dreams of Jung's patients he found that 337 00:15:41,570 --> 00:15:39,480 there was common themes in common places 338 00:15:45,230 --> 00:15:41,580 and one of the places was a mountain and 339 00:15:47,360 --> 00:15:45,240 another was a body of water and on the 340 00:15:49,670 --> 00:15:47,370 parentheses journey there's always this 341 00:15:51,380 --> 00:15:49,680 climb up the cosmic mountain just as 342 00:15:54,710 --> 00:15:51,390 Frodo climbs the mountain at the end of 343 00:15:56,720 --> 00:15:54,720 The Lord of the Rings and as I wrote it 344 00:15:59,480 --> 00:15:56,730 the initiate continues along the path 345 00:16:02,030 --> 00:15:59,490 smooth by thousands of feet that had 346 00:16:04,579 --> 00:16:02,040 carried half as many souls considering 347 00:16:07,880 --> 00:16:04,589 what had what may be found on the top of 348 00:16:11,329 --> 00:16:07,890 the cosmic mountain and of course around 349 00:16:16,650 --> 00:16:11,339 the El Castillo mountain or the mamantov 350 00:16:22,949 --> 00:16:19,499 whoa so we're gonna go back to this 351 00:16:25,139 --> 00:16:22,959 gallery of disks for a moment and take a 352 00:16:26,850 --> 00:16:25,149 look at what might be there 353 00:16:28,559 --> 00:16:26,860 can I look deeper into it we've seen 354 00:16:30,869 --> 00:16:28,569 that the teacher in the apprentice but 355 00:16:33,389 --> 00:16:30,879 what else might be there this might be a 356 00:16:36,540 --> 00:16:33,399 cultural time capsule as young had found 357 00:16:38,879 --> 00:16:36,550 in the minds of his patients and Joseph 358 00:16:39,949 --> 00:16:38,889 Campbell had surmised in the in the in 359 00:16:41,910 --> 00:16:39,959 the myths 360 00:16:45,240 --> 00:16:41,920 well it's towards the center of the 361 00:16:48,119 --> 00:16:45,250 panel there's an elephant this is an 362 00:16:50,040 --> 00:16:48,129 elephant with its ear down and its trunk 363 00:16:51,780 --> 00:16:50,050 down as if it's drinking or walking 364 00:16:54,420 --> 00:16:51,790 towards the drink water it's a 365 00:16:56,400 --> 00:16:54,430 fascinating image it's an African 366 00:16:58,619 --> 00:16:56,410 elephant based on the shape of the head 367 00:17:00,449 --> 00:16:58,629 they were straight tucked us elephants 368 00:17:02,879 --> 00:17:00,459 in Europe at a time they don't made a 369 00:17:05,309 --> 00:17:02,889 humped head so it's a different elephant 370 00:17:07,980 --> 00:17:05,319 and if we flip that if we flip it around 371 00:17:11,279 --> 00:17:07,990 90 degrees we find another elephant in 372 00:17:13,679 --> 00:17:11,289 the same image and this one has its its 373 00:17:16,049 --> 00:17:13,689 ear raised as well as its trunk as it's 374 00:17:21,179 --> 00:17:16,059 in distress we're finding two characters 375 00:17:23,039 --> 00:17:21,189 in a story a story of this elephant it's 376 00:17:26,159 --> 00:17:23,049 a fascinating image and the next image 377 00:17:28,350 --> 00:17:26,169 we can see them side-by-side to compare 378 00:17:30,750 --> 00:17:28,360 and there these are two African 379 00:17:32,190 --> 00:17:30,760 elephants and what we see in this is 380 00:17:34,770 --> 00:17:32,200 that there's no certainty when you look 381 00:17:36,260 --> 00:17:34,780 at a panel like this there's only what 382 00:17:39,090 --> 00:17:36,270 we recognize in the moment as 383 00:17:41,640 --> 00:17:39,100 perspective that may shift without focus 384 00:17:47,970 --> 00:17:41,650 to experience what had not been probable 385 00:17:50,880 --> 00:17:47,980 if not possible only moments earlier so 386 00:17:55,380 --> 00:17:50,890 we can this takes us back to the Touareg 387 00:17:58,049 --> 00:17:55,390 riddle that we can they can be multiple 388 00:18:00,090 --> 00:17:58,059 perspectives and we can go back to look 389 00:18:03,120 --> 00:18:00,100 at the Gower of disks on this image and 390 00:18:05,549 --> 00:18:03,130 we can see the elephant there in the 391 00:18:07,860 --> 00:18:05,559 middle with its raised trunk so this is 392 00:18:10,110 --> 00:18:07,870 an unmarked image and if we shift it 90 393 00:18:13,230 --> 00:18:10,120 degrees in our minds we can see the 394 00:18:16,980 --> 00:18:13,240 elephant with the trunk down so millions 395 00:18:18,899 --> 00:18:16,990 of people in the populace and scientific 396 00:18:21,149 --> 00:18:18,909 literature have seen this image and 397 00:18:23,760 --> 00:18:21,159 everybody missed the elephant the room 398 00:18:27,299 --> 00:18:23,770 and that's pretty important because how 399 00:18:29,730 --> 00:18:27,309 could we miss something that's so 400 00:18:30,660 --> 00:18:29,740 important that you have an African 401 00:18:33,870 --> 00:18:30,670 elephant 402 00:18:36,150 --> 00:18:33,880 in a European cave and if we go we 403 00:18:39,180 --> 00:18:36,160 continued looking down the paddle we can 404 00:18:40,950 --> 00:18:39,190 find a horse a speckled mayor and this 405 00:18:46,530 --> 00:18:40,960 is actually presents Keys course which 406 00:18:49,380 --> 00:18:46,540 is indigenous to Eurasia this was one of 407 00:18:52,740 --> 00:18:49,390 the original horses in Europe this was 408 00:18:56,760 --> 00:18:52,750 not an African horse which also gives us 409 00:19:00,840 --> 00:18:56,770 a point of a point of location in the 410 00:19:03,450 --> 00:19:00,850 story and behind that horse we find a 411 00:19:06,090 --> 00:19:03,460 what I described as the cosmic man we 412 00:19:09,870 --> 00:19:06,100 can see a man with a with his mask and 413 00:19:12,240 --> 00:19:09,880 he's one side the mask is on his viewers 414 00:19:15,840 --> 00:19:12,250 left side the mask is the beak of an 415 00:19:17,640 --> 00:19:15,850 eagle so the man has become an eagle on 416 00:19:19,940 --> 00:19:17,650 the right side the viewers right side 417 00:19:24,510 --> 00:19:19,950 you can see his eye he's holding an egg 418 00:19:27,990 --> 00:19:24,520 a fairly large egg and his his left arm 419 00:19:31,800 --> 00:19:28,000 has the the texture and the look of a 420 00:19:34,230 --> 00:19:31,810 wing this man has become a winged bird 421 00:19:36,830 --> 00:19:34,240 winged being a navy noid something like 422 00:19:42,570 --> 00:19:36,840 an angel and of course we can tell that 423 00:19:46,170 --> 00:19:42,580 this person is in fact a man and if we 424 00:19:48,390 --> 00:19:46,180 overlapped the cosmic man with this the 425 00:19:50,940 --> 00:19:48,400 horse the speckled mayor we have a 426 00:19:54,210 --> 00:19:50,950 cosmic rider so in this image the two 427 00:19:56,640 --> 00:19:54,220 beings have become one going back thirty 428 00:19:58,230 --> 00:19:56,650 four thousand years ago in this cave so 429 00:20:02,430 --> 00:19:58,240 there's a transformation in the minds of 430 00:20:04,530 --> 00:20:02,440 the Paleolithic artists there's multiple 431 00:20:08,060 --> 00:20:04,540 multiple perspectives that can be seen 432 00:20:10,320 --> 00:20:08,070 at the same time and to be considered 433 00:20:12,300 --> 00:20:10,330 and continuing down this path of 434 00:20:15,300 --> 00:20:12,310 multiple perspectives if we take the 435 00:20:17,340 --> 00:20:15,310 mask of the cosmic man and we rotate it 436 00:20:19,770 --> 00:20:17,350 up it's actually the face of the teacher 437 00:20:22,860 --> 00:20:19,780 so you can look at one of look at them 438 00:20:24,900 --> 00:20:22,870 side by side so going back to this 439 00:20:26,850 --> 00:20:24,910 concept there's there's never one truth 440 00:20:29,970 --> 00:20:26,860 there's always multiple perspectives and 441 00:20:32,730 --> 00:20:29,980 if someone's studying to be a shamanic 442 00:20:35,640 --> 00:20:32,740 or teach a spiritual teacher they're 443 00:20:37,200 --> 00:20:35,650 really and to lead the the clan they 444 00:20:39,870 --> 00:20:37,210 really don't need to understand that 445 00:20:41,580 --> 00:20:39,880 people are all different that everybody 446 00:20:43,830 --> 00:20:41,590 sees the world different and that was 447 00:20:44,850 --> 00:20:43,840 much the work of Carl Jung whereas the 448 00:20:47,700 --> 00:20:44,860 introverts that X 449 00:20:50,480 --> 00:20:47,710 the thinkers their feelers and so on 450 00:20:54,030 --> 00:20:50,490 which became the the Myers Brigg test 451 00:20:56,730 --> 00:20:54,040 that's fairly popular in the business 452 00:20:58,350 --> 00:20:56,740 world we can continue this road of 453 00:21:03,360 --> 00:20:58,360 transformation going down the paddle and 454 00:21:05,640 --> 00:21:03,370 we see a man which puts on a mask and 455 00:21:08,880 --> 00:21:05,650 he's put as he puts on that mask he 456 00:21:11,250 --> 00:21:08,890 becomes another being just as the cosmic 457 00:21:13,560 --> 00:21:11,260 man puts on the mask of the Golden Eagle 458 00:21:16,020 --> 00:21:13,570 to become the Golden Eagle so people 459 00:21:17,580 --> 00:21:16,030 believed in that time that one could 460 00:21:19,830 --> 00:21:17,590 transcend one could be something else 461 00:21:24,690 --> 00:21:19,840 one could be another being when they put 462 00:21:28,409 --> 00:21:24,700 on such a mask and in the tradition of 463 00:21:33,480 --> 00:21:28,419 the Egyptians Horus is the the falcon 464 00:21:35,880 --> 00:21:33,490 who is a an intermediary between heaven 465 00:21:38,220 --> 00:21:35,890 and earth perhaps that tradition came 466 00:21:40,860 --> 00:21:38,230 from or distant in time from the 467 00:21:42,240 --> 00:21:40,870 paleolithic and that trend transition is 468 00:21:43,919 --> 00:21:42,250 fairly common about around 469 00:21:46,799 --> 00:21:43,929 hunter-gatherers around the world where 470 00:21:48,450 --> 00:21:46,809 as the spiritual leader puts on a birds 471 00:21:52,799 --> 00:21:48,460 mask to communicate with the great 472 00:21:55,140 --> 00:21:52,809 beyond if we continued looking down this 473 00:21:57,870 --> 00:21:55,150 pattern we see more images and this one 474 00:22:00,720 --> 00:21:57,880 is is of a a mother Iberian lynx which 475 00:22:03,900 --> 00:22:00,730 is of course indigenous to Spain and her 476 00:22:05,820 --> 00:22:03,910 kitten it's a fascinating image and when 477 00:22:07,350 --> 00:22:05,830 I when I first start on this project I 478 00:22:09,510 --> 00:22:07,360 communicated with someone from my 479 00:22:11,700 --> 00:22:09,520 distant past who I met when I lived in 480 00:22:13,860 --> 00:22:11,710 China in my early 20s was more than 30 481 00:22:15,419 --> 00:22:13,870 years ago and his name was George shower 482 00:22:18,180 --> 00:22:15,429 and George shower at the time was one of 483 00:22:20,760 --> 00:22:18,190 the most foremost wildlife biologists in 484 00:22:22,289 --> 00:22:20,770 the world and I contacted George and I 485 00:22:23,430 --> 00:22:22,299 started asking them questions I ask them 486 00:22:25,020 --> 00:22:23,440 the questions about what kind of 487 00:22:26,789 --> 00:22:25,030 elephant this is and some of the other 488 00:22:28,710 --> 00:22:26,799 animals and we played with this one as 489 00:22:32,580 --> 00:22:28,720 well and George identified this as an 490 00:22:33,060 --> 00:22:32,590 Iberian lynx and George's he is as I 491 00:22:34,289 --> 00:22:33,070 said the world 492 00:22:36,390 --> 00:22:34,299 he's consider the world's foremost 493 00:22:40,919 --> 00:22:36,400 wildlife biologist he was the mentor of 494 00:22:43,470 --> 00:22:40,929 Jane Goodall and many others but what's 495 00:22:45,539 --> 00:22:43,480 uh what's interesting is that when I 496 00:22:47,130 --> 00:22:45,549 would ask George George the questions he 497 00:22:50,580 --> 00:22:47,140 just didn't give me taxonomic details 498 00:22:53,040 --> 00:22:50,590 but in this case he talked about the the 499 00:22:54,480 --> 00:22:53,050 emotional moment of the of this links 500 00:22:56,430 --> 00:22:54,490 and you can see that the kitten is 501 00:22:58,740 --> 00:22:56,440 pushed up against the chin of their 502 00:23:00,570 --> 00:22:58,750 mother cat so the the 503 00:23:03,210 --> 00:23:00,580 artists had a sense of empathy empathy 504 00:23:06,060 --> 00:23:03,220 that the artists understood that these 505 00:23:09,990 --> 00:23:06,070 were not just wild animals that these 506 00:23:12,330 --> 00:23:10,000 were emotional beings and you know 507 00:23:14,490 --> 00:23:12,340 looking you know Jane Goodall carried on 508 00:23:15,660 --> 00:23:14,500 that tradition in her work and Jane says 509 00:23:18,870 --> 00:23:15,670 that we should be kind to animals 510 00:23:22,110 --> 00:23:18,880 because it makes better humans of us all 511 00:23:23,970 --> 00:23:22,120 and as we continue down the panel we're 512 00:23:25,740 --> 00:23:23,980 going to see more beings in this case 513 00:23:27,600 --> 00:23:25,750 we're gonna see it's either a spinning 514 00:23:30,750 --> 00:23:27,610 top bottle of dolphin or its multiple 515 00:23:32,640 --> 00:23:30,760 bottlenose dolphins and I looked at this 516 00:23:34,530 --> 00:23:32,650 one for over a year when I was working 517 00:23:37,080 --> 00:23:34,540 on the project and I saw them saw the 518 00:23:38,940 --> 00:23:37,090 mouth and I saw the eye and I just 519 00:23:42,540 --> 00:23:38,950 couldn't figure it out because it wasn't 520 00:23:45,840 --> 00:23:42,550 it didn't suit any land animals but as 521 00:23:47,700 --> 00:23:45,850 my mind expanded and I realized that 522 00:23:49,260 --> 00:23:47,710 well maybe this person's traveling maybe 523 00:23:51,450 --> 00:23:49,270 there's a journey involved that journey 524 00:23:55,230 --> 00:23:51,460 that Luke Skywalker kicks takes a course 525 00:23:57,210 --> 00:23:55,240 space perhaps the same journey that this 526 00:24:02,580 --> 00:23:57,220 apprentice is taking across an ocean 527 00:24:04,650 --> 00:24:02,590 body and hence he becomes he meets a he 528 00:24:08,040 --> 00:24:04,660 meets the the dolphin he encounters the 529 00:24:10,170 --> 00:24:08,050 dolphin but this one was really a 530 00:24:15,630 --> 00:24:10,180 struggle at first to recognize because I 531 00:24:17,760 --> 00:24:15,640 my mind was stuck on the stuck on this 532 00:24:19,440 --> 00:24:17,770 concept that everything had to be 533 00:24:22,710 --> 00:24:19,450 something that was an appellative image 534 00:24:24,240 --> 00:24:22,720 already and so when we can go back to 535 00:24:26,640 --> 00:24:24,250 the image you you can look you can see 536 00:24:31,890 --> 00:24:26,650 that the shape of the form of the 537 00:24:33,660 --> 00:24:31,900 dolphin or dolphins in this image in the 538 00:24:35,580 --> 00:24:33,670 base image you can see the bottlenose it 539 00:24:39,120 --> 00:24:35,590 sticks out you can see the the different 540 00:24:41,490 --> 00:24:39,130 the different fins and it's a 541 00:24:44,190 --> 00:24:41,500 fascinating it's a fascinating journey 542 00:24:45,510 --> 00:24:44,200 that we're taking if we go to further 543 00:24:48,570 --> 00:24:45,520 down the panel Weesa find a 544 00:24:50,760 --> 00:24:48,580 Mediterranean monk seal so the artist on 545 00:24:53,730 --> 00:24:50,770 this huge 10 meter panel is creating 546 00:24:55,650 --> 00:24:53,740 life side life-size animal beings that 547 00:24:58,980 --> 00:24:55,660 overlap with each other they overlap 548 00:25:01,260 --> 00:24:58,990 body parts and this one is telling us 549 00:25:03,690 --> 00:25:01,270 again that there's a body of order it's 550 00:25:05,160 --> 00:25:03,700 that the artist the the artist is 551 00:25:08,160 --> 00:25:05,170 telling us that there's a journey that 552 00:25:10,200 --> 00:25:08,170 travel that started in Spain where we 553 00:25:12,390 --> 00:25:10,210 find the iberian lengths and travels 554 00:25:15,600 --> 00:25:12,400 across the water 555 00:25:22,110 --> 00:25:15,610 and if there's a travel across water one 556 00:25:26,340 --> 00:25:22,120 would expect a swimmer and we have a 557 00:25:29,549 --> 00:25:26,350 swimmer he's he's up by the up by the 558 00:25:31,799 --> 00:25:29,559 elephant and he he has he has two lower 559 00:25:33,810 --> 00:25:31,809 arms he's doing freestyle crawl type of 560 00:25:35,820 --> 00:25:33,820 swim and his head is bobbing up and down 561 00:25:38,250 --> 00:25:35,830 I looked at this for a long time and 562 00:25:40,650 --> 00:25:38,260 probably for the first year I saw the 563 00:25:43,710 --> 00:25:40,660 person I saw that his movement and I 564 00:25:45,570 --> 00:25:43,720 thought that he was he was climbing 565 00:25:47,280 --> 00:25:45,580 because he had that motion of kind of 566 00:25:49,830 --> 00:25:47,290 going up and down and then ultimately I 567 00:25:52,230 --> 00:25:49,840 realized that in conjunction with the 568 00:25:55,140 --> 00:25:52,240 animals that are around him particularly 569 00:25:57,150 --> 00:25:55,150 the dolphin this person is swimming and 570 00:25:59,040 --> 00:25:57,160 he becomes our first hero he's taken 571 00:26:02,040 --> 00:25:59,050 that that journey across water the 572 00:26:05,400 --> 00:26:02,050 journey into the beyond to the place of 573 00:26:09,000 --> 00:26:05,410 our imagination and his name was tripod 574 00:26:12,060 --> 00:26:09,010 his name was tripod yeah and he's got 575 00:26:15,090 --> 00:26:12,070 he's got big strong shoulders and I was 576 00:26:18,090 --> 00:26:15,100 gonna go there's something I'm sorry 577 00:26:20,970 --> 00:26:18,100 it's a very good and if I believe that 578 00:26:23,100 --> 00:26:20,980 the journey of The Apprentice it's just 579 00:26:26,310 --> 00:26:23,110 like the journey of Luke Skywalker is 580 00:26:27,990 --> 00:26:26,320 that it's not just trying to figure out 581 00:26:29,130 --> 00:26:28,000 the details and how to get along with 582 00:26:30,930 --> 00:26:29,140 others and all these sort of things but 583 00:26:32,940 --> 00:26:30,940 they were jokes and they were riddles 584 00:26:35,040 --> 00:26:32,950 just just as this riddle the hairs and 585 00:26:37,410 --> 00:26:35,050 there's there's something deep inside of 586 00:26:39,990 --> 00:26:37,420 us that draws us across water into the 587 00:26:41,640 --> 00:26:40,000 own unknown whether it be a lake river 588 00:26:44,610 --> 00:26:41,650 or beyond the horizon of the Big Blue 589 00:26:46,500 --> 00:26:44,620 the force that brings us to face our 590 00:26:48,480 --> 00:26:46,510 deaths on the this water crossing 591 00:26:51,180 --> 00:26:48,490 undeniably resides in the deepest 592 00:26:55,200 --> 00:26:51,190 well-being we know we we have this story 593 00:26:57,870 --> 00:26:55,210 from Jobe who's in the in the the belly 594 00:26:59,669 --> 00:26:57,880 of the big fish Odysseus travels around 595 00:27:02,370 --> 00:26:59,679 the ocean and in the end 596 00:27:04,740 --> 00:27:02,380 Odysseus at the end of his journey he 597 00:27:06,360 --> 00:27:04,750 takes an overnight he's kidnapped 598 00:27:07,830 --> 00:27:06,370 overnight and sent on the ship he goes 599 00:27:09,180 --> 00:27:07,840 back home so after 10 years have 600 00:27:11,130 --> 00:27:09,190 wandered around the Mediterranean he 601 00:27:14,220 --> 00:27:11,140 seems to get back in one night as if in 602 00:27:16,740 --> 00:27:14,230 a dream and this this journey across 603 00:27:19,770 --> 00:27:16,750 water is also found in the dreams of 604 00:27:21,990 --> 00:27:19,780 Jung's patients as well in the myths of 605 00:27:25,660 --> 00:27:22,000 Campbell and you can substitute this the 606 00:27:28,510 --> 00:27:25,670 body of water for for space 607 00:27:31,360 --> 00:27:28,520 or over the rainbow however you find it 608 00:27:34,750 --> 00:27:31,370 and as we continued on his panel we find 609 00:27:38,200 --> 00:27:34,760 more quirk characters in this case we 610 00:27:40,180 --> 00:27:38,210 find an another hero again he's draped 611 00:27:41,890 --> 00:27:40,190 in a red pellet as if he's killed a lion 612 00:27:44,530 --> 00:27:41,900 of some sort 613 00:27:50,470 --> 00:27:44,540 that wraps around his neck and he holds 614 00:27:53,169 --> 00:27:50,480 a big club and perhaps if you put the 615 00:27:54,940 --> 00:27:53,179 two together you put the the dolphin and 616 00:27:57,340 --> 00:27:54,950 the man together as the paler this 617 00:28:01,810 --> 00:27:57,350 artist might have seen it the Dolphins 618 00:28:03,760 --> 00:28:01,820 are lifting up the red haired man which 619 00:28:06,909 --> 00:28:03,770 is the fascinating scene if people had 620 00:28:08,730 --> 00:28:06,919 seen this in later times they would have 621 00:28:10,930 --> 00:28:08,740 come up with a story about how the 622 00:28:13,000 --> 00:28:10,940 dolphin lifted the man above the water 623 00:28:14,860 --> 00:28:13,010 how are you carried him across the seas 624 00:28:17,380 --> 00:28:14,870 and I believe that the ancient Greeks 625 00:28:19,419 --> 00:28:17,390 Romans Phoenicians and others and even 626 00:28:22,539 --> 00:28:19,429 the Egyptians had been to this cave and 627 00:28:24,610 --> 00:28:22,549 that they they took they saw the 628 00:28:27,280 --> 00:28:24,620 characters as we're seeing them now and 629 00:28:30,299 --> 00:28:27,290 they created new stories then the 630 00:28:32,710 --> 00:28:30,309 palette of artists had had envisioned 631 00:28:36,789 --> 00:28:32,720 but they found fundamental characters 632 00:28:39,850 --> 00:28:36,799 the hero on his journey and empathy of 633 00:28:43,659 --> 00:28:39,860 the animal beings we go down a little 634 00:28:47,409 --> 00:28:43,669 further down a camel down the panel we 635 00:28:48,700 --> 00:28:47,419 find the giraffes and my in my George 636 00:28:50,590 --> 00:28:48,710 and I we went back and forth about 637 00:28:52,480 --> 00:28:50,600 whether he was swimming across the 638 00:28:54,700 --> 00:28:52,490 Strait of Gibraltar go into Africa and 639 00:28:56,260 --> 00:28:54,710 whether you know what was that was the 640 00:28:57,760 --> 00:28:56,270 elephant really an African elephant it 641 00:29:01,120 --> 00:28:57,770 kind of looked like it but maybe the 642 00:29:03,510 --> 00:29:01,130 artist didn't realized it was supposed 643 00:29:06,190 --> 00:29:03,520 to have a hump as a European elephant 644 00:29:08,140 --> 00:29:06,200 you know there were a few characters we 645 00:29:10,600 --> 00:29:08,150 kind of scratched a head about but then 646 00:29:12,220 --> 00:29:10,610 we came to the giraffe and this two 647 00:29:14,830 --> 00:29:12,230 giraffes as a mother draft and a 648 00:29:17,770 --> 00:29:14,840 juvenile which wraps its head or its 649 00:29:20,049 --> 00:29:17,780 neck and around and under the mothers um 650 00:29:22,480 --> 00:29:20,059 it's a touching scene as George pointed 651 00:29:24,490 --> 00:29:22,490 out to me and the artist uses those red 652 00:29:27,340 --> 00:29:24,500 disks to create the molted pattern on 653 00:29:31,180 --> 00:29:27,350 the neck of the mother giraffe again 654 00:29:33,730 --> 00:29:31,190 it's that touching scene of empathy this 655 00:29:35,680 --> 00:29:33,740 is seen that one can't describe to 656 00:29:38,860 --> 00:29:35,690 somebody else to create an image of 657 00:29:41,340 --> 00:29:38,870 someone that had to seen that's wrath 658 00:29:44,350 --> 00:29:41,350 that image becomes the first 659 00:29:48,580 --> 00:29:44,360 archaeological evidence that man had 660 00:29:50,140 --> 00:29:48,590 traveled between Europe and Africa we 661 00:29:52,170 --> 00:29:50,150 have absolutely no other evidence 662 00:29:55,480 --> 00:29:52,180 everything else is drawn based on DNA 663 00:29:57,490 --> 00:29:55,490 and the truth there were no drafts in in 664 00:30:00,910 --> 00:29:57,500 Europe during that time period you know 665 00:30:03,880 --> 00:30:00,920 millions of years earlier there were and 666 00:30:05,650 --> 00:30:03,890 we're gonna travel to continue just 667 00:30:08,860 --> 00:30:05,660 above the giraffe is the barbary macaque 668 00:30:10,600 --> 00:30:08,870 and most people know the barbary macaque 669 00:30:12,730 --> 00:30:10,610 from the James Bond movie The Living 670 00:30:14,950 --> 00:30:12,740 Daylights with Pierce Brosnan and in the 671 00:30:16,600 --> 00:30:14,960 beginning of the movie you know one of 672 00:30:20,100 --> 00:30:16,610 the one of the good double O's is is 673 00:30:24,790 --> 00:30:20,110 taken out by somebody at your altar and 674 00:30:26,290 --> 00:30:24,800 Pierce Brosnan Brosnan races to go find 675 00:30:27,580 --> 00:30:26,300 the killer and he's driving his car down 676 00:30:29,410 --> 00:30:27,590 the hill the barbering macaws are 677 00:30:32,320 --> 00:30:29,420 jumping on the windshield and bouncing 678 00:30:35,020 --> 00:30:32,330 off and so people you know we identify 679 00:30:37,299 --> 00:30:35,030 the barbary macaque as a Gibraltar 680 00:30:38,890 --> 00:30:37,309 animal but in fact the macaw has only 681 00:30:40,990 --> 00:30:38,900 been there a few hundred years it's 682 00:30:42,790 --> 00:30:41,000 indigenous to the Atlas Mountains of 683 00:30:44,440 --> 00:30:42,800 Western North Africa and George 684 00:30:45,700 --> 00:30:44,450 identified the barbaric where you can 685 00:30:48,340 --> 00:30:45,710 actually see this barbaric eye it's 686 00:30:51,330 --> 00:30:48,350 actually was the palliative artists 687 00:30:54,340 --> 00:30:51,340 created the this the exact same 688 00:30:57,010 --> 00:30:54,350 expressions and body movements of a 689 00:30:59,260 --> 00:30:57,020 barber come the the one in the in the 690 00:31:01,919 --> 00:30:59,270 pelleted image looks just like one 691 00:31:04,870 --> 00:31:01,929 that's sitting in Gibraltar today and 692 00:31:07,440 --> 00:31:04,880 and George George said it was a 693 00:31:13,470 --> 00:31:07,450 definitely barber car based on that wide 694 00:31:18,610 --> 00:31:13,480 rear which is not common to any other 695 00:31:19,930 --> 00:31:18,620 ape and now here we go to the lion and 696 00:31:22,600 --> 00:31:19,940 lioness which is actually the first 697 00:31:24,730 --> 00:31:22,610 image that I brought up to George or 698 00:31:26,830 --> 00:31:24,740 maybe the second because George is um 699 00:31:29,470 --> 00:31:26,840 he's a what he's a big cat guy 700 00:31:31,210 --> 00:31:29,480 he still is and during our conversations 701 00:31:33,130 --> 00:31:31,220 and going back at our email 702 00:31:36,100 --> 00:31:33,140 conversations he would disappear off 703 00:31:37,870 --> 00:31:36,110 into Afghanistan to look at cheetahs and 704 00:31:38,950 --> 00:31:37,880 a month later he touched back and give 705 00:31:41,020 --> 00:31:38,960 me an answer on something that I've been 706 00:31:44,440 --> 00:31:41,030 waiting on in this case we have two 707 00:31:47,530 --> 00:31:44,450 lines we have the male lion at the top 708 00:31:49,690 --> 00:31:47,540 with that big main and he's crouched 709 00:31:52,000 --> 00:31:49,700 he's crouched with a long body then the 710 00:31:52,690 --> 00:31:52,010 female lioness has that blockhead is 711 00:31:55,030 --> 00:31:52,700 coming up to 712 00:31:57,340 --> 00:31:55,040 his head lick his face now what's unique 713 00:31:59,470 --> 00:31:57,350 about this is there there work eight 714 00:32:02,350 --> 00:31:59,480 there were lions in in Europe at the 715 00:32:05,980 --> 00:32:02,360 time but they didn't have means which 716 00:32:10,990 --> 00:32:05,990 was entirely a African phenomenon and 717 00:32:13,270 --> 00:32:11,000 still as today now where were these like 718 00:32:17,050 --> 00:32:13,280 the the discs were were obviously 719 00:32:19,300 --> 00:32:17,060 painted on were these drawings carved or 720 00:32:21,730 --> 00:32:19,310 are these completely natural formations 721 00:32:23,350 --> 00:32:21,740 that are being interpreted or were 722 00:32:26,050 --> 00:32:23,360 interpreted by these shamans and 723 00:32:28,870 --> 00:32:26,060 presented to the you know to the 724 00:32:32,950 --> 00:32:28,880 initiatives good question so there's 725 00:32:36,040 --> 00:32:32,960 there's a the there were natural 726 00:32:41,440 --> 00:32:36,050 formations on the panel itself that the 727 00:32:43,570 --> 00:32:41,450 artists then saw in so maybe they saw 728 00:32:46,240 --> 00:32:43,580 the shape of a horse and then enhance 729 00:32:49,030 --> 00:32:46,250 that they added the red they added the 730 00:32:51,460 --> 00:32:49,040 black they scraped off layers of organic 731 00:32:56,080 --> 00:32:51,470 matter or kept layers of organic matter 732 00:32:58,150 --> 00:32:56,090 to keep the to make it look more like 733 00:33:01,510 --> 00:32:58,160 what they wanted to it but that's a 734 00:33:03,250 --> 00:33:01,520 really good question so this so some 735 00:33:05,260 --> 00:33:03,260 people would look at these image and in 736 00:33:06,850 --> 00:33:05,270 any cave image just say you know maybe 737 00:33:09,000 --> 00:33:06,860 we're just making it up sort of like the 738 00:33:11,170 --> 00:33:09,010 the man on them on what the face on Mars 739 00:33:14,050 --> 00:33:11,180 some people believe that face on Mars 740 00:33:15,520 --> 00:33:14,060 and well you could look at any K panel 741 00:33:17,200 --> 00:33:15,530 you can say okay I can see this and I 742 00:33:20,500 --> 00:33:17,210 can see that but you're not going to see 743 00:33:24,850 --> 00:33:20,510 this array of animals with all the 744 00:33:27,610 --> 00:33:24,860 taxonomic details which is you know so 745 00:33:29,200 --> 00:33:27,620 this was created by the people and if we 746 00:33:30,670 --> 00:33:29,210 go to the top of the panel gonna find a 747 00:33:34,210 --> 00:33:30,680 few more animals we're gonna find bears 748 00:33:36,760 --> 00:33:34,220 and the the artists used the the natural 749 00:33:39,520 --> 00:33:36,770 dark part at the top of the top of the 750 00:33:42,970 --> 00:33:39,530 panel to form his bears and you see a 751 00:33:44,290 --> 00:33:42,980 mother bear and her - probably yearling 752 00:33:46,420 --> 00:33:44,300 based on the shape of the heads like 753 00:33:50,860 --> 00:33:46,430 conical heads they're probably yearling 754 00:33:53,950 --> 00:33:50,870 Cubs so the artist not not only captured 755 00:33:58,560 --> 00:33:53,960 a sort of this geography of the animals 756 00:34:02,580 --> 00:33:58,570 but the artists also found the the the 757 00:34:05,590 --> 00:34:02,590 he the artists utilize the natural 758 00:34:06,460 --> 00:34:05,600 features of the rock to create his 759 00:34:10,030 --> 00:34:06,470 characters 760 00:34:12,010 --> 00:34:10,040 which goes back to what you were you 761 00:34:13,629 --> 00:34:12,020 were asking and here's another good 762 00:34:15,819 --> 00:34:13,639 example of that as well we find a 763 00:34:18,849 --> 00:34:15,829 striped reptile and in this case the 764 00:34:21,399 --> 00:34:18,859 artist uses the red discs to create a 765 00:34:23,829 --> 00:34:21,409 that either Multiverse striped pattern 766 00:34:27,099 --> 00:34:23,839 on the lizard or whatever the reptile is 767 00:34:31,300 --> 00:34:27,109 like we can't identify based on the the 768 00:34:33,909 --> 00:34:31,310 taxonomy of this animal being but again 769 00:34:36,879 --> 00:34:33,919 the artists use natural features 770 00:34:42,309 --> 00:34:36,889 enhanced enhanced the the rock face and 771 00:34:45,040 --> 00:34:42,319 then put put things on top of it and he 772 00:34:47,950 --> 00:34:45,050 uses red throughout the the panel in 773 00:34:49,930 --> 00:34:47,960 this case we find the oldest female 774 00:34:52,569 --> 00:34:49,940 effigy at thirty four thousand years old 775 00:34:54,879 --> 00:34:52,579 and she has braided red hair if you 776 00:34:58,630 --> 00:34:54,889 remember earlier the the man with the 777 00:35:00,579 --> 00:34:58,640 big club had red hair as well and so 778 00:35:02,819 --> 00:35:00,589 there's a there's some sort of tradition 779 00:35:06,309 --> 00:35:02,829 whether it be natural red hair or 780 00:35:08,500 --> 00:35:06,319 putting red into people's hair for some 781 00:35:10,210 --> 00:35:08,510 symbolic value and she's really 782 00:35:11,890 --> 00:35:10,220 interesting because you can look at her 783 00:35:13,690 --> 00:35:11,900 facial expressions you can learn a lot 784 00:35:16,030 --> 00:35:13,700 about her she's kind of grimacing she's 785 00:35:17,680 --> 00:35:16,040 a little bit worried perhaps you can see 786 00:35:20,440 --> 00:35:17,690 that she's young because she has a full 787 00:35:23,500 --> 00:35:20,450 chin and she has these strong chin and 788 00:35:25,540 --> 00:35:23,510 these full these these faux her breasts 789 00:35:27,609 --> 00:35:25,550 are full and she has strong cheekbones 790 00:35:29,109 --> 00:35:27,619 and you can see kind of a but you can 791 00:35:31,510 --> 00:35:29,119 see kind of will worried look about her 792 00:35:34,089 --> 00:35:31,520 which may be telling us what's going on 793 00:35:36,460 --> 00:35:34,099 in this story we have this man who swims 794 00:35:39,010 --> 00:35:36,470 across the body of water and he's 795 00:35:41,410 --> 00:35:39,020 encountering different animal beings he 796 00:35:44,170 --> 00:35:41,420 and there's this woman who's has this 797 00:35:46,540 --> 00:35:44,180 this worried look so perhaps that's 798 00:35:50,020 --> 00:35:46,550 something that's part of the story and 799 00:35:52,870 --> 00:35:50,030 she is the oldest female that we have by 800 00:35:55,000 --> 00:35:52,880 about ten thousand years I know now 801 00:35:58,450 --> 00:35:55,010 obviously these these paintings would 802 00:36:00,849 --> 00:35:58,460 have been would have been done by more 803 00:36:03,579 --> 00:36:00,859 of an and adept or a shaman within the 804 00:36:06,520 --> 00:36:03,589 tribe and you know during that time it's 805 00:36:10,210 --> 00:36:06,530 like is it possible or is there any 806 00:36:11,650 --> 00:36:10,220 indication that and again I'm going to 807 00:36:14,680 --> 00:36:11,660 use the dental or language that these 808 00:36:19,030 --> 00:36:14,690 people were high as as as effing kites 809 00:36:22,800 --> 00:36:19,040 on some type of cyclamen or 810 00:36:26,830 --> 00:36:22,810 some other type of plant that may have 811 00:36:30,220 --> 00:36:26,840 provided more of a abstract style to the 812 00:36:31,510 --> 00:36:30,230 art well I'm not sure if there's an so 813 00:36:35,350 --> 00:36:31,520 I'm not sure if there's actually an 814 00:36:38,290 --> 00:36:35,360 abstract style as people find with the 815 00:36:40,450 --> 00:36:38,300 app that artists in the Amazon because 816 00:36:42,430 --> 00:36:40,460 we're seeing and that the next slide is 817 00:36:44,860 --> 00:36:42,440 gonna answer your question because we're 818 00:36:49,630 --> 00:36:44,870 seeing a little more detail than people 819 00:36:51,940 --> 00:36:49,640 find in through closing Jetix substances 820 00:36:53,320 --> 00:36:51,950 and the next slide is real is really the 821 00:36:56,230 --> 00:36:53,330 one that answers that question 822 00:36:59,650 --> 00:36:56,240 so when people do these psychedelic 823 00:37:03,550 --> 00:36:59,660 drugs and they they they paint or they 824 00:37:05,440 --> 00:37:03,560 draw or they sing what they see okay and 825 00:37:07,990 --> 00:37:05,450 it's something that's their reality in 826 00:37:10,240 --> 00:37:08,000 that moment but it's not a reality of 827 00:37:12,550 --> 00:37:10,250 all time it's their own personal 828 00:37:14,650 --> 00:37:12,560 experience and we're gonna we're gonna 829 00:37:17,380 --> 00:37:14,660 go to the next slide which really tells 830 00:37:20,470 --> 00:37:17,390 us what's kind of puts this part of the 831 00:37:22,600 --> 00:37:20,480 story together okay and we're gonna let 832 00:37:24,250 --> 00:37:22,610 you just well in this a moment dwell on 833 00:37:26,830 --> 00:37:24,260 at the moment and I'm gonna kind of read 834 00:37:28,270 --> 00:37:26,840 these off as we go so we're going to 835 00:37:30,070 --> 00:37:28,280 learn now that this was not a 836 00:37:33,940 --> 00:37:30,080 hallucinogen experience and this was not 837 00:37:35,830 --> 00:37:33,950 a these are not at random if we start 838 00:37:39,580 --> 00:37:35,840 we're going to go to the the dark image 839 00:37:41,230 --> 00:37:39,590 to the top right and a is the 840 00:37:44,950 --> 00:37:41,240 constellation Hercules well though 841 00:37:51,430 --> 00:37:44,960 Hercules is B which is Agia the Eagle C 842 00:37:54,790 --> 00:37:51,440 is Pegasus the horse E is Pisces which 843 00:37:57,540 --> 00:37:54,800 we found is the dolphin F is C this the 844 00:38:00,880 --> 00:37:57,550 sea monster which became the seal G is 845 00:38:04,120 --> 00:38:00,890 Perseus which became the body of the 846 00:38:06,340 --> 00:38:04,130 elephant going down to the low frame we 847 00:38:08,650 --> 00:38:06,350 have h which is Agia which is arooga 848 00:38:10,990 --> 00:38:08,660 which is that the ER and the head of the 849 00:38:13,750 --> 00:38:11,000 elephant eye is taurus which looks like 850 00:38:15,580 --> 00:38:13,760 the the trunk of the elephant J is Lynx 851 00:38:18,580 --> 00:38:15,590 which is the either body of the links 852 00:38:21,540 --> 00:38:18,590 that we saw or it becomes the trunk of 853 00:38:26,230 --> 00:38:21,550 the elephant from a kind of a ninety 854 00:38:28,690 --> 00:38:26,240 perspective K is Ursa Major and you can 855 00:38:31,150 --> 00:38:28,700 kind of look at Ursa Major the 856 00:38:32,800 --> 00:38:31,160 constellation the area where you have 857 00:38:36,060 --> 00:38:32,810 that K looks like the mother 858 00:38:40,000 --> 00:38:36,070 the mother bear and those and the two 859 00:38:43,360 --> 00:38:40,010 conical shapes looks like the shapes of 860 00:38:47,940 --> 00:38:43,370 the two juvenile cups L becomes Leo the 861 00:38:53,350 --> 00:38:47,950 Lion M is is Gemini which is either the 862 00:38:56,380 --> 00:38:53,360 that that cylindrical shape of the the 863 00:38:57,850 --> 00:38:56,390 lioness or the two eyes because the 864 00:39:02,440 --> 00:38:57,860 Barbary macaques are in the same place 865 00:39:06,310 --> 00:39:02,450 and then n becomes is a Ryan and in the 866 00:39:09,940 --> 00:39:06,320 night sky at that time Hercules was on 867 00:39:12,190 --> 00:39:09,950 one was on the north end and Orion was 868 00:39:14,500 --> 00:39:12,200 on the south and on this end of that we 869 00:39:17,260 --> 00:39:14,510 saw Orion we also found that the barbary 870 00:39:19,150 --> 00:39:17,270 macaque we found the lion the lioness 871 00:39:21,550 --> 00:39:19,160 and we found the giraffe so that's the 872 00:39:23,230 --> 00:39:21,560 sort to the south we found the iberian 873 00:39:26,080 --> 00:39:23,240 lynx to the north where we found the 874 00:39:29,850 --> 00:39:26,090 cosmic man as we found the the eagle and 875 00:39:34,870 --> 00:39:29,860 the presencia ciske horse which is a 876 00:39:37,360 --> 00:39:34,880 indigenous to to Eurasia and so this the 877 00:39:39,940 --> 00:39:37,370 pillar that artists had a skiing to this 878 00:39:44,530 --> 00:39:39,950 he's telling a story a story that's not 879 00:39:46,870 --> 00:39:44,540 just on land of a journey but it's a 880 00:39:48,270 --> 00:39:46,880 story that's in the night sky and that 881 00:39:51,310 --> 00:39:48,280 travels through the seasons and the 882 00:39:53,110 --> 00:39:51,320 initiate apprentice I believe took this 883 00:39:55,690 --> 00:39:53,120 journey he took this journey to Western 884 00:39:58,360 --> 00:39:55,700 North Africa and as he traveled he saw 885 00:40:02,350 --> 00:39:58,370 these different animals as he moved 886 00:40:06,640 --> 00:40:02,360 along and these animals told him a lot 887 00:40:09,970 --> 00:40:06,650 about himself and he learned about the 888 00:40:12,220 --> 00:40:09,980 nurturing giraffe and and the protective 889 00:40:15,150 --> 00:40:12,230 draught with with the with the juvenile 890 00:40:17,710 --> 00:40:15,160 and how the the iberian lynx 891 00:40:23,440 --> 00:40:17,720 you know the the kitten knows was up to 892 00:40:25,840 --> 00:40:23,450 the cats rough under the chin so the the 893 00:40:28,510 --> 00:40:25,850 apprentice learned about himself all 894 00:40:30,280 --> 00:40:28,520 these experiences and you kind of think 895 00:40:32,170 --> 00:40:30,290 about the first star was movie look goes 896 00:40:33,880 --> 00:40:32,180 into that that bar and I can't remember 897 00:40:35,230 --> 00:40:33,890 the bar and there's all these like wild 898 00:40:36,760 --> 00:40:35,240 creatures it's the first time we see 899 00:40:39,280 --> 00:40:36,770 something like that in movies and the 900 00:40:42,370 --> 00:40:39,290 plain fun music and but they're really 901 00:40:43,900 --> 00:40:42,380 wacky um well that's the same thing that 902 00:40:47,060 --> 00:40:43,910 this pillar the apprentice would have 903 00:40:48,980 --> 00:40:47,070 had as he traveled into western North 904 00:40:50,990 --> 00:40:48,990 he would have seen this wide range of 905 00:40:51,980 --> 00:40:51,000 animals that he'd never seen before but 906 00:40:54,500 --> 00:40:51,990 he also would have seen them in the 907 00:40:56,120 --> 00:40:54,510 night sky and then Hermetic tradition so 908 00:40:58,640 --> 00:40:56,130 above above so below 909 00:41:00,560 --> 00:40:58,650 this is exactly what's going on and we 910 00:41:02,240 --> 00:41:00,570 kind of do this today the United States 911 00:41:05,030 --> 00:41:02,250 is of course the the land of the Eagle 912 00:41:07,040 --> 00:41:05,040 to free and the brave Russia is the bear 913 00:41:08,660 --> 00:41:07,050 and you can go around your state you can 914 00:41:10,370 --> 00:41:08,670 find some sort of animal and these are 915 00:41:13,280 --> 00:41:10,380 typically animals that are indigenous to 916 00:41:15,740 --> 00:41:13,290 that place and one in the in the 917 00:41:19,430 --> 00:41:15,750 palliative mind they just didn't see 918 00:41:24,530 --> 00:41:19,440 them on land and in the myths they saw 919 00:41:26,450 --> 00:41:24,540 them in the in the night skies and we're 920 00:41:28,100 --> 00:41:26,460 gonna we're gonna do one more slide then 921 00:41:29,480 --> 00:41:28,110 we're going to pop off slides for a 922 00:41:32,720 --> 00:41:29,490 minute and just kind of chat and catch 923 00:41:35,480 --> 00:41:32,730 up on you know what we're doing and in 924 00:41:37,250 --> 00:41:35,490 this slide I write that myths are passed 925 00:41:39,670 --> 00:41:37,260 through through the seasons of the night 926 00:41:42,460 --> 00:41:39,680 sky that's constellations and stars 927 00:41:44,540 --> 00:41:42,470 projecting man psyche into the cosmos 928 00:41:46,970 --> 00:41:44,550 characters that are light years from 929 00:41:49,310 --> 00:41:46,980 Earth but still within the grasp of the 930 00:41:51,440 --> 00:41:49,320 human imagination so we're going to take 931 00:41:54,170 --> 00:41:51,450 a break now from the slides and Bernie's 932 00:41:56,030 --> 00:41:54,180 going to jump in and I'm sure the slides 933 00:41:58,220 --> 00:41:56,040 were more interesting than me 934 00:42:00,290 --> 00:41:58,230 but this might be a good time to just 935 00:42:01,700 --> 00:42:00,300 chat I don't know I'm just gonna try and 936 00:42:06,290 --> 00:42:01,710 see if I got to bring this on here 937 00:42:08,270 --> 00:42:06,300 there we go split screen okay so Bernie 938 00:42:10,810 --> 00:42:08,280 I have to say well at first two things 939 00:42:13,550 --> 00:42:10,820 and like when you and I were discussing 940 00:42:15,349 --> 00:42:13,560 the the book beforehand and you said 941 00:42:18,050 --> 00:42:15,359 okay well let's see if we can get Alex 942 00:42:21,490 --> 00:42:18,060 in here and I know Alex he well it's 943 00:42:23,960 --> 00:42:21,500 it's wintertime and and with he's 944 00:42:25,040 --> 00:42:23,970 extremely busy I know that you wanted to 945 00:42:26,720 --> 00:42:25,050 make sure that he would be able to take 946 00:42:27,950 --> 00:42:26,730 the journey so I said okay well you know 947 00:42:28,880 --> 00:42:27,960 I'm gonna stop reading the book because 948 00:42:31,460 --> 00:42:28,890 I want to make sure that at least you 949 00:42:32,900 --> 00:42:31,470 got somebody going in fresh because you 950 00:42:34,310 --> 00:42:32,910 said the full impact happens when you 951 00:42:35,540 --> 00:42:34,320 actually go through the journey with you 952 00:42:39,950 --> 00:42:35,550 the first thing I have to say is holy 953 00:42:42,260 --> 00:42:39,960 crap and the second one there is still 954 00:42:47,000 --> 00:42:42,270 that rational questioning part of my 955 00:42:48,560 --> 00:42:47,010 mind that has to say okay well and I'm 956 00:42:50,440 --> 00:42:48,570 also thinking from from a skeptics 957 00:42:57,340 --> 00:42:50,450 standpoint because you have to nowadays 958 00:43:00,560 --> 00:42:57,350 sure what what really makes its 959 00:43:02,780 --> 00:43:00,570 apparent that these drawings were there 960 00:43:06,740 --> 00:43:02,790 is it is it possible that this is not 961 00:43:11,150 --> 00:43:06,750 some type of you know pattern isset II 962 00:43:14,770 --> 00:43:11,160 or Apple take take a shot ladies and 963 00:43:18,260 --> 00:43:14,780 gentlemen apatheia apophenia apophenia 964 00:43:20,180 --> 00:43:18,270 the trying to see order and patterns in 965 00:43:23,830 --> 00:43:20,190 everyday objects where there may not be 966 00:43:26,000 --> 00:43:23,840 any that that are apparent how did you 967 00:43:27,590 --> 00:43:26,010 come to the realization that these 968 00:43:30,470 --> 00:43:27,600 shapes were there and what was the 969 00:43:32,480 --> 00:43:30,480 process that you had started so I was 970 00:43:34,400 --> 00:43:32,490 writing a book I'd written a previous 971 00:43:36,530 --> 00:43:34,410 book biological time which is a 972 00:43:39,080 --> 00:43:36,540 chronobiology and I was studying how 973 00:43:41,030 --> 00:43:39,090 plants and animals time themselves and I 974 00:43:44,450 --> 00:43:41,040 came across the concept of solar lunar 975 00:43:46,310 --> 00:43:44,460 timing in migrations I look back into 976 00:43:49,880 --> 00:43:46,320 the Paleolithic record in the cave at 977 00:43:53,480 --> 00:43:49,890 Lascaux and I saw that there were images 978 00:43:55,550 --> 00:43:53,490 of animals that were seasonal depictions 979 00:43:58,040 --> 00:43:55,560 that had marks under them and typically 980 00:44:03,110 --> 00:43:58,050 dots and I correlated some of those 981 00:44:06,500 --> 00:44:03,120 those markings to the seasonality of the 982 00:44:08,570 --> 00:44:06,510 animals and there was one image that had 983 00:44:10,730 --> 00:44:08,580 it's a big mega la Souris which is sort 984 00:44:12,470 --> 00:44:10,740 of like a she's a huge elk it's bigger 985 00:44:17,540 --> 00:44:12,480 than that bigger bigger rat than an elk 986 00:44:21,020 --> 00:44:17,550 and it has this these huge antlers and 987 00:44:22,880 --> 00:44:21,030 it's blowing the stream of of mist out 988 00:44:26,030 --> 00:44:22,890 that you could see in the image and 989 00:44:28,700 --> 00:44:26,040 under it under it with 13 marks and and 990 00:44:32,240 --> 00:44:28,710 you account 13 from the from the first 991 00:44:33,770 --> 00:44:32,250 the first first new moon count 13 you 992 00:44:35,240 --> 00:44:33,780 come to the full moon which is when the 993 00:44:38,270 --> 00:44:35,250 animals were coming together to rock 994 00:44:41,630 --> 00:44:38,280 which is what I showed empirically in 995 00:44:45,500 --> 00:44:41,640 biological time well I put that aside 996 00:44:47,990 --> 00:44:45,510 about 12 years ago and now that cut now 997 00:44:50,690 --> 00:44:48,000 that is all pretty much mainstream when 998 00:44:53,150 --> 00:44:50,700 I did it was I was a lows out there and 999 00:44:54,890 --> 00:44:53,160 I started this other book and I was 1000 00:44:56,630 --> 00:44:54,900 going to just continue on that same path 1001 00:44:58,640 --> 00:44:56,640 and just include more caves and I 1002 00:45:01,910 --> 00:44:58,650 recognized a few more things about the 1003 00:45:03,110 --> 00:45:01,920 Lascaux images and then I said to myself 1004 00:45:04,940 --> 00:45:03,120 you know maybe I need to look further 1005 00:45:07,720 --> 00:45:04,950 back in time and that's about the same 1006 00:45:10,820 --> 00:45:07,730 time that the El Castillo gallery or the 1007 00:45:11,210 --> 00:45:10,830 panel of hands with that red dot date 1008 00:45:14,480 --> 00:45:11,220 before 1009 00:45:16,760 --> 00:45:14,490 kay was was found and I looked through 1010 00:45:18,880 --> 00:45:16,770 the cave and I saw that panel with the 1011 00:45:20,720 --> 00:45:18,890 you know these eighty or so discs the 1012 00:45:23,990 --> 00:45:20,730 the gallery of discs 1013 00:45:27,260 --> 00:45:24,000 ten meters across it's huge and the 1014 00:45:29,570 --> 00:45:27,270 official account was that his only read 1015 00:45:32,630 --> 00:45:29,580 discs but in the Paleolithic record the 1016 00:45:34,940 --> 00:45:32,640 most common character is the horse and 1017 00:45:36,290 --> 00:45:34,950 it's typically a pregnant mare as we 1018 00:45:38,690 --> 00:45:36,300 found ultimately found with this gallery 1019 00:45:40,730 --> 00:45:38,700 discs and I said to myself you know on 1020 00:45:42,890 --> 00:45:40,740 that in that ten meters there's got to 1021 00:45:45,020 --> 00:45:42,900 be more than these just these discs this 1022 00:45:47,359 --> 00:45:45,030 is a huge flat panel so I started 1023 00:45:49,280 --> 00:45:47,369 looking for the horse well I didn't find 1024 00:45:51,830 --> 00:45:49,290 the horse unto two and a half years 1025 00:45:53,810 --> 00:45:51,840 later I found the elephant right away 1026 00:45:56,359 --> 00:45:53,820 within within minutes I saw the elephant 1027 00:45:59,660 --> 00:45:56,369 I saw the teacher in the apprentice you 1028 00:46:02,270 --> 00:45:59,670 know ten minutes later I saw that the 1029 00:46:06,260 --> 00:46:02,280 line shortly after that within a few 1030 00:46:08,450 --> 00:46:06,270 hours I saw maybe a dozen characters so 1031 00:46:10,760 --> 00:46:08,460 the reason how did I see this when other 1032 00:46:13,760 --> 00:46:10,770 people didn't is that I wasn't captivate 1033 00:46:15,650 --> 00:46:13,770 or hypnotized by these red disks I asked 1034 00:46:18,440 --> 00:46:15,660 the question could there be more in it 1035 00:46:21,380 --> 00:46:18,450 okay now this is um 1036 00:46:23,480 --> 00:46:21,390 so there's nobody's smarter or less 1037 00:46:25,609 --> 00:46:23,490 smart than anybody else and this goes 1038 00:46:27,890 --> 00:46:25,619 back to basic instinct nicholas 1039 00:46:30,650 --> 00:46:27,900 Tinbergen won a nobel prize for his book 1040 00:46:33,320 --> 00:46:30,660 the study of instinct and he had this 1041 00:46:35,359 --> 00:46:33,330 how he came to this concept of other 1042 00:46:37,190 --> 00:46:35,369 read was he had these sticklebacks 1043 00:46:39,230 --> 00:46:37,200 three-spined stickleback so it's kind of 1044 00:46:41,990 --> 00:46:39,240 a prey fish and they're sitting in the 1045 00:46:45,440 --> 00:46:42,000 fish tank by his window and every time a 1046 00:46:47,870 --> 00:46:45,450 red delivery truck came by the the fish 1047 00:46:50,420 --> 00:46:47,880 went into a defensive posture and since 1048 00:46:52,099 --> 00:46:50,430 the sticklebacks are brainstem dominated 1049 00:46:55,790 --> 00:46:52,109 they don't have cognitive thinking as we 1050 00:46:58,339 --> 00:46:55,800 do tim bergen suggested that it's a 1051 00:47:00,890 --> 00:46:58,349 basic instinct and we've we've now 1052 00:47:02,780 --> 00:47:00,900 Madison Avenue of course have gone on to 1053 00:47:05,390 --> 00:47:02,790 use that concept if you drive down any 1054 00:47:07,339 --> 00:47:05,400 highway you're gonna see stop signs 1055 00:47:09,109 --> 00:47:07,349 we don't have green and blue stop signs 1056 00:47:13,520 --> 00:47:09,119 because they blend into now al green and 1057 00:47:15,770 --> 00:47:13,530 blue world you look at McDonald's and DQ 1058 00:47:18,349 --> 00:47:15,780 and and Burger King they've got red in 1059 00:47:21,740 --> 00:47:18,359 them because it stops us it gets our 1060 00:47:24,080 --> 00:47:21,750 attention and that's it's well known in 1061 00:47:25,670 --> 00:47:24,090 the in the world of 1062 00:47:29,180 --> 00:47:25,680 Marketing and it's based on the work of 1063 00:47:32,170 --> 00:47:29,190 Tinbergen but Tinbergen didn't discover 1064 00:47:34,970 --> 00:47:32,180 that concept the Paleolithic artists did 1065 00:47:36,860 --> 00:47:34,980 and he does this in other caves - they 1066 00:47:38,240 --> 00:47:36,870 do these in other caves and what they 1067 00:47:40,700 --> 00:47:38,250 were doing it was they were testing the 1068 00:47:43,460 --> 00:47:40,710 apprentice could they see the forest 1069 00:47:44,990 --> 00:47:43,470 through the trees or in this case could 1070 00:47:47,390 --> 00:47:45,000 you see the savanna through the doctor 1071 00:47:48,650 --> 00:47:47,400 read disks and if you can't see the 1072 00:47:50,630 --> 00:47:48,660 multiple perspectives 1073 00:47:54,910 --> 00:47:50,640 just as the Tuareg riddle of how many 1074 00:47:58,130 --> 00:47:54,920 hairs is a man half how could you 1075 00:48:02,120 --> 00:47:58,140 spiritually lead intellectually lead how 1076 00:48:05,660 --> 00:48:02,130 could you be the the go-to guru in the 1077 00:48:07,220 --> 00:48:05,670 clan now so what one question that I'm 1078 00:48:08,930 --> 00:48:07,230 getting in in the chat room is as you 1079 00:48:10,790 --> 00:48:08,940 know we tend to take the Socratic method 1080 00:48:13,220 --> 00:48:10,800 here when it comes to conversation and 1081 00:48:16,040 --> 00:48:13,230 presentations and I believe this one is 1082 00:48:18,260 --> 00:48:16,050 actually coming from Dean who's asking 1083 00:48:20,530 --> 00:48:18,270 about the stick men with dots under each 1084 00:48:22,400 --> 00:48:20,540 arm in all of the caves around the world 1085 00:48:25,310 --> 00:48:22,410 new theory is stating that they 1086 00:48:28,670 --> 00:48:25,320 represents a plasmatic of plasmatic 1087 00:48:32,660 --> 00:48:28,680 events from the Sun is yeah I can't 1088 00:48:37,280 --> 00:48:32,670 speak to that okay and there's all cave 1089 00:48:40,790 --> 00:48:37,290 images are not based on the same formula 1090 00:48:42,490 --> 00:48:40,800 this guy or disc has a theme of we see 1091 00:48:45,710 --> 00:48:42,500 this hero's journey is in the night sky 1092 00:48:49,940 --> 00:48:45,720 all cave images don't have this the sky 1093 00:48:51,800 --> 00:48:49,950 and terrestrial connection um so there's 1094 00:48:54,470 --> 00:48:51,810 no generic answer okay 1095 00:48:56,060 --> 00:48:54,480 to any of it now here's here's an 1096 00:48:59,090 --> 00:48:56,070 interesting one because this has been 1097 00:49:00,950 --> 00:48:59,100 done again you know the story of course 1098 00:49:04,190 --> 00:49:00,960 we've seen Close Encounters in Close 1099 00:49:06,890 --> 00:49:04,200 Encounters they have this dream of the 1100 00:49:09,010 --> 00:49:06,900 mountain and they the Richard Dreyfuss 1101 00:49:11,510 --> 00:49:09,020 character builds up the cat the 1102 00:49:16,940 --> 00:49:11,520 archetypal character of a mountain which 1103 00:49:20,390 --> 00:49:16,950 is Devil's Tower in the Black Hills and 1104 00:49:22,730 --> 00:49:20,400 I believe that Steven Spielberg was 1105 00:49:24,530 --> 00:49:22,740 study the psychology of people to come 1106 00:49:28,310 --> 00:49:24,540 up with that concept but he also 1107 00:49:31,700 --> 00:49:28,320 correlated it to the practices of the 1108 00:49:33,110 --> 00:49:31,710 Lakota Sioux the Lakota suits from the 1109 00:49:35,030 --> 00:49:33,120 spring until the winters but to the 1110 00:49:36,890 --> 00:49:35,040 summer solstice traveled around the 1111 00:49:38,060 --> 00:49:36,900 Black Hills and they follow the 1112 00:49:39,770 --> 00:49:38,070 constellations 1113 00:49:42,800 --> 00:49:39,780 and the final constellation that they 1114 00:49:46,400 --> 00:49:42,810 they stopped at as it as it came on 1115 00:49:48,530 --> 00:49:46,410 first sight in in the Sun and this the 1116 00:49:50,210 --> 00:49:48,540 final site that they stopped at was what 1117 00:49:52,190 --> 00:49:50,220 we call Devils Tower which was their 1118 00:49:55,310 --> 00:49:52,200 Bear Lodge which is the constellation of 1119 00:49:57,500 --> 00:49:55,320 Gemini and correct so as we take this we 1120 00:49:59,000 --> 00:49:57,510 take this the same journey the same 1121 00:50:01,580 --> 00:49:59,010 journey at the pillar that artist took 1122 00:50:03,530 --> 00:50:01,590 at the end of it in the southern end he 1123 00:50:06,410 --> 00:50:03,540 comes to the barbary macaque the lioness 1124 00:50:08,900 --> 00:50:06,420 which is Gemini in the constellations 1125 00:50:12,140 --> 00:50:08,910 and that's a in that it's a Midsummer 1126 00:50:15,260 --> 00:50:12,150 time time period just which ties into 1127 00:50:16,730 --> 00:50:15,270 the the life history strategies of these 1128 00:50:20,950 --> 00:50:16,740 animals and their time periods they're 1129 00:50:24,080 --> 00:50:20,960 all in June as Lakota Sioux did in their 1130 00:50:26,360 --> 00:50:24,090 their ceremony that at the summer 1131 00:50:30,850 --> 00:50:26,370 solstice and their ceremony what is the 1132 00:50:33,140 --> 00:50:30,860 Sun Dance where they celebrated life 1133 00:50:36,440 --> 00:50:33,150 suffering and what you can find through 1134 00:50:39,820 --> 00:50:36,450 that suffering which is eat you know to 1135 00:50:45,470 --> 00:50:39,830 see to reach into the the great mystery 1136 00:50:46,760 --> 00:50:45,480 now that's pretty heavy you see you see 1137 00:50:48,830 --> 00:50:46,770 this red curtain back here that's 1138 00:50:51,800 --> 00:50:48,840 because my brains been blown up out the 1139 00:50:55,400 --> 00:50:51,810 back of my head you know how does this 1140 00:50:59,210 --> 00:50:55,410 relate to the earlier cultures that were 1141 00:51:01,180 --> 00:50:59,220 within that area how did this I'm going 1142 00:51:04,730 --> 00:51:01,190 to say how much was known about the 1143 00:51:07,160 --> 00:51:04,740 tradition of teaching initiate this way 1144 00:51:09,710 --> 00:51:07,170 is this something that we have any idea 1145 00:51:10,640 --> 00:51:09,720 of is there any artifacts or well 1146 00:51:13,490 --> 00:51:10,650 obviously they didn't have any writing 1147 00:51:17,150 --> 00:51:13,500 at the time but is is this more of a 1148 00:51:20,300 --> 00:51:17,160 hypothesis that's seeming to be looked 1149 00:51:22,460 --> 00:51:20,310 at or understood by you know 1150 00:51:25,490 --> 00:51:22,470 sociologists and archeologists more or 1151 00:51:28,820 --> 00:51:25,500 is this more of a fringe theory that 1152 00:51:30,260 --> 00:51:28,830 that people are dismissing well I've 1153 00:51:31,720 --> 00:51:30,270 just put this thing back almost thirty 1154 00:51:34,160 --> 00:51:31,730 thousand years and what we've previously 1155 00:51:37,670 --> 00:51:34,170 recognized okay 1156 00:51:39,170 --> 00:51:37,680 the partly so the list in the Lascaux 1157 00:51:41,890 --> 00:51:39,180 cave there was work which is about 1158 00:51:44,750 --> 00:51:41,900 17,000 years ago a French astronomer 1159 00:51:48,470 --> 00:51:44,760 Chantal was a friend of mine did work 1160 00:51:51,900 --> 00:51:48,480 and she showed that in the Hall of Hall 1161 00:51:54,539 --> 00:51:51,910 the Bulls which are all male animal 1162 00:51:56,940 --> 00:51:54,549 beings that they correlated to the stars 1163 00:51:58,470 --> 00:51:56,950 as the artist at the the pale of the 1164 00:52:00,630 --> 00:51:58,480 artist would have seen at the time kind 1165 00:52:02,220 --> 00:52:00,640 of goes around in a circle and she made 1166 00:52:05,339 --> 00:52:02,230 a documentary too that you can google 1167 00:52:08,160 --> 00:52:05,349 that chantels work online so she showed 1168 00:52:09,839 --> 00:52:08,170 she actually basically splattered stars 1169 00:52:12,569 --> 00:52:09,849 and it's and found how they they 1170 00:52:15,029 --> 00:52:12,579 correlated with the animal beings this 1171 00:52:17,700 --> 00:52:15,039 is a little more exact in this case we 1172 00:52:19,950 --> 00:52:17,710 have the same adult beings that the 1173 00:52:21,620 --> 00:52:19,960 Greeks used for the same constellations 1174 00:52:24,599 --> 00:52:21,630 at the same time of year and 1175 00:52:28,200 --> 00:52:24,609 geographically they all align so is this 1176 00:52:30,000 --> 00:52:28,210 a is a fringe theory I think everything 1177 00:52:32,640 --> 00:52:30,010 is a fringe theory but when it first 1178 00:52:35,730 --> 00:52:32,650 comes out even among academics so is it 1179 00:52:37,559 --> 00:52:35,740 being taken seriously I have a 1180 00:52:39,120 --> 00:52:37,569 presentation on Tuesday at amis 1181 00:52:41,190 --> 00:52:39,130 University it's gonna be mope it'll be 1182 00:52:43,200 --> 00:52:41,200 translated or interpret into multiple 1183 00:52:44,930 --> 00:52:43,210 languages sent around the world I'll 1184 00:52:48,720 --> 00:52:44,940 tell you in two months 1185 00:52:53,220 --> 00:52:48,730 well what happened oh wow okay can you 1186 00:52:56,130 --> 00:52:53,230 speak to that a little more well we sent 1187 00:52:57,990 --> 00:52:56,140 out on Tuesday well put on YouTube and 1188 00:52:59,579 --> 00:52:58,000 such okay and we put into multiple 1189 00:53:02,609 --> 00:52:59,589 language would be French Spanish and 1190 00:53:04,049 --> 00:53:02,619 Amazon as well as English oh well you 1191 00:53:05,220 --> 00:53:04,059 know I was I was hoping to see if I can 1192 00:53:09,059 --> 00:53:05,230 get that one out of here I guess I guess 1193 00:53:10,500 --> 00:53:09,069 I could no why don't their minds you 1194 00:53:10,740 --> 00:53:10,510 don't guess complain or anything like 1195 00:53:13,319 --> 00:53:10,750 that 1196 00:53:16,019 --> 00:53:13,329 oh well I could you know I've got these 1197 00:53:18,809 --> 00:53:16,029 I've had these images posted on Twitter 1198 00:53:20,789 --> 00:53:18,819 Facebook and Instagram and so on I can 1199 00:53:21,390 --> 00:53:20,799 see who's liking sharing loving and all 1200 00:53:25,079 --> 00:53:21,400 that sort of stuff 1201 00:53:26,970 --> 00:53:25,089 and the these people that are are liking 1202 00:53:28,710 --> 00:53:26,980 and retweeting their major players in 1203 00:53:30,569 --> 00:53:28,720 this world of archaeology they can see 1204 00:53:35,670 --> 00:53:30,579 the elf in the room they can see the the 1205 00:53:38,069 --> 00:53:35,680 cosmic man and and so on it's a it's 1206 00:53:40,260 --> 00:53:38,079 it's not that it's we just didn't look 1207 00:53:41,940 --> 00:53:40,270 and honestly I didn't look either I'd 1208 00:53:44,789 --> 00:53:41,950 seen that gallery of just image with it 1209 00:53:47,370 --> 00:53:44,799 with the with the dot streaming across 1210 00:53:50,700 --> 00:53:47,380 now in trance or hypnotized by the red 1211 00:53:52,890 --> 00:53:50,710 so this is not you know I kind of came 1212 00:53:55,349 --> 00:53:52,900 across it by a fluke I reasoned that it 1213 00:53:57,450 --> 00:53:55,359 would be there and then I took the 1214 00:53:59,640 --> 00:53:57,460 journey further and I found the same 1215 00:54:01,200 --> 00:53:59,650 phenomenon in other caves I don't I 1216 00:54:03,000 --> 00:54:01,210 haven't that's not prepared on this 1217 00:54:05,400 --> 00:54:03,010 slide presentation it's in the book we 1218 00:54:07,530 --> 00:54:05,410 can do it maybe a part to some time but 1219 00:54:10,640 --> 00:54:07,540 there's uh this is not the only cave it 1220 00:54:14,070 --> 00:54:10,650 has this system or this schematic of 1221 00:54:16,500 --> 00:54:14,080 images no it repeats itself oh well what 1222 00:54:20,580 --> 00:54:16,510 are the caves out there have this this 1223 00:54:25,380 --> 00:54:20,590 theme of going to say altered or 1224 00:54:28,560 --> 00:54:25,390 modified natural formations that tell a 1225 00:54:30,990 --> 00:54:28,570 multiple animal story well we're we're 1226 00:54:33,240 --> 00:54:31,000 gonna that leads us we're about ten 1227 00:54:34,890 --> 00:54:33,250 slides away from that I understand we're 1228 00:54:37,740 --> 00:54:34,900 gonna continue down that path in a place 1229 00:54:40,350 --> 00:54:37,750 you have not been in the book we want to 1230 00:54:41,790 --> 00:54:40,360 go down a little bit now you know I'm 1231 00:54:43,350 --> 00:54:41,800 ready to go down the rabbit hole I'm 1232 00:54:45,150 --> 00:54:43,360 okay Alice 1233 00:54:47,910 --> 00:54:45,160 you really are down a rabbit hole now 1234 00:54:51,090 --> 00:54:47,920 your and your question you're 1235 00:54:54,030 --> 00:54:51,100 questioning yourself you're questioning 1236 00:54:56,060 --> 00:54:54,040 in front the primary literature but at 1237 00:54:59,760 --> 00:54:56,070 the same time you're questioning that 1238 00:55:02,460 --> 00:54:59,770 can Paila that man thirty four thousand 1239 00:55:06,270 --> 00:55:02,470 years ago have been some ways smarter 1240 00:55:08,490 --> 00:55:06,280 than we are today that I'm not 1241 00:55:10,830 --> 00:55:08,500 questioning I'm more questioning my my 1242 00:55:13,950 --> 00:55:10,840 own is that really there am I seeing 1243 00:55:16,050 --> 00:55:13,960 what I'm actually seeing is it real and 1244 00:55:17,130 --> 00:55:16,060 it's like one of it you remember well 1245 00:55:18,840 --> 00:55:17,140 you're old enough to really remember I 1246 00:55:19,950 --> 00:55:18,850 know some of our viewers are are not old 1247 00:55:22,440 --> 00:55:19,960 enough to remember during those like 1248 00:55:24,090 --> 00:55:22,450 real 3d images where you're like yo yeah 1249 00:55:26,280 --> 00:55:24,100 it's it's like just a 3d geometric 1250 00:55:27,660 --> 00:55:26,290 pattern you hold it to your face and you 1251 00:55:29,550 --> 00:55:27,670 like move it away and then all of a 1252 00:55:31,800 --> 00:55:29,560 sudden oh it's it's a it's a pony or 1253 00:55:33,600 --> 00:55:31,810 it's a boy it was designed in a bottles 1254 00:55:38,760 --> 00:55:33,610 were designed well those were also 1255 00:55:40,710 --> 00:55:38,770 designed but yeah it's that same idea of 1256 00:55:45,090 --> 00:55:40,720 am I actually seeing this is there a 1257 00:55:46,830 --> 00:55:45,100 rational explanation I'm trying to you 1258 00:55:48,510 --> 00:55:46,840 know I can see it and I can see the 1259 00:55:49,650 --> 00:55:48,520 images that you're presenting and my 1260 00:55:51,330 --> 00:55:49,660 brain is questioning whether they're 1261 00:55:54,030 --> 00:55:51,340 actually there or whether it's just a 1262 00:55:55,350 --> 00:55:54,040 trick of the eye and it draws me in it 1263 00:55:57,480 --> 00:55:55,360 makes me more interested which is why 1264 00:55:58,980 --> 00:55:57,490 I'm kind of freaking out a little bit to 1265 00:56:04,470 --> 00:55:58,990 a certain extent because it's like okay 1266 00:56:07,320 --> 00:56:04,480 I'm good let's you know I'm have started 1267 00:56:09,270 --> 00:56:07,330 that journey and you know yeah let's go 1268 00:56:11,070 --> 00:56:09,280 let's go a little bit deeper yeah and as 1269 00:56:13,830 --> 00:56:11,080 I started this presentation out I said 1270 00:56:15,840 --> 00:56:13,840 this is a psychological journey you were 1271 00:56:18,120 --> 00:56:15,850 and what also happens is your your mind 1272 00:56:19,380 --> 00:56:18,130 kind of bends a little bit as you work 1273 00:56:20,940 --> 00:56:19,390 in these images and 1274 00:56:23,009 --> 00:56:20,950 that you have to find this your mind 1275 00:56:25,380 --> 00:56:23,019 finds a separation between the red disks 1276 00:56:27,660 --> 00:56:25,390 and what's behind it and just seem at 1277 00:56:28,980 --> 00:56:27,670 some point as you go you watch these 1278 00:56:31,259 --> 00:56:28,990 images you're gonna be able to see 1279 00:56:33,509 --> 00:56:31,269 multiple images at the same time and as 1280 00:56:35,279 --> 00:56:33,519 you step away from it and you're your 1281 00:56:35,670 --> 00:56:35,289 perspective and life is gonna change as 1282 00:56:38,400 --> 00:56:35,680 well 1283 00:56:41,099 --> 00:56:38,410 so we're gonna you took that vape and 1284 00:56:42,089 --> 00:56:41,109 we're gonna well before you go on and 1285 00:56:44,700 --> 00:56:42,099 one thing I know I know that there was 1286 00:56:48,420 --> 00:56:44,710 one one question regarding the giraffe 1287 00:56:51,870 --> 00:56:48,430 and the interesting part is I've I've 1288 00:56:54,240 --> 00:56:51,880 done you know I've done design and and 1289 00:56:55,859 --> 00:56:54,250 art for a number of years since uh since 1290 00:56:57,809 --> 00:56:55,869 I was a kid and it's like I can actually 1291 00:57:00,380 --> 00:56:57,819 see the giraffe shape and I can actually 1292 00:57:03,059 --> 00:57:00,390 see the shading of underneath the flank 1293 00:57:05,640 --> 00:57:03,069 and you know you know behind the front 1294 00:57:07,230 --> 00:57:05,650 leg I'm like okay that like to me it 1295 00:57:08,400 --> 00:57:07,240 makes sense to me I can actually see the 1296 00:57:10,829 --> 00:57:08,410 image that's been presented even when 1297 00:57:12,900 --> 00:57:10,839 it's not outlined to me or shown to me 1298 00:57:15,839 --> 00:57:12,910 from what you're actually demonstrating 1299 00:57:18,690 --> 00:57:15,849 so I'm I'm getting I'm starting to get 1300 00:57:20,460 --> 00:57:18,700 that that mode and in my head 1301 00:57:23,069 --> 00:57:20,470 well the drafts actually good because I 1302 00:57:24,690 --> 00:57:23,079 saw that the head of the giraffe within 1303 00:57:27,420 --> 00:57:24,700 the first few hours of looking at that 1304 00:57:28,920 --> 00:57:27,430 panel I didn't recognize it as a giraffe 1305 00:57:31,470 --> 00:57:28,930 until a year later because I couldn't 1306 00:57:37,740 --> 00:57:31,480 believe that you could have an image of 1307 00:57:39,539 --> 00:57:37,750 a giraffe in Europe so I head up some 1308 00:57:42,420 --> 00:57:39,549 sort of a deer but to actually figure 1309 00:57:45,990 --> 00:57:42,430 out it was a draft was quite some time 1310 00:57:47,789 --> 00:57:46,000 later so I'm gonna I'm gonna duck out 1311 00:57:51,690 --> 00:57:47,799 for a minute again and we're going to 1312 00:57:54,049 --> 00:57:51,700 resume our presentation like on the 1313 00:57:58,349 --> 00:57:56,309 okay we're we have a slide here the 1314 00:58:00,870 --> 00:57:58,359 Saharan Tuareg 1315 00:58:03,269 --> 00:58:00,880 and on this journey by land and sea and 1316 00:58:05,190 --> 00:58:03,279 throughout the night sky we've travelled 1317 00:58:07,170 --> 00:58:05,200 into the Western North Africa and where 1318 00:58:09,210 --> 00:58:07,180 we can look at the ancient peoples of 1319 00:58:10,710 --> 00:58:09,220 the region one is the Tuareg who 1320 00:58:13,200 --> 00:58:10,720 currently live in greatest the greatest 1321 00:58:15,749 --> 00:58:13,210 harrow region and who give us the riddle 1322 00:58:17,870 --> 00:58:15,759 of how many hairs does a man have the 1323 00:58:20,400 --> 00:58:17,880 tuara Graham Muslims of the Malakai sect 1324 00:58:22,769 --> 00:58:20,410 loosely following basic requirements of 1325 00:58:25,410 --> 00:58:22,779 Islam while still believe in animism and 1326 00:58:30,029 --> 00:58:25,420 other pre-islamic traditions and animism 1327 00:58:32,220 --> 00:58:30,039 is the belief that the animals are 1328 00:58:32,910 --> 00:58:32,230 beings are actually conscious beings 1329 00:58:42,680 --> 00:58:32,920 that 1330 00:58:46,530 --> 00:58:42,690 mountains are spirits as well and 1331 00:58:49,350 --> 00:58:46,540 there's a Targa known for their the 1332 00:58:51,120 --> 00:58:49,360 male's wear a blue veil whereas the 1333 00:58:53,640 --> 00:58:51,130 women do not and the male's veil is 1334 00:58:56,820 --> 00:58:53,650 called at alchemists and that the male 1335 00:58:58,950 --> 00:58:56,830 toga must looks very much like the mask 1336 00:59:02,010 --> 00:58:58,960 of the cosmic man you can see how the 1337 00:59:05,400 --> 00:59:02,020 the shading works between the two so is 1338 00:59:08,760 --> 00:59:05,410 is the cosmic man wearing a at Alamos of 1339 00:59:11,070 --> 00:59:08,770 some sort of a robe I can't say or some 1340 00:59:13,230 --> 00:59:11,080 sort of veil I can't say that but darn 1341 00:59:16,590 --> 00:59:13,240 these two look a lot alike and if they 1342 00:59:18,030 --> 00:59:16,600 had some sort of clothing in extreme 1343 00:59:20,580 --> 00:59:18,040 temperatures one would have thought that 1344 00:59:24,150 --> 00:59:20,590 they wrapped it around their their face 1345 00:59:27,380 --> 00:59:24,160 to stay warm and we if you take a 1346 00:59:29,940 --> 00:59:27,390 23andme DNA test and you come from 1347 00:59:33,000 --> 00:59:29,950 background of the United Kingdom it's 1348 00:59:35,310 --> 00:59:33,010 gonna pop up top argh all over it and 1349 00:59:38,160 --> 00:59:35,320 the toir goes to Hera genetically linked 1350 00:59:40,980 --> 00:59:38,170 about 8,000 years ago and the equal 1351 00:59:43,050 --> 00:59:40,990 number of miles today from the 1352 00:59:45,690 --> 00:59:43,060 indigenous Sami or lap reindeer herders 1353 00:59:48,420 --> 00:59:45,700 of Finland and much farther way miles to 1354 00:59:49,500 --> 00:59:48,430 the hood of Siberia to say that their 1355 00:59:51,660 --> 00:59:49,510 link means that there was a common 1356 00:59:54,120 --> 00:59:51,670 ancestor who lived during this period 1357 00:59:56,880 --> 00:59:54,130 but they were Tuareg that's the that's 1358 01:00:00,320 --> 00:59:56,890 the one we can find but that is not the 1359 01:00:02,340 --> 01:00:00,330 oldest and these these people are 1360 01:00:04,950 --> 01:00:02,350 connected through DNA to people in 1361 01:00:06,390 --> 01:00:04,960 Scotland to about 5,600 years ago so 1362 01:00:08,670 --> 01:00:06,400 toric had to have done a lot of 1363 01:00:10,650 --> 01:00:08,680 traveling around and there are multiple 1364 01:00:13,500 --> 01:00:10,660 exchanges between the people of Western 1365 01:00:17,070 --> 01:00:13,510 North Africa and Spain questioning you 1366 01:00:20,490 --> 01:00:17,080 know who came first you know where did 1367 01:00:21,660 --> 01:00:20,500 where this this h1 DNA come from the did 1368 01:00:23,340 --> 01:00:21,670 it come from Western or Knapp North 1369 01:00:26,010 --> 01:00:23,350 Africa or did it come from the Iberian 1370 01:00:28,500 --> 01:00:26,020 Peninsula the oldest Homo sapiens have 1371 01:00:31,770 --> 01:00:28,510 been found that jebel or HUD in Morocco 1372 01:00:33,450 --> 01:00:31,780 which dates to 300,000 years ago when I 1373 01:00:35,430 --> 01:00:33,460 first started working on this project I 1374 01:00:38,070 --> 01:00:35,440 mean the jebel or herd work didn't come 1375 01:00:40,370 --> 01:00:38,080 out - just about a year ago and I had 1376 01:00:44,490 --> 01:00:40,380 basically figured out the whole thing 1377 01:00:46,809 --> 01:00:44,500 with without knowing that jebel our herd 1378 01:00:49,599 --> 01:00:46,819 data and in modern 1379 01:00:50,919 --> 01:00:49,609 turn of Archaeology alternate history as 1380 01:00:52,929 --> 01:00:50,929 well in history itself 1381 01:00:55,359 --> 01:00:52,939 people are asking that question well 1382 01:00:59,469 --> 01:00:55,369 what happened 12,000 years ago it was a 1383 01:01:02,919 --> 01:00:59,479 dispersal well 12,000 years ago is also 1384 01:01:05,589 --> 01:01:02,929 the end of cave art in Europe and people 1385 01:01:07,359 --> 01:01:05,599 don't talk about that but so it ends in 1386 01:01:09,370 --> 01:01:07,369 Europe and the people seem to just have 1387 01:01:11,999 --> 01:01:09,380 disappeared well the next slide might 1388 01:01:15,999 --> 01:01:12,009 tell us where some of these people went 1389 01:01:18,429 --> 01:01:16,009 African rock art starts 12,000 years ago 1390 01:01:19,900 --> 01:01:18,439 it doesn't exist before then there were 1391 01:01:22,179 --> 01:01:19,910 people there but they didn't have this 1392 01:01:23,890 --> 01:01:22,189 rock art and art is something that's 1393 01:01:26,409 --> 01:01:23,900 within us but it's also a tradition or 1394 01:01:28,329 --> 01:01:26,419 technique that we carry among us and the 1395 01:01:31,359 --> 01:01:28,339 oldest is the blue Bhalla period which 1396 01:01:34,779 --> 01:01:31,369 is abolished is something like a like a 1397 01:01:37,299 --> 01:01:34,789 cow it's a bowl and as you go through 1398 01:01:38,049 --> 01:01:37,309 you as you go through the the periods 1399 01:01:39,429 --> 01:01:38,059 and cultures 1400 01:01:42,819 --> 01:01:39,439 you can't ultimately come up to the 1401 01:01:43,929 --> 01:01:42,829 camel which is the present period so 1402 01:01:47,169 --> 01:01:43,939 what we're gonna do now is we're gonna 1403 01:01:50,829 --> 01:01:47,179 take a look at some of the the Western 1404 01:01:52,890 --> 01:01:50,839 onap North African rock art and here and 1405 01:01:55,989 --> 01:01:52,900 these are not by periods but they're by 1406 01:01:57,549 --> 01:01:55,999 regions and or current countries and 1407 01:02:00,759 --> 01:01:57,559 these are all current countries where 1408 01:02:02,859 --> 01:02:00,769 the Tuareg are heavily populated and 1409 01:02:04,359 --> 01:02:02,869 this one we have we have an elephant in 1410 01:02:06,130 --> 01:02:04,369 Morocco and what's interesting about 1411 01:02:08,439 --> 01:02:06,140 this one is that the shape of the 1412 01:02:09,969 --> 01:02:08,449 elephant you look at the four feet in 1413 01:02:13,089 --> 01:02:09,979 the bottom actually look like fingers 1414 01:02:16,269 --> 01:02:13,099 and you could you can twist your your a 1415 01:02:18,489 --> 01:02:16,279 thumb to make that that trunk of the 1416 01:02:20,489 --> 01:02:18,499 elephant and the shape suggests kind of 1417 01:02:23,409 --> 01:02:20,499 a juvenile elephant fascinating image 1418 01:02:25,509 --> 01:02:23,419 and the next one in Morocco is of a 1419 01:02:28,719 --> 01:02:25,519 rhinoceros and again if you look at the 1420 01:02:30,579 --> 01:02:28,729 how the artist does the the legs they 1421 01:02:33,039 --> 01:02:30,589 don't really look like legs but they 1422 01:02:34,659 --> 01:02:33,049 also look like your fingers and he might 1423 01:02:36,459 --> 01:02:34,669 have he might have had some sort of hand 1424 01:02:38,649 --> 01:02:36,469 gesture or these might be some sort of 1425 01:02:41,259 --> 01:02:38,659 hands that rock art maybe some 1426 01:02:45,789 --> 01:02:41,269 description of a hand gesture which is 1427 01:02:48,640 --> 01:02:45,799 what I proposed in the book and if we 1428 01:02:52,059 --> 01:02:48,650 continue down we're going around Africa 1429 01:02:54,039 --> 01:02:52,069 a different part of Morocco we have some 1430 01:02:56,109 --> 01:02:54,049 stored gazelle and it's stylish 1431 01:02:58,899 --> 01:02:56,119 these images are absolutely phenomenal 1432 01:03:00,339 --> 01:02:58,909 they're they're in par what we find in 1433 01:03:03,579 --> 01:03:00,349 tell it's a palette 1434 01:03:06,999 --> 01:03:03,589 Europe these people were tremendous 1435 01:03:09,489 --> 01:03:07,009 artists and as we continue we go to 1436 01:03:12,309 --> 01:03:09,499 Libya and Libya we find a crocodile and 1437 01:03:15,249 --> 01:03:12,319 we have to remember that prior to six 1438 01:03:17,559 --> 01:03:15,259 seven thousand years ago the Sahara was 1439 01:03:19,599 --> 01:03:17,569 had huge lakes and rivers 1440 01:03:20,529 --> 01:03:19,609 it wasn't the the desert that we see 1441 01:03:22,359 --> 01:03:20,539 today 1442 01:03:24,759 --> 01:03:22,369 and so these artists have telling us of 1443 01:03:26,680 --> 01:03:24,769 a different time and place and one of 1444 01:03:29,529 --> 01:03:26,690 the ways that the the archaeologists 1445 01:03:31,450 --> 01:03:29,539 date the animals is by what animals 1446 01:03:34,180 --> 01:03:31,460 could have been present during those 1447 01:03:36,249 --> 01:03:34,190 periods and here we are now in Algeria 1448 01:03:37,509 --> 01:03:36,259 we have a hippopotamus so kind of put 1449 01:03:40,029 --> 01:03:37,519 this into perspective you can imagine a 1450 01:03:44,170 --> 01:03:40,039 hippopotamus walking around the Sahara 1451 01:03:47,170 --> 01:03:44,180 today it just blows your mind the Sahara 1452 01:03:49,479 --> 01:03:47,180 is the largest it's a tremendous area 1453 01:03:53,380 --> 01:03:49,489 but it's still the largest art gallery 1454 01:03:54,849 --> 01:03:53,390 in the world go to Algeria and this is 1455 01:03:56,339 --> 01:03:54,859 these are herders and this is a much 1456 01:03:59,019 --> 01:03:56,349 earlier time period 1457 01:03:59,289 --> 01:03:59,029 so this is not going back 12,000 years 1458 01:04:01,420 --> 01:03:59,299 ago 1459 01:04:04,450 --> 01:04:01,430 probably you know within the last four 1460 01:04:06,640 --> 01:04:04,460 last four or five thousand years but 1461 01:04:09,729 --> 01:04:06,650 again we see we have see absolutely 1462 01:04:12,880 --> 01:04:09,739 beautiful images that people made 1463 01:04:15,400 --> 01:04:12,890 through artistic talent and a feeling 1464 01:04:17,829 --> 01:04:15,410 for nature and we go to Nigeria as 1465 01:04:21,489 --> 01:04:17,839 people share assay it and we see this 1466 01:04:23,709 --> 01:04:21,499 huge life side's giraffe and in the 1467 01:04:27,849 --> 01:04:23,719 gallery or disks that giraffe it's ten 1468 01:04:30,910 --> 01:04:27,859 meters across the the mother giraffe is 1469 01:04:32,289 --> 01:04:30,920 life-size we kind of put that into 1470 01:04:35,829 --> 01:04:32,299 perspective some of the other animals 1471 01:04:39,190 --> 01:04:35,839 like the Lynx are huge in the story but 1472 01:04:43,959 --> 01:04:39,200 in fact they are on that panel but that 1473 01:04:45,700 --> 01:04:43,969 the giraffe itself is life-size wow yeah 1474 01:04:48,459 --> 01:04:45,710 and and this what this one in this year 1475 01:04:51,549 --> 01:04:48,469 as well so we're carrying is a tradition 1476 01:04:55,209 --> 01:04:51,559 that's carried on that I believe from 1477 01:04:57,479 --> 01:04:55,219 Europe into Western North Africa and 1478 01:05:02,259 --> 01:04:57,489 continuing to Nigeria we see more 1479 01:05:05,200 --> 01:05:02,269 giraffes and perhaps an elephant and you 1480 01:05:07,719 --> 01:05:05,210 know there's these people that in the 1481 01:05:10,509 --> 01:05:07,729 world in the mind of the animist the the 1482 01:05:13,719 --> 01:05:10,519 animals are just not something that they 1483 01:05:14,299 --> 01:05:13,729 they hunted they were their beings that 1484 01:05:17,449 --> 01:05:14,309 they 1485 01:05:19,999 --> 01:05:17,459 with and then in tradition of both the 1486 01:05:21,799 --> 01:05:20,009 the Tuareg in the Sahara as well as 1487 01:05:24,079 --> 01:05:21,809 hunter-gatherers in North America they 1488 01:05:26,719 --> 01:05:24,089 tell stories of the North Americans the 1489 01:05:29,509 --> 01:05:26,729 beaver chatting with the rabbit and the 1490 01:05:31,910 --> 01:05:29,519 coyote telling the the elk what to do 1491 01:05:34,429 --> 01:05:31,920 and that the coyote is a trickster and 1492 01:05:39,620 --> 01:05:34,439 the rich and and in the Alaskan 1493 01:05:42,380 --> 01:05:39,630 tradition it's the it's the Raven or the 1494 01:05:46,729 --> 01:05:42,390 some sort of an eagle so these animals 1495 01:05:48,679 --> 01:05:46,739 are the metaphorical characters that 1496 01:05:50,660 --> 01:05:48,689 people are using in the stories so in 1497 01:05:53,209 --> 01:05:50,670 the in the gallery of disks we found all 1498 01:05:55,819 --> 01:05:53,219 those animals but they're they're 1499 01:05:57,709 --> 01:05:55,829 metaphors for a geography of the region 1500 01:06:00,079 --> 01:05:57,719 and I once again suggest that they're 1501 01:06:03,559 --> 01:06:00,089 all also metaphors as part of some sort 1502 01:06:06,670 --> 01:06:03,569 of story that the that was encountered 1503 01:06:08,779 --> 01:06:06,680 by the the apprentice on his travels and 1504 01:06:12,109 --> 01:06:08,789 continues to now share we find more 1505 01:06:16,039 --> 01:06:12,119 giraffes and other animals and these are 1506 01:06:18,109 --> 01:06:16,049 phenomenal pieces of art that are they 1507 01:06:20,509 --> 01:06:18,119 they're telling about who we are and 1508 01:06:22,160 --> 01:06:20,519 where we come from but we can see common 1509 01:06:25,429 --> 01:06:22,170 themes of what we found in the gallery 1510 01:06:27,169 --> 01:06:25,439 of disks again they share this is more 1511 01:06:29,779 --> 01:06:27,179 recent I can't tell you what these 1512 01:06:34,130 --> 01:06:29,789 people what these people are but they 1513 01:06:35,870 --> 01:06:34,140 are the impression of what the that what 1514 01:06:38,749 --> 01:06:35,880 people in bézier at that time felt in 1515 01:06:40,880 --> 01:06:38,759 Nigeria don't do the Tuareg do not do 1516 01:06:42,559 --> 01:06:40,890 psychedelic loosen genetic drugs they go 1517 01:06:45,229 --> 01:06:42,569 into a trance dance to find their 1518 01:06:49,579 --> 01:06:45,239 visions in the same way that 100 Native 1519 01:06:54,229 --> 01:06:49,589 Americans did in times past the most 1520 01:06:56,660 --> 01:06:54,239 common method of achieving a alternate 1521 01:06:58,910 --> 01:06:56,670 state of consciousness is through a 1522 01:07:03,499 --> 01:06:58,920 trance dance dance and secondly it's 1523 01:07:05,569 --> 01:07:03,509 through some sort of pain so the this 1524 01:07:07,849 --> 01:07:05,579 concept that you you can't make art 1525 01:07:11,630 --> 01:07:07,859 unless you can do and this is doing 1526 01:07:13,459 --> 01:07:11,640 drugs is is kind of absurd and this is 1527 01:07:15,829 --> 01:07:13,469 how I look at it you know you've got 1528 01:07:17,390 --> 01:07:15,839 young kids and someday you kids gonna 1529 01:07:19,489 --> 01:07:17,400 come home from school and they have you 1530 01:07:22,640 --> 01:07:19,499 know a D in a math test maybe not your 1531 01:07:25,039 --> 01:07:22,650 head maybe a C right and perhaps the kid 1532 01:07:26,479 --> 01:07:25,049 says you know my I couldn't you know I 1533 01:07:27,950 --> 01:07:26,489 couldn't do this math test the teacher 1534 01:07:30,800 --> 01:07:27,960 must have been drugs 1535 01:07:32,930 --> 01:07:30,810 they took when they made the test and it 1536 01:07:34,790 --> 01:07:32,940 just can't be done do you tell your kid 1537 01:07:36,680 --> 01:07:34,800 well maybe you need to explore the drugs 1538 01:07:38,599 --> 01:07:36,690 or let's try to figure out how we can do 1539 01:07:44,480 --> 01:07:38,609 the math so there's an answer for you 1540 01:07:47,120 --> 01:07:44,490 Chris as a new dad oh well yeah 1541 01:07:50,390 --> 01:07:47,130 that's that's one aspect of it okay 1542 01:07:53,960 --> 01:07:50,400 she's although she's she's quite fond of 1543 01:07:57,920 --> 01:07:53,970 flute classical flute music Mozart 1544 01:08:00,710 --> 01:07:57,930 specifically yeah and so that we go to 1545 01:08:02,839 --> 01:08:00,720 there there can be answers outside of 1546 01:08:05,660 --> 01:08:02,849 drugs and now that we have there's a 1547 01:08:08,710 --> 01:08:05,670 method I've unexplored in ethnology to 1548 01:08:11,450 --> 01:08:08,720 look at the cave images as not a 1549 01:08:13,190 --> 01:08:11,460 hallucinogenic vision but a story a 1550 01:08:15,200 --> 01:08:13,200 story that we've been telling forever in 1551 01:08:19,039 --> 01:08:15,210 the story that we still tell we tilt 1552 01:08:20,570 --> 01:08:19,049 today that the Greeks carried on and we 1553 01:08:23,360 --> 01:08:20,580 can return back to this gallery of discs 1554 01:08:25,370 --> 01:08:23,370 and ask ourselves might happen how might 1555 01:08:28,010 --> 01:08:25,380 the artists have found their craft and 1556 01:08:29,840 --> 01:08:28,020 that this is the answers convent goes 1557 01:08:32,660 --> 01:08:29,850 into another question that you would ask 1558 01:08:33,979 --> 01:08:32,670 is how did it first come about well I'm 1559 01:08:36,530 --> 01:08:33,989 not the first one to ask that question 1560 01:08:38,539 --> 01:08:36,540 and and and neither are you were and 1561 01:08:41,300 --> 01:08:38,549 perhaps some new audience 1562 01:08:44,090 --> 01:08:41,310 Picasso asks where it all came from and 1563 01:08:46,610 --> 01:08:44,100 it quote from Picasso was it occurred to 1564 01:08:48,499 --> 01:08:46,620 man to create his own images it's 1565 01:08:51,079 --> 01:08:48,509 because he discovered them in the world 1566 01:08:54,050 --> 01:08:51,089 around him almost formed already within 1567 01:08:56,240 --> 01:08:54,060 his grasp he saw them in a bone in the 1568 01:08:58,729 --> 01:08:56,250 regular surface of cavern walls in a 1569 01:09:03,110 --> 01:08:58,739 piece of wood one form might suggest a 1570 01:09:05,510 --> 01:09:03,120 woman another a bison so this is Picasso 1571 01:09:09,559 --> 01:09:05,520 okay and he's trying to sort out 1572 01:09:12,019 --> 01:09:09,569 weirdest art first come from and how 1573 01:09:14,900 --> 01:09:12,029 does it continue on and so he says that 1574 01:09:16,550 --> 01:09:14,910 man first saw these things in the rocks 1575 01:09:18,470 --> 01:09:16,560 he saw something that looked like the 1576 01:09:20,660 --> 01:09:18,480 shape of a horse another that looked 1577 01:09:24,470 --> 01:09:20,670 like the you know the butt of a deer and 1578 01:09:27,740 --> 01:09:24,480 he built on that and he saw them in the 1579 01:09:30,050 --> 01:09:27,750 clouds as well he saw them in the in the 1580 01:09:33,800 --> 01:09:30,060 breeze he saw them in the you know 1581 01:09:36,260 --> 01:09:33,810 sticks that fell into the and floated 1582 01:09:38,180 --> 01:09:36,270 down a river he saw these shapes in the 1583 01:09:41,180 --> 01:09:38,190 natural world and then he improved upon 1584 01:09:41,749 --> 01:09:41,190 them and it's it's a it's a natural 1585 01:09:44,680 --> 01:09:41,759 thing 1586 01:09:47,450 --> 01:09:44,690 now here's nowhere to go back to Picasso 1587 01:09:50,059 --> 01:09:47,460 Picasso's first work of art of modern 1588 01:09:53,660 --> 01:09:50,069 order should say was in 1907 which was 1589 01:09:55,910 --> 01:09:53,670 lead M de Avignon and this image is is 1590 01:09:57,590 --> 01:09:55,920 the pivotal moment that creates modern 1591 01:10:00,110 --> 01:09:57,600 art there's no modern art before this 1592 01:10:03,050 --> 01:10:00,120 and what created it was those two masks 1593 01:10:05,000 --> 01:10:03,060 that Picasso put on the women well we 1594 01:10:07,520 --> 01:10:05,010 can find the origin of those two masks 1595 01:10:08,810 --> 01:10:07,530 at the Altamira cave and the Altamira 1596 01:10:10,760 --> 01:10:08,820 cave have been discovered 1597 01:10:12,470 --> 01:10:10,770 just before picasso mate a few years 1598 01:10:14,360 --> 01:10:12,480 before Picasso had made this image and 1599 01:10:16,400 --> 01:10:14,370 Picasso was said to have gone to the 1600 01:10:18,580 --> 01:10:16,410 cave and he came out of it and said no 1601 01:10:20,840 --> 01:10:18,590 one does that people said it was a fraud 1602 01:10:22,640 --> 01:10:20,850 that modern artists had made this 1603 01:10:24,200 --> 01:10:22,650 Picasso came out and said none of us 1604 01:10:26,990 --> 01:10:24,210 could have made anything like this well 1605 01:10:29,810 --> 01:10:27,000 Picasso he saw this the metaphors and 1606 01:10:31,460 --> 01:10:29,820 the characters and these to what is 1607 01:10:33,950 --> 01:10:31,470 called the chamber of the bowls the 1608 01:10:36,590 --> 01:10:33,960 chamber of the horses in the Altamira 1609 01:10:39,500 --> 01:10:36,600 cave and he takes those two masks and he 1610 01:10:42,440 --> 01:10:39,510 puts them onto the women in lleida 1611 01:10:44,540 --> 01:10:42,450 Avignon and he takes the the what the 1612 01:10:47,570 --> 01:10:44,550 woman that's standing with the mask is 1613 01:10:51,830 --> 01:10:47,580 becomes the lead mayor as he saw the the 1614 01:10:54,290 --> 01:10:51,840 the metaphor of the the image in the 1615 01:10:56,020 --> 01:10:54,300 Altamira cave this palliative image so 1616 01:10:59,540 --> 01:10:56,030 in some ways we're reliving uh passed 1617 01:11:01,250 --> 01:10:59,550 through the metaphors that had been seen 1618 01:11:04,790 --> 01:11:01,260 before us these metaphors that are 1619 01:11:06,350 --> 01:11:04,800 somehow within us and this this is 1620 01:11:07,760 --> 01:11:06,360 actually my interpretation of this is 1621 01:11:09,260 --> 01:11:07,770 the first time it's come at this has 1622 01:11:12,710 --> 01:11:09,270 come out I don't believe him the first 1623 01:11:14,300 --> 01:11:12,720 person that's seen this but the common 1624 01:11:16,790 --> 01:11:14,310 story out there if you google online is 1625 01:11:19,970 --> 01:11:16,800 that Picasso had his friend stole a mask 1626 01:11:21,860 --> 01:11:19,980 from a museum brought it home Picasso 1627 01:11:23,270 --> 01:11:21,870 then used it to make these masks and 1628 01:11:24,800 --> 01:11:23,280 then his friend returned at the Museum 1629 01:11:27,290 --> 01:11:24,810 well I can tell you what I believe was 1630 01:11:29,300 --> 01:11:27,300 the Louvre if someone had found a mask 1631 01:11:31,250 --> 01:11:29,310 it's a Picasso if that mask still 1632 01:11:33,560 --> 01:11:31,260 existed it would be sitting right next 1633 01:11:35,330 --> 01:11:33,570 to the lead and I'll be known in MoMA to 1634 01:11:36,950 --> 01:11:35,340 show that this was the origin of modern 1635 01:11:38,810 --> 01:11:36,960 art but no one actually ever found the 1636 01:11:41,600 --> 01:11:38,820 mass other people have said that will 1637 01:11:42,920 --> 01:11:41,610 may be found in African art well this 1638 01:11:44,540 --> 01:11:42,930 shows this image 1639 01:11:46,850 --> 01:11:44,550 comparing the Altamira image till a 1640 01:11:49,640 --> 01:11:46,860 damned Avignon shows that these are 1641 01:11:51,229 --> 01:11:49,650 exactly the same masks and your viewer 1642 01:11:53,570 --> 01:11:51,239 can look at them later more closely and 1643 01:11:56,080 --> 01:11:53,580 kind of is the details are extraordinary 1644 01:11:59,330 --> 01:11:56,090 but Picasso 1645 01:12:01,459 --> 01:11:59,340 Picasso was borrowing than metaphor he 1646 01:12:02,780 --> 01:12:01,469 wasn't stealing art and he recognized 1647 01:12:06,260 --> 01:12:02,790 that there are commonalities between 1648 01:12:08,720 --> 01:12:06,270 people the past and the future and in 1649 01:12:11,810 --> 01:12:08,730 this case the he finds the lead the lead 1650 01:12:16,820 --> 01:12:11,820 mayor and we're gonna look at another 1651 01:12:20,120 --> 01:12:16,830 Picasso Picasso's exploration and this 1652 01:12:22,340 --> 01:12:20,130 one is in the the the main horse in 1653 01:12:24,650 --> 01:12:22,350 Guernica the mayor the mayor and 1654 01:12:26,750 --> 01:12:24,660 Guernica and we look to the to the your 1655 01:12:29,420 --> 01:12:26,760 viewers right we find the same horse and 1656 01:12:32,240 --> 01:12:29,430 grote depend on pair and in the Guernica 1657 01:12:34,310 --> 01:12:32,250 when Picasso made Guernica was creating 1658 01:12:36,800 --> 01:12:34,320 Guernica he has this thing almost done 1659 01:12:38,510 --> 01:12:36,810 and he has a different horse then he 1660 01:12:39,440 --> 01:12:38,520 disappears for a long weekend no one 1661 01:12:41,300 --> 01:12:39,450 knows where it goes to some mysterious 1662 01:12:44,750 --> 01:12:41,310 weekend he's got a deadline to get this 1663 01:12:46,760 --> 01:12:44,760 sent into the the exposition but he just 1664 01:12:48,530 --> 01:12:46,770 disappears some people says he went to 1665 01:12:50,209 --> 01:12:48,540 one girlfriend one says he went to his 1666 01:12:53,390 --> 01:12:50,219 mistress and another says they went to 1667 01:12:56,870 --> 01:12:53,400 his wife and so costs a lot a lot of 1668 01:12:58,970 --> 01:12:56,880 women is what life but I think that 1669 01:13:01,790 --> 01:12:58,980 Picasso went to grow a pair non pear and 1670 01:13:03,950 --> 01:13:01,800 he found that horse and he puts it into 1671 01:13:06,830 --> 01:13:03,960 his image and he calls this this horse 1672 01:13:08,260 --> 01:13:06,840 the he the horse represents Spain and 1673 01:13:13,580 --> 01:13:08,270 there are many of the characters in 1674 01:13:15,830 --> 01:13:13,590 Guernica that represent animal beings 1675 01:13:18,200 --> 01:13:15,840 isn't the metaphors of the animal beings 1676 01:13:22,940 --> 01:13:18,210 as well we're going to take another look 1677 01:13:25,250 --> 01:13:22,950 at another Picasso work which is a 1678 01:13:27,320 --> 01:13:25,260 curtain curtain design for a play in 1679 01:13:29,450 --> 01:13:27,330 this case he has this huge a be annoyed 1680 01:13:32,630 --> 01:13:29,460 so think back to the palette the the 1681 01:13:35,360 --> 01:13:32,640 cosmic man in the gallery disks we have 1682 01:13:36,500 --> 01:13:35,370 the man behind the mask and we can kind 1683 01:13:39,800 --> 01:13:36,510 of see we sort of chin a little bit 1684 01:13:43,040 --> 01:13:39,810 underneath well Picasso in this case he 1685 01:13:45,740 --> 01:13:43,050 has this Birdman with these these these 1686 01:13:48,770 --> 01:13:45,750 kind of awkward legs and these big 1687 01:13:51,470 --> 01:13:48,780 chests and his huge strong arms and it's 1688 01:13:53,600 --> 01:13:51,480 carrying a monitor and the in the 1689 01:13:56,810 --> 01:13:53,610 Paleolithic version it's actually a 1690 01:13:59,510 --> 01:13:56,820 bearded vulture and there's a man it's 1691 01:14:01,729 --> 01:13:59,520 the this this headdress is actually 1692 01:14:04,700 --> 01:14:01,739 sitting on top of an human being 1693 01:14:06,860 --> 01:14:04,710 so Picasso borrows this one he borrows 1694 01:14:09,350 --> 01:14:06,870 the metaphor and he incorporates it into 1695 01:14:11,090 --> 01:14:09,360 his his work and people 1696 01:14:12,950 --> 01:14:11,100 long ass Picasso where did where just 1697 01:14:15,140 --> 01:14:12,960 get your inspiration for this and he 1698 01:14:17,390 --> 01:14:15,150 said if I you know I'm not going to tell 1699 01:14:20,720 --> 01:14:17,400 you because this is my secret 1700 01:14:23,180 --> 01:14:20,730 Picasso died a multi-millionaire in 1701 01:14:27,560 --> 01:14:23,190 which is his heirs have inherited and 1702 01:14:29,750 --> 01:14:27,570 he's a worldwide phenomenon and Picasso 1703 01:14:32,090 --> 01:14:29,760 had the vision to see within the 1704 01:14:34,910 --> 01:14:32,100 Paleolithic mine and that it was our own 1705 01:14:37,189 --> 01:14:34,920 and carry those metaphors to the modern 1706 01:14:39,020 --> 01:14:37,199 times now I'm gonna tell you them about 1707 01:14:42,140 --> 01:14:39,030 the first one this this is this is a 1708 01:14:43,189 --> 01:14:42,150 very awkward image and so the viewers 1709 01:14:44,840 --> 01:14:43,199 right you're seeing the image we just 1710 01:14:47,479 --> 01:14:44,850 showed with the Birdman you can see the 1711 01:14:49,459 --> 01:14:47,489 the the features there's nothing marked 1712 01:14:51,770 --> 01:14:49,469 from my side and to the left what we see 1713 01:14:53,570 --> 01:14:51,780 is the the official archaeological 1714 01:14:56,120 --> 01:14:53,580 historical version of that panel and 1715 01:15:00,350 --> 01:14:56,130 this was done by the abbe Bray known as 1716 01:15:02,419 --> 01:15:00,360 the father of prehistory and most of the 1717 01:15:04,580 --> 01:15:02,429 images that we have that are drawn in 1718 01:15:08,120 --> 01:15:04,590 the path of art books are the records of 1719 01:15:10,790 --> 01:15:08,130 this individual the abbe who died in 61 1720 01:15:13,250 --> 01:15:10,800 and he had spent countless hours and 1721 01:15:15,320 --> 01:15:13,260 caves and he is the man okay 1722 01:15:17,570 --> 01:15:15,330 he is a historian he is the one we go to 1723 01:15:22,850 --> 01:15:17,580 for the information and you can compare 1724 01:15:25,490 --> 01:15:22,860 his his view of the the agonist a panel 1725 01:15:28,010 --> 01:15:25,500 with the one to the the viewers right 1726 01:15:29,419 --> 01:15:28,020 the actual panel and you know you kind 1727 01:15:30,310 --> 01:15:29,429 of misses that bird man's head doesn't 1728 01:15:50,570 --> 01:15:30,320 he 1729 01:15:53,450 --> 01:15:50,580 congruent you still have that 1730 01:15:56,180 --> 01:15:53,460 overarching line in the mid way to the 1731 01:15:58,040 --> 01:15:56,190 left that goes from kind of like it 1732 01:16:00,830 --> 01:15:58,050 curves up from the bottom all the way to 1733 01:16:03,200 --> 01:16:00,840 the middle and you just you do still see 1734 01:16:04,490 --> 01:16:03,210 the sweeping lines so yeah like I could 1735 01:16:05,180 --> 01:16:04,500 take a look at these two now I'm a 1736 01:16:07,669 --> 01:16:05,190 graphic designer 1737 01:16:09,080 --> 01:16:07,679 sure I've been you know like I said 1738 01:16:11,450 --> 01:16:09,090 before but I've been doing this type of 1739 01:16:15,590 --> 01:16:11,460 thing and this type of doodling my 1740 01:16:18,770 --> 01:16:15,600 entire life and I could very easily see 1741 01:16:21,310 --> 01:16:18,780 that it's there are too many things 1742 01:16:22,990 --> 01:16:21,320 within the two images for it 1743 01:16:25,870 --> 01:16:23,000 for it would not have been inspired by 1744 01:16:29,260 --> 01:16:25,880 it it's it would be very uncanny for 1745 01:16:32,380 --> 01:16:29,270 that many for that many prominent lines 1746 01:16:36,880 --> 01:16:32,390 and main lines within the design to have 1747 01:16:38,770 --> 01:16:36,890 it be a go just a fluke it's exactly 1748 01:16:40,090 --> 01:16:38,780 very very small chance so he was 1749 01:16:41,950 --> 01:16:40,100 fighting something so the abbeys 1750 01:16:43,450 --> 01:16:41,960 hypothesis was that this the pale of 1751 01:16:44,980 --> 01:16:43,460 that cables are all hunting magic and 1752 01:16:47,530 --> 01:16:44,990 there's only one other cave 1753 01:16:50,770 --> 01:16:47,540 let's go the so-called chamber of the 1754 01:16:52,180 --> 01:16:50,780 the Deadman which is fairly common 117 1755 01:16:53,950 --> 01:16:52,190 thousand you ago you've seen that one 1756 01:16:57,220 --> 01:16:53,960 the shaft of the dead man that has a 1757 01:16:59,890 --> 01:16:57,230 Birdman the abbe didn't want anybody 1758 01:17:01,630 --> 01:16:59,900 didn't want a theme of Birdman he this 1759 01:17:04,300 --> 01:17:01,640 when he asked where does the Birdman 1760 01:17:06,010 --> 01:17:04,310 come from where where is the Birdman 1761 01:17:08,770 --> 01:17:06,020 today and of course that the bird man 1762 01:17:10,990 --> 01:17:08,780 becomes the angel the bird man becomes 1763 01:17:13,630 --> 01:17:11,000 this archetypal symbol this character 1764 01:17:15,130 --> 01:17:13,640 that was carried throughout time you can 1765 01:17:17,590 --> 01:17:15,140 go through you can look at Glo Becky 1766 01:17:19,450 --> 01:17:17,600 Tepe you can look at all the major sites 1767 01:17:22,060 --> 01:17:19,460 you can look at Horus and Egyptians you 1768 01:17:24,460 --> 01:17:22,070 look at native indigenous people around 1769 01:17:27,190 --> 01:17:24,470 the world they dress up as Birdman it's 1770 01:17:28,750 --> 01:17:27,200 an out art everywhere but I'm off and my 1771 01:17:30,730 --> 01:17:28,760 suggestion is that the origin of that 1772 01:17:33,070 --> 01:17:30,740 goes deep into the Paleolithic and that 1773 01:17:36,330 --> 01:17:33,080 the ad me hate it because he didn't want 1774 01:17:38,530 --> 01:17:36,340 this concept of a religion of a faith 1775 01:17:40,690 --> 01:17:38,540 that these were these are hunters and 1776 01:17:42,340 --> 01:17:40,700 gatherers these were not people that had 1777 01:17:45,460 --> 01:17:42,350 a systemize religion and I believe that 1778 01:17:47,800 --> 01:17:45,470 the abbe was actually hiding that and so 1779 01:17:50,380 --> 01:17:47,810 when we we look at history we have to 1780 01:17:51,910 --> 01:17:50,390 consider that everything people tell us 1781 01:17:53,200 --> 01:17:51,920 and everything that we read in the book 1782 01:17:54,490 --> 01:17:53,210 and everything that is a peer-reviewed 1783 01:17:56,200 --> 01:17:54,500 and everything that is referenced and 1784 01:17:57,640 --> 01:17:56,210 sourced and all these sort of things it 1785 01:18:00,130 --> 01:17:57,650 doesn't mean it's true 1786 01:18:02,680 --> 01:18:00,140 it means that that was one person's 1787 01:18:04,240 --> 01:18:02,690 perspective and you know the same we go 1788 01:18:06,760 --> 01:18:04,250 back to the same concept of how many 1789 01:18:08,770 --> 01:18:06,770 hairs does a man have they could be 1790 01:18:10,750 --> 01:18:08,780 multiple perspectives and in the abbeys 1791 01:18:12,940 --> 01:18:10,760 view his perspective based on his 1792 01:18:15,010 --> 01:18:12,950 reality based on his religion was that 1793 01:18:16,810 --> 01:18:15,020 they were no bird bird men here there 1794 01:18:18,880 --> 01:18:16,820 were no angels that that was a modern 1795 01:18:23,110 --> 01:18:18,890 phenomenon that came out of Mesopotamia 1796 01:18:24,880 --> 01:18:23,120 in Abrahamic times and so going 1797 01:18:28,180 --> 01:18:24,890 you have your question to how this all 1798 01:18:29,890 --> 01:18:28,190 came about and well we as I write in 1799 01:18:32,260 --> 01:18:29,900 this slide we individually project our 1800 01:18:34,180 --> 01:18:32,270 psyche into the cosmos in all the animal 1801 01:18:35,170 --> 01:18:34,190 beings in geological and meteorological 1802 01:18:37,120 --> 01:18:35,180 found they 1803 01:18:39,250 --> 01:18:37,130 that are encountered when we look into 1804 01:18:41,170 --> 01:18:39,260 the skies we see bunnies and we see 1805 01:18:43,690 --> 01:18:41,180 elephants and we see them we see them 1806 01:18:45,160 --> 01:18:43,700 twist 90 degrees will return our heads 1807 01:18:47,710 --> 01:18:45,170 and we it appears that they have 1808 01:18:50,230 --> 01:18:47,720 movements man projects just psyching to 1809 01:18:52,120 --> 01:18:50,240 the causals we create angels we create 1810 01:18:54,700 --> 01:18:52,130 all these beings it doesn't mean that 1811 01:18:56,650 --> 01:18:54,710 they're there it's something that comes 1812 01:18:58,180 --> 01:18:56,660 from within ourselves that's carried on 1813 01:19:00,790 --> 01:18:58,190 through these archetypes that we 1814 01:19:03,940 --> 01:19:00,800 recognize when the archetype is when we 1815 01:19:07,330 --> 01:19:03,950 see their archetype their encountered 1816 01:19:09,430 --> 01:19:07,340 the myth emerges the story is told we 1817 01:19:11,170 --> 01:19:09,440 see that woman in distress in the 1818 01:19:13,360 --> 01:19:11,180 gallery of disks with the with the 1819 01:19:16,030 --> 01:19:13,370 raised cheeks and the the grimacing face 1820 01:19:19,450 --> 01:19:16,040 and we recognize that she's not a happy 1821 01:19:23,170 --> 01:19:19,460 camper we can see the the tenderness 1822 01:19:26,710 --> 01:19:23,180 between the young giraffe wrap it around 1823 01:19:28,240 --> 01:19:26,720 the mother we recognize that even though 1824 01:19:29,800 --> 01:19:28,250 their animal beings we don't say that 1825 01:19:31,720 --> 01:19:29,810 just some wild thing that's going on we 1826 01:19:34,990 --> 01:19:31,730 see a protective mode we see we have 1827 01:19:36,850 --> 01:19:35,000 that empathy and so we're seeing 1828 01:19:38,590 --> 01:19:36,860 multiple perspectives and Picasso was 1829 01:19:40,240 --> 01:19:38,600 brilliant because he could see those 1830 01:19:43,420 --> 01:19:40,250 multiple perspectives he could see that 1831 01:19:45,460 --> 01:19:43,430 the metaphors of these animals which now 1832 01:19:48,610 --> 01:19:45,470 brings us back to the question this 1833 01:19:51,580 --> 01:19:48,620 forever question of how many hairs does 1834 01:19:53,530 --> 01:19:51,590 a man have and you've you know your few 1835 01:19:55,480 --> 01:19:53,540 of your viewers are you know they're 1836 01:19:57,490 --> 01:19:55,490 raking through their hair if they still 1837 01:19:59,020 --> 01:19:57,500 have it they're looking around they're 1838 01:20:02,020 --> 01:19:59,030 thinking you know you know you know is 1839 01:20:04,630 --> 01:20:02,030 it as an average or is it how many I 1840 01:20:07,240 --> 01:20:04,640 have and so on well the answer to the 1841 01:20:09,220 --> 01:20:07,250 question of the Targ riddle is one dark 1842 01:20:12,760 --> 01:20:09,230 and the other light to reflect the 1843 01:20:14,770 --> 01:20:12,770 maturation of man in that same answer we 1844 01:20:16,750 --> 01:20:14,780 can see other possibilities that can be 1845 01:20:18,340 --> 01:20:16,760 found by considering multiple multiple 1846 01:20:21,160 --> 01:20:18,350 perspectives and this entire 1847 01:20:23,020 --> 01:20:21,170 presentation today has been about seeing 1848 01:20:25,210 --> 01:20:23,030 multiple perspectives about looking 1849 01:20:27,250 --> 01:20:25,220 beyond what we what we we first are 1850 01:20:30,010 --> 01:20:27,260 inclined to do so how does the thinker 1851 01:20:33,460 --> 01:20:30,020 become the feel or how does the has the 1852 01:20:35,650 --> 01:20:33,470 the counter start you know considering 1853 01:20:38,770 --> 01:20:35,660 that there's empathy within the animals 1854 01:20:40,780 --> 01:20:38,780 how do we do all these how can we wrap 1855 01:20:43,240 --> 01:20:40,790 our heads around all these sorts of 1856 01:20:46,030 --> 01:20:43,250 things and these ideas it's about 1857 01:20:48,939 --> 01:20:46,040 thinking out of the box and I believe 1858 01:20:51,699 --> 01:20:48,949 that the the journey of The Apprentice 1859 01:20:53,319 --> 01:20:51,709 was not just to to understand the 1860 01:20:55,870 --> 01:20:53,329 constellations to understand all the 1861 01:20:58,719 --> 01:20:55,880 animals and to navigate that emotional 1862 01:21:01,600 --> 01:20:58,729 and terrestrial landscape to go to 1863 01:21:05,859 --> 01:21:01,610 Africa and back again but I also think 1864 01:21:08,439 --> 01:21:05,869 that it was how to become a more whole 1865 01:21:11,890 --> 01:21:08,449 person to become a better spiritual 1866 01:21:13,959 --> 01:21:11,900 leader and these people live for well 1867 01:21:15,969 --> 01:21:13,969 not individuals but remember these these 1868 01:21:18,310 --> 01:21:15,979 these cultures live but tens of 1869 01:21:20,080 --> 01:21:18,320 thousands of years we're struggling with 1870 01:21:22,270 --> 01:21:20,090 thousands hundreds of years at our 1871 01:21:25,270 --> 01:21:22,280 current time and really thousands of 1872 01:21:29,549 --> 01:21:25,280 years since ancient Mesopotamia 1873 01:21:32,589 --> 01:21:29,559 and these people had a coherent ideology 1874 01:21:34,719 --> 01:21:32,599 a spiritual traditions that has 1875 01:21:37,719 --> 01:21:34,729 continued in some parts of the world 1876 01:21:40,149 --> 01:21:37,729 until today and I believe that this you 1877 01:21:42,910 --> 01:21:40,159 know this is really relevant in our in a 1878 01:21:46,449 --> 01:21:42,920 modern time that if we carry all these 1879 01:21:48,609 --> 01:21:46,459 archetypes within us only all the same 1880 01:21:51,219 --> 01:21:48,619 people you know whether someone calls 1881 01:21:53,560 --> 01:21:51,229 you know an angel another person calls 1882 01:21:58,239 --> 01:21:53,570 that a shaman bird man another person 1883 01:22:00,489 --> 01:21:58,249 calls it a new key or or a cosmonaut 1884 01:22:02,080 --> 01:22:00,499 we're all or we're finding these same 1885 01:22:05,169 --> 01:22:02,090 archetypal characters within us because 1886 01:22:07,419 --> 01:22:05,179 we come for the same place and and Jung 1887 01:22:09,339 --> 01:22:07,429 said that we carry these these these 1888 01:22:11,890 --> 01:22:09,349 symbols in our collective unconscious 1889 01:22:13,930 --> 01:22:11,900 they're inherently within us and as such 1890 01:22:17,229 --> 01:22:13,940 we we repeat history repeat the same 1891 01:22:20,410 --> 01:22:17,239 stories because they tell us who we are 1892 01:22:22,959 --> 01:22:20,420 and help us to express who we are so I 1893 01:22:24,939 --> 01:22:22,969 do our identity as a slide says is only 1894 01:22:29,469 --> 01:22:24,949 an illusion created by those who have an 1895 01:22:33,250 --> 01:22:29,479 alternative version of our origins so 1896 01:22:38,140 --> 01:22:33,260 there's a there's another good place to 1897 01:22:41,979 --> 01:22:38,150 stop and you can you could ponder for a 1898 01:22:43,299 --> 01:22:41,989 moment and give me your you know okay 1899 01:22:46,540 --> 01:22:43,309 well we're checking are you still that 1900 01:22:49,390 --> 01:22:46,550 crest are you I'm reading okay well this 1901 01:22:50,830 --> 01:22:49,400 is it straight to dawn on because 1902 01:22:53,799 --> 01:22:50,840 obviously because I'm going on this 1903 01:22:59,590 --> 01:22:53,809 journey with you here unless I've got 1904 01:23:03,170 --> 01:23:01,880 these images at least from what you're 1905 01:23:04,760 --> 01:23:03,180 telling me this isn't just about 1906 01:23:06,500 --> 01:23:04,770 prehistory and this isn't just about 1907 01:23:10,100 --> 01:23:06,510 ancient lost civilizations and this 1908 01:23:11,690 --> 01:23:10,110 isn't just about you know some some 1909 01:23:15,680 --> 01:23:11,700 pretty pictures in a wall somewhere it's 1910 01:23:19,520 --> 01:23:15,690 the it's it's the tribe helping to 1911 01:23:21,710 --> 01:23:19,530 develop people from you know from 1912 01:23:23,060 --> 01:23:21,720 undeveloped youthful minds who don't 1913 01:23:25,130 --> 01:23:23,070 necessarily understand the world to 1914 01:23:28,040 --> 01:23:25,140 helping them using the imagery of 1915 01:23:31,250 --> 01:23:28,050 animals to help develop that person into 1916 01:23:32,360 --> 01:23:31,260 a more complete person and at least 1917 01:23:33,710 --> 01:23:32,370 that's kind of what I'm getting from 1918 01:23:35,960 --> 01:23:33,720 this it's like that person single cable 1919 01:23:38,150 --> 01:23:35,970 here are the different aspects of the 1920 01:23:39,710 --> 01:23:38,160 designs and it makes people think it 1921 01:23:42,320 --> 01:23:39,720 makes people try and look at themselves 1922 01:23:43,990 --> 01:23:42,330 as individuals and you know even for 1923 01:23:46,660 --> 01:23:44,000 myself I'm looking at this and I'm I'm 1924 01:23:51,770 --> 01:23:46,670 realizing how deep that rabbit hole goes 1925 01:23:54,040 --> 01:23:51,780 it's it's like it's deep it's really 1926 01:23:59,450 --> 01:23:54,050 it's it's you know antediluvian 1927 01:24:00,410 --> 01:23:59,460 psychology essentially or like it's it's 1928 01:24:02,120 --> 01:24:00,420 like when you're in high school you've 1929 01:24:03,650 --> 01:24:02,130 got the guidance counselor but basically 1930 01:24:04,940 --> 01:24:03,660 this like the shaman was acting it's 1931 01:24:07,190 --> 01:24:04,950 like the school guidance counselor at 1932 01:24:09,170 --> 01:24:07,200 that point to try and try and teach 1933 01:24:10,670 --> 01:24:09,180 people more about the world more about 1934 01:24:12,140 --> 01:24:10,680 themselves so that they're not complete 1935 01:24:13,190 --> 01:24:12,150 or they're not just you know 1936 01:24:16,010 --> 01:24:13,200 that there's more to the world than just 1937 01:24:17,870 --> 01:24:16,020 themselves it's more than just you there 1938 01:24:20,620 --> 01:24:17,880 are other beings in this world that 1939 01:24:22,780 --> 01:24:20,630 deserve your consideration in regard and 1940 01:24:24,680 --> 01:24:22,790 you know you were talking about 1941 01:24:25,760 --> 01:24:24,690 archetypes and how that at the end of 1942 01:24:27,920 --> 01:24:25,770 the day we can you know how how many 1943 01:24:30,230 --> 01:24:27,930 hairs are on a man's head you said well 1944 01:24:31,700 --> 01:24:30,240 okay well that's that's the the question 1945 01:24:33,230 --> 01:24:31,710 our den mother 1946 01:24:34,880 --> 01:24:33,240 you know that's which is a very apropos 1947 01:24:37,010 --> 01:24:34,890 name if you'd like to say the 1948 01:24:39,200 --> 01:24:37,020 considering there is a line figure 1949 01:24:42,820 --> 01:24:39,210 within within the larger image as you 1950 01:24:45,710 --> 01:24:42,830 pointed out her answer was all of them 1951 01:24:47,540 --> 01:24:45,720 was good I like that and that's so it's 1952 01:24:49,040 --> 01:24:47,550 an alternative perspective it's not you 1953 01:24:50,720 --> 01:24:49,050 know trying to count the hairs or 1954 01:24:54,500 --> 01:24:50,730 average 10 people or whatever it is 1955 01:24:57,470 --> 01:24:54,510 that's good so like I'm like I came into 1956 01:24:58,850 --> 01:24:57,480 this with the surface expectation of 1957 01:25:00,770 --> 01:24:58,860 okay well like for her to learn how this 1958 01:25:02,060 --> 01:25:00,780 ruler know this like connected to 1959 01:25:05,000 --> 01:25:02,070 the Sphinx in like we're gonna talk 1960 01:25:08,060 --> 01:25:05,010 maybe about lantus as like no this is so 1961 01:25:09,650 --> 01:25:08,070 much deeper and it's like I'm actually 1962 01:25:10,970 --> 01:25:09,660 kind of excited here in like you know to 1963 01:25:12,620 --> 01:25:10,980 the people who 1964 01:25:15,920 --> 01:25:12,630 early from this presentation like you 1965 01:25:18,229 --> 01:25:15,930 guys missed out we're gonna hit some big 1966 01:25:20,330 --> 01:25:18,239 stuff soon workers start again now 1967 01:25:23,720 --> 01:25:20,340 remember the second Star Wars movie The 1968 01:25:27,290 --> 01:25:23,730 Empire Strikes Back Luke is about to 1969 01:25:29,030 --> 01:25:27,300 enter the cave and Yoda says to him the 1970 01:25:33,520 --> 01:25:29,040 the only thing you bring into the cave 1971 01:25:38,630 --> 01:25:33,530 is yourself okay and Yoda is Karl young 1972 01:25:40,670 --> 01:25:38,640 George Lucas George Lucas borrows the 1973 01:25:43,370 --> 01:25:40,680 work from Joseph Campbell who borrows 1974 01:25:45,350 --> 01:25:43,380 the work from Carl Jung and he built 1975 01:25:49,040 --> 01:25:45,360 these these archetypal scenes the cave 1976 01:25:53,210 --> 01:25:49,050 that he goes into and Luke goes into the 1977 01:25:55,460 --> 01:25:53,220 cave and he starts battling with Darth 1978 01:25:57,770 --> 01:25:55,470 Vader and ultimately lobs off his head 1979 01:26:00,979 --> 01:25:57,780 and with and in the helmet he sees as 1980 01:26:02,450 --> 01:26:00,989 his own face okay and so with fighting 1981 01:26:04,760 --> 01:26:02,460 is the same sort of archetypal 1982 01:26:07,310 --> 01:26:04,770 characters going deep into the cave I 1983 01:26:08,900 --> 01:26:07,320 did a I did a program a podcast with 1984 01:26:12,020 --> 01:26:08,910 Bernhard Alvarez who had shamanic 1985 01:26:13,280 --> 01:26:12,030 training and he said to me that when he 1986 01:26:15,200 --> 01:26:13,290 went on his Vision Quest 1987 01:26:17,720 --> 01:26:15,210 he couldn't reach that place and his 1988 01:26:19,880 --> 01:26:17,730 shamanic teacher said to him look deep 1989 01:26:23,000 --> 01:26:19,890 into a hole look deep into a dark hole 1990 01:26:26,000 --> 01:26:23,010 and in that dark hole you'll find 1991 01:26:27,770 --> 01:26:26,010 yourself just as Jung did when he walked 1992 01:26:31,400 --> 01:26:27,780 through the the hallway into the finally 1993 01:26:35,180 --> 01:26:31,410 into the cave and as Luke Skywalker did 1994 01:26:37,850 --> 01:26:35,190 as he walked as he went into the that 1995 01:26:41,660 --> 01:26:37,860 cave and the story of course of Luke 1996 01:26:46,570 --> 01:26:41,670 Skywalker is about George Lucas Darth 1997 01:26:52,970 --> 01:26:49,370 Lucas is struggling with his father 1998 01:26:54,979 --> 01:26:52,980 about what will be his path in life and 1999 01:26:56,390 --> 01:26:54,989 his father once didn't have a 95 job 2000 01:26:58,280 --> 01:26:56,400 work for a big corporation all that sort 2001 01:27:00,470 --> 01:26:58,290 of stuff but Lucas wants to travel the 2002 01:27:03,530 --> 01:27:00,480 Stars he wants to tell this grand myth 2003 01:27:05,180 --> 01:27:03,540 this story and that's what the that's 2004 01:27:08,090 --> 01:27:05,190 what this that's what Star Wars is about 2005 01:27:10,310 --> 01:27:08,100 it's the relationships in George Lucas's 2006 01:27:14,420 --> 01:27:10,320 life that he's portraying through these 2007 01:27:17,360 --> 01:27:14,430 characters that we that we see and it's 2008 01:27:20,170 --> 01:27:17,370 a lot more fun to hear the story of Luke 2009 01:27:23,429 --> 01:27:20,180 Skywalker that it is of a battle between 2010 01:27:25,469 --> 01:27:23,439 Lucas and the father 2011 01:27:27,689 --> 01:27:25,479 and I believe that we've been telling 2012 01:27:30,209 --> 01:27:27,699 these stories for tens of thousands of 2013 01:27:33,870 --> 01:27:30,219 years because they tell us or they teach 2014 01:27:36,239 --> 01:27:33,880 us about ourselves and and there's so 2015 01:27:39,659 --> 01:27:36,249 many stories like that of course the 2016 01:27:42,870 --> 01:27:39,669 Frodo in Lord of the Rings his his 2017 01:27:43,739 --> 01:27:42,880 nemesis is Gollum but if he kills who 2018 01:27:45,929 --> 01:27:43,749 wants to kill him 2019 01:27:48,299 --> 01:27:45,939 but if he kills Gollum he becomes Gollum 2020 01:27:49,679 --> 01:27:48,309 and that's why he can't do it if he 2021 01:27:51,689 --> 01:27:49,689 can't give him the ring but he can't 2022 01:27:53,759 --> 01:27:51,699 kill him kill him either and in the end 2023 01:27:56,909 --> 01:27:53,769 goal of course everybody seen the movie 2024 01:28:00,209 --> 01:27:56,919 by this time Gollum in his own greed 2025 01:28:02,879 --> 01:28:00,219 falls into the fire at the mountain at 2026 01:28:04,409 --> 01:28:02,889 the cosmic mountain and so you're ready 2027 01:28:07,620 --> 01:28:04,419 to go out for more slides or you're 2028 01:28:11,790 --> 01:28:07,630 gonna you want to ponder another moment 2029 01:28:13,560 --> 01:28:11,800 or two I just only just sent a graph 2030 01:28:15,810 --> 01:28:13,570 yeah well let me just prepare myself to 2031 01:28:17,819 --> 01:28:15,820 go back into the cave for once more into 2032 01:28:20,969 --> 01:28:17,829 the breach as they say well you know 2033 01:28:23,699 --> 01:28:20,979 where this is a this is only the 2034 01:28:25,229 --> 01:28:23,709 beginning of the journey you know times 2035 01:28:27,750 --> 01:28:25,239 about to end for us probably up 15 2036 01:28:30,390 --> 01:28:27,760 minutes or so well but we're well really 2037 01:28:32,339 --> 01:28:30,400 it's early part of the journey and we 2038 01:28:34,319 --> 01:28:32,349 need to need to another show well you 2039 01:28:37,949 --> 01:28:34,329 know we'll we'll go through the next the 2040 01:28:39,379 --> 01:28:37,959 next slide and again well well well 2041 01:28:41,640 --> 01:28:39,389 we'll make it to the end on this one 2042 01:28:46,320 --> 01:28:41,650 okay double click on that we'll go back 2043 01:28:53,040 --> 01:28:49,920 that to the cave we saw those lions we 2044 01:28:56,640 --> 01:28:53,050 saw the lioness and a duck out here so 2045 01:29:00,480 --> 01:28:56,650 people aren't distracted in here we see 2046 01:29:01,920 --> 01:29:00,490 the lioness reaching up to the lion he's 2047 01:29:05,370 --> 01:29:01,930 at the top of the panel as one would 2048 01:29:07,050 --> 01:29:05,380 expect a lion to be and he's you know 2049 01:29:09,210 --> 01:29:07,060 he's crouched there you can see his two 2050 01:29:12,570 --> 01:29:09,220 paws sticking out and you can see his 2051 01:29:17,840 --> 01:29:12,580 rear leg kind of horizontal along those 2052 01:29:21,390 --> 01:29:17,850 long that line we're gonna step over to 2053 01:29:23,970 --> 01:29:21,400 another large carnivore which runs runs 2054 01:29:26,010 --> 01:29:23,980 runs on that image and this is a 2055 01:29:28,260 --> 01:29:26,020 mythical animal this animal does not 2056 01:29:30,210 --> 01:29:28,270 exist kind of looks like a cheetah but 2057 01:29:33,360 --> 01:29:30,220 there's a cheetah in this image that's 2058 01:29:35,850 --> 01:29:33,370 very exact has distinct tear marks that 2059 01:29:41,460 --> 01:29:35,860 this this animal doesn't have but it's a 2060 01:29:45,030 --> 01:29:41,470 spotted animal and he has an awkward 2061 01:29:47,040 --> 01:29:45,040 looking face so when I when I first saw 2062 01:29:48,690 --> 01:29:47,050 this one you know I stared at it I 2063 01:29:51,840 --> 01:29:48,700 looked it as that you know I've seen 2064 01:29:56,300 --> 01:29:51,850 this animal before and and it's not in 2065 01:30:00,480 --> 01:29:56,310 the record of big cats for sure and so I 2066 01:30:06,300 --> 01:30:00,490 compared it to a big cat that we do know 2067 01:30:09,270 --> 01:30:06,310 and of course the Giza Spinks they're 2068 01:30:11,550 --> 01:30:09,280 identical and the difference is that the 2069 01:30:13,950 --> 01:30:11,560 large carnivore in this image is sort of 2070 01:30:15,570 --> 01:30:13,960 like sitting up but the large carnivore 2071 01:30:17,520 --> 01:30:15,580 that the skiis of spanks is a 2072 01:30:19,920 --> 01:30:17,530 combination between the sitting up large 2073 01:30:22,530 --> 01:30:19,930 carnivore and that crouching lying that 2074 01:30:24,270 --> 01:30:22,540 we saw there in the same place so the 2075 01:30:27,540 --> 01:30:24,280 Egyptians had seen this thing and if you 2076 01:30:29,820 --> 01:30:27,550 look at the has that the nemi's the 2077 01:30:32,310 --> 01:30:29,830 enemies that runs behind the head it has 2078 01:30:35,190 --> 01:30:32,320 that distinctive tear mark term or that 2079 01:30:39,920 --> 01:30:35,200 teardrop at the forehead has that strong 2080 01:30:42,090 --> 01:30:39,930 jaw and the Egyptians had seen this now 2081 01:30:44,190 --> 01:30:42,100 people have to read the book to find out 2082 01:30:47,730 --> 01:30:44,200 where this comes from where the artist 2083 01:30:50,130 --> 01:30:47,740 was inspired by but the Egyptians were 2084 01:30:52,410 --> 01:30:50,140 inspired by this image of this Spinks 2085 01:30:55,830 --> 01:30:52,420 and I believe they had been there as 2086 01:30:57,930 --> 01:30:55,840 were the Greeks and that they this was 2087 01:30:59,790 --> 01:30:57,940 an original time for them they didn't 2088 01:31:01,590 --> 01:30:59,800 really know how far back in time it was 2089 01:31:03,090 --> 01:31:01,600 they could take some guesses um you know 2090 01:31:06,380 --> 01:31:03,100 they knew it was more than thirty 2091 01:31:10,110 --> 01:31:06,390 thousand I'm sure and John Anthony West 2092 01:31:12,840 --> 01:31:10,120 says that based on the work he's done in 2093 01:31:14,310 --> 01:31:12,850 the research that the first time of the 2094 01:31:15,480 --> 01:31:14,320 ancient Gyptians was about thirty five 2095 01:31:18,090 --> 01:31:15,490 thousand years ago 2096 01:31:20,520 --> 01:31:18,100 well this suggests that John Anthony 2097 01:31:22,410 --> 01:31:20,530 West was right that that Zep tepi that 2098 01:31:24,630 --> 01:31:22,420 first time of the of the ancient 2099 01:31:26,850 --> 01:31:24,640 Egyptians that they were drawing from 2100 01:31:29,550 --> 01:31:26,860 was from the Paleolithic and it's very 2101 01:31:31,290 --> 01:31:29,560 deep back in time and I've never met 2102 01:31:34,350 --> 01:31:31,300 Jonathan West I've never communicated 2103 01:31:37,380 --> 01:31:34,360 with him but I we sent him some images 2104 01:31:39,570 --> 01:31:37,390 and I hope that he he's in the frame of 2105 01:31:41,820 --> 01:31:39,580 mine that he can you know mentally 2106 01:31:45,570 --> 01:31:41,830 explore these and perhaps find what he 2107 01:31:48,900 --> 01:31:45,580 was looking for his whole life but it's 2108 01:31:50,610 --> 01:31:48,910 it's you know I haven't I've done a lot 2109 01:31:53,280 --> 01:31:50,620 of podcasts this is the first one I 2110 01:31:55,050 --> 01:31:53,290 pulled out the Sphynx or the origin of 2111 01:31:56,820 --> 01:31:55,060 the Spanx because I'm not I'm not 2112 01:31:58,470 --> 01:31:56,830 sensationalized in the Spanx as finding 2113 01:32:02,130 --> 01:31:58,480 the answer to everything I believe that 2114 01:32:04,230 --> 01:32:02,140 the story of the hero's journey and that 2115 01:32:06,060 --> 01:32:04,240 the earth and sky are one and that this 2116 01:32:09,300 --> 01:32:06,070 apprentice goes into the cave to find 2117 01:32:11,220 --> 01:32:09,310 himself and to set his own people you 2118 01:32:14,880 --> 01:32:11,230 know society free is a much greater 2119 01:32:16,440 --> 01:32:14,890 story than finding a Sphynx and finding 2120 01:32:18,510 --> 01:32:16,450 the original Sphinx in the cave I do 2121 01:32:20,490 --> 01:32:18,520 that the Sphinx stories and is gonna and 2122 01:32:23,580 --> 01:32:20,500 you know isn't gonna last very long 2123 01:32:26,040 --> 01:32:23,590 whereas the that there were intelligent 2124 01:32:28,500 --> 01:32:26,050 people in a very distant past perhaps 2125 01:32:31,980 --> 01:32:28,510 people just as intelligent and certainly 2126 01:32:34,170 --> 01:32:31,990 in words of picasso more creative than 2127 01:32:35,640 --> 01:32:34,180 us artistically creative and that we 2128 01:32:38,610 --> 01:32:35,650 borrowed from these people from the past 2129 01:32:41,520 --> 01:32:38,620 as picasso redid in his modern in his 2130 01:32:46,380 --> 01:32:41,530 modern art cubism which became a modern 2131 01:32:49,080 --> 01:32:46,390 art of our own time and i'm gonna pop 2132 01:32:50,940 --> 01:32:49,090 back to one last slide which is the 2133 01:32:52,830 --> 01:32:50,950 course of cover the book and there's 2134 01:32:54,210 --> 01:32:52,840 lots of other if you don't want to buy 2135 01:32:55,950 --> 01:32:54,220 the book it's an e-book all over the 2136 01:32:57,360 --> 01:32:55,960 place but you can find the images in 2137 01:33:00,570 --> 01:32:57,370 other places to explore of course you 2138 01:33:03,870 --> 01:33:00,580 can rewind this this image this this 2139 01:33:06,090 --> 01:33:03,880 video but before orion calm Bernie to 2140 01:33:09,420 --> 01:33:06,100 Twitter Brittany Taylor Orr so it's 2141 01:33:10,050 --> 01:33:09,430 hashtag before Orion I'm on Facebook as 2142 01:33:13,120 --> 01:33:10,060 before 2143 01:33:14,620 --> 01:33:13,130 Orion and I've put out 2144 01:33:16,419 --> 01:33:14,630 any more images that I've shown in this 2145 01:33:19,930 --> 01:33:16,429 presentational I hadn't put out the 2146 01:33:21,879 --> 01:33:19,940 Sphynx one but you can the viewer can 2147 01:33:23,470 --> 01:33:21,889 you know explore the images they can 2148 01:33:25,060 --> 01:33:23,480 look at they can ask their kids and ask 2149 01:33:27,970 --> 01:33:25,070 their their partners and you know what 2150 01:33:30,129 --> 01:33:27,980 do you see and maybe put the person show 2151 01:33:32,590 --> 01:33:30,139 them first the gallery of discs without 2152 01:33:35,260 --> 01:33:32,600 the elephant and without the cosmic man 2153 01:33:37,629 --> 01:33:35,270 and the horse and so on and so people 2154 01:33:39,640 --> 01:33:37,639 can take their own journey of testing 2155 01:33:42,160 --> 01:33:39,650 themselves to see if they can see beyond 2156 01:33:44,860 --> 01:33:42,170 one reality that there can be more 2157 01:33:47,709 --> 01:33:44,870 answers to how many hairs as the man 2158 01:33:50,950 --> 01:33:47,719 have then trying to average you know ten 2159 01:33:57,990 --> 01:33:50,960 people in a room and I'm now gonna duck 2160 01:34:01,510 --> 01:33:58,000 back on to the back back onto the screen 2161 01:34:02,919 --> 01:34:01,520 so how does how did the the video work 2162 01:34:04,780 --> 01:34:02,929 for you Chris did you like that the 2163 01:34:07,120 --> 01:34:04,790 video was fantastic and you know like 2164 01:34:08,590 --> 01:34:07,130 what when we first did the test on the 2165 01:34:12,970 --> 01:34:08,600 video Mike okay well you know you just 2166 01:34:14,800 --> 01:34:12,980 had a your computer you know fixed up 2167 01:34:16,390 --> 01:34:14,810 and there was a little I wasn't sure 2168 01:34:21,010 --> 01:34:16,400 exactly how things would have worked but 2169 01:34:24,910 --> 01:34:21,020 it was very very smooth the only thing 2170 01:34:28,330 --> 01:34:24,920 is that what this thinks the it is 2171 01:34:31,270 --> 01:34:28,340 possible that that image was carved off 2172 01:34:32,919 --> 01:34:31,280 or I should say I'm not sure how that 2173 01:34:36,510 --> 01:34:32,929 image would have related because it has 2174 01:34:39,160 --> 01:34:36,520 been proven to a certain extent using 2175 01:34:41,110 --> 01:34:39,170 you know using forensic techniques that 2176 01:34:44,169 --> 01:34:41,120 that was carved afterwards it was very 2177 01:34:46,840 --> 01:34:44,179 likely the head of a lion 2178 01:34:49,510 --> 01:34:46,850 some people are theorizing that it may 2179 01:34:52,020 --> 01:34:49,520 have actually been a statue to Anubis 2180 01:34:55,959 --> 01:34:52,030 and it was actually a dog shape although 2181 01:34:59,740 --> 01:34:55,969 you know I'm not sure how much veracity 2182 01:35:02,439 --> 01:34:59,750 that is but it's a possible that the the 2183 01:35:03,850 --> 01:35:02,449 people of Egypt who did curved that or 2184 01:35:06,610 --> 01:35:03,860 at least didn't carve it in that images 2185 01:35:08,260 --> 01:35:06,620 like we carved the head had seen that or 2186 01:35:10,300 --> 01:35:08,270 somebody had seen that that image they 2187 01:35:13,689 --> 01:35:10,310 revisited those people and said hey you 2188 01:35:15,240 --> 01:35:13,699 know we said we saw this you know but 2189 01:35:18,780 --> 01:35:15,250 this is this half-man half-lion 2190 01:35:20,919 --> 01:35:18,790 and you know there was some type of 2191 01:35:25,020 --> 01:35:20,929 exchange or some type of inspiration to 2192 01:35:27,060 --> 01:35:25,030 recurve it at one point but is there any 2193 01:35:30,540 --> 01:35:27,070 what I'm trying to say is wasn't above 2194 01:35:32,729 --> 01:35:30,550 historical record beyond what is 2195 01:35:36,629 --> 01:35:32,739 currently known that you can see or may 2196 01:35:39,750 --> 01:35:36,639 even be able to speak to before that 2197 01:35:41,339 --> 01:35:39,760 recurving there's nothing there's 2198 01:35:43,109 --> 01:35:41,349 nothing okay well there's nothing here 2199 01:35:45,330 --> 01:35:43,119 so these are the question use and these 2200 01:35:48,089 --> 01:35:45,340 are questions that other people can 2201 01:35:49,020 --> 01:35:48,099 explore there's me my I can guess that 2202 01:35:50,850 --> 01:35:49,030 there's gonna be a lot more books 2203 01:35:52,560 --> 01:35:50,860 written about this right this is my last 2204 01:35:54,720 --> 01:35:52,570 book because I finished my journey and 2205 01:35:57,510 --> 01:35:54,730 I'm sharing my story which is much 2206 01:35:59,370 --> 01:35:57,520 greater than we explore tonight but 2207 01:36:02,970 --> 01:35:59,380 there's a lot of directions that people 2208 01:36:06,750 --> 01:36:02,980 can go as a whole playing field for new 2209 01:36:08,700 --> 01:36:06,760 young aspiring authors that it's 2210 01:36:10,490 --> 01:36:08,710 everything isn't 12th that based on 2211 01:36:13,229 --> 01:36:10,500 something happened 12,000 years ago 2212 01:36:16,859 --> 01:36:13,239 there's a much more deeper history 2213 01:36:19,709 --> 01:36:16,869 further back in time and you know we 2214 01:36:21,569 --> 01:36:19,719 that 12,000 year thing that you know all 2215 01:36:23,250 --> 01:36:21,579 of a sudden people from Europe travel 2216 01:36:23,760 --> 01:36:23,260 around the world and told everybody what 2217 01:36:26,520 --> 01:36:23,770 to do 2218 01:36:29,549 --> 01:36:26,530 doesn't really add up because Native 2219 01:36:33,089 --> 01:36:29,559 Americans have myths that are identical 2220 01:36:35,040 --> 01:36:33,099 both celestial and oral myths that 2221 01:36:37,379 --> 01:36:35,050 they're identical to those in the 2222 01:36:40,560 --> 01:36:37,389 Mediterranean and and in Africa and 2223 01:36:42,870 --> 01:36:40,570 Native Americans came across about you 2224 01:36:45,450 --> 01:36:42,880 know at a branch at 24,000 years 2225 01:36:49,379 --> 01:36:45,460 so ago that came down maybe 16 into the 2226 01:36:51,689 --> 01:36:49,389 the Great Plains and that's all before 2227 01:36:54,149 --> 01:36:51,699 12,000 years ago and we have you can 2228 01:36:56,399 --> 01:36:54,159 actually follow the line of myths I'm 2229 01:36:59,779 --> 01:36:56,409 going through what is now the Bering 2230 01:37:03,750 --> 01:36:59,789 Strait into Siberia all the way into the 2231 01:37:06,299 --> 01:37:03,760 Mediterranean so this concept of you 2232 01:37:08,669 --> 01:37:06,309 know someone landed on the shores of the 2233 01:37:11,520 --> 01:37:08,679 Americas and taught everybody what to do 2234 01:37:15,299 --> 01:37:11,530 doesn't really stack up with the 2235 01:37:17,399 --> 01:37:15,309 mythology and there's work there I've 2236 01:37:20,250 --> 01:37:17,409 looked at these these pail hook images 2237 01:37:21,660 --> 01:37:20,260 and there's common characters that are 2238 01:37:24,479 --> 01:37:21,670 in the Native American myths 2239 01:37:27,209 --> 01:37:24,489 Ursa Major as a bear as a she-bear is 2240 01:37:28,890 --> 01:37:27,219 common in in North America as it is in 2241 01:37:33,180 --> 01:37:28,900 the pale enough images among the Greeks 2242 01:37:35,479 --> 01:37:33,190 and other peoples so there's there's a 2243 01:37:38,700 --> 01:37:35,489 continuous story that has been told 2244 01:37:39,990 --> 01:37:38,710 sometimes it you know it gets separate 2245 01:37:42,360 --> 01:37:40,000 a little bit and there's you know people 2246 01:37:44,310 --> 01:37:42,370 have variations that you know that the 2247 01:37:46,620 --> 01:37:44,320 bear stands up with a bear lays down or 2248 01:37:48,930 --> 01:37:46,630 you know one you know it's a it's a bird 2249 01:37:51,300 --> 01:37:48,940 that chases the bear or it's a hunter a 2250 01:37:53,729 --> 01:37:51,310 human hunter but they're fundamentally 2251 01:37:56,760 --> 01:37:53,739 the same stories missed and they're told 2252 01:38:01,530 --> 01:37:56,770 in the in this in the same manners that 2253 01:38:07,200 --> 01:38:01,540 dates back to this a far distant place 2254 01:38:09,330 --> 01:38:07,210 and time and with this being placed so 2255 01:38:10,050 --> 01:38:09,340 far so far back in time and you know I 2256 01:38:11,520 --> 01:38:10,060 know Jonathan 2257 01:38:13,500 --> 01:38:11,530 John Anthony West has proposed that 2258 01:38:16,320 --> 01:38:13,510 potentially that the the sinks have been 2259 01:38:18,600 --> 01:38:16,330 carved you know as early as you had 2260 01:38:24,229 --> 01:38:18,610 actually stated which would have been 2261 01:38:27,209 --> 01:38:24,239 the previous age of Leo that common 2262 01:38:28,830 --> 01:38:27,219 common alternative history theories do 2263 01:38:32,729 --> 01:38:28,840 put it at which is around the time of 2264 01:38:34,260 --> 01:38:32,739 the last at the last ice age but these 2265 01:38:36,479 --> 01:38:34,270 themes as you've mentioned it they're 2266 01:38:39,180 --> 01:38:36,489 found all around like all around Europe 2267 01:38:44,790 --> 01:38:39,190 there are very similar animal drawings 2268 01:38:46,410 --> 01:38:44,800 that are shown in my chart behind in in 2269 01:38:48,690 --> 01:38:46,420 Asia and Indonesia I think there's some 2270 01:38:49,470 --> 01:38:48,700 of the Philippines that were found I'm 2271 01:38:55,229 --> 01:38:49,480 not even sure that there's any in 2272 01:39:00,479 --> 01:38:55,239 mainland China but with this common 2273 01:39:02,160 --> 01:39:00,489 theme being shown in cave drawings one 2274 01:39:04,500 --> 01:39:02,170 thing em noticing and you didn't touch 2275 01:39:06,990 --> 01:39:04,510 on it which was the animal drawings 2276 01:39:09,690 --> 01:39:07,000 within gobekli tepe and researchers such 2277 01:39:12,810 --> 01:39:09,700 as Laird Scranton have theorized that 2278 01:39:15,120 --> 01:39:12,820 they were teaching areas so you know 2279 01:39:16,440 --> 01:39:15,130 this kind of at least even if you're 2280 01:39:18,870 --> 01:39:16,450 proposing that was a shaman and I know 2281 01:39:22,860 --> 01:39:18,880 you're not much for the way out there 2282 01:39:26,340 --> 01:39:22,870 theories in in regards to alternative 2283 01:39:28,820 --> 01:39:26,350 history or ancient alien theory but that 2284 01:39:32,850 --> 01:39:28,830 common idea of teaching individuals 2285 01:39:34,550 --> 01:39:32,860 about the Stars about cosmology and that 2286 01:39:36,570 --> 01:39:34,560 being related to the physical world is 2287 01:39:38,700 --> 01:39:36,580 somewhat of a connecting theme and I 2288 01:39:40,560 --> 01:39:38,710 know for some people may be a stretch 2289 01:39:42,030 --> 01:39:40,570 it's just interesting to be able to see 2290 01:39:44,190 --> 01:39:42,040 that same connection that same theme 2291 01:39:47,610 --> 01:39:44,200 being stated from different perspectives 2292 01:39:50,370 --> 01:39:47,620 which is also a theme of this show in 2293 01:39:52,470 --> 01:39:50,380 two completely different areas but the 2294 01:39:54,300 --> 01:39:52,480 main common theme being 2295 01:39:57,090 --> 01:39:54,310 the animals being able to teach about 2296 01:39:58,350 --> 01:39:57,100 the physical world and correct in at the 2297 01:40:02,070 --> 01:39:58,360 same time also be able to teach about 2298 01:40:04,770 --> 01:40:02,080 oneself in the psyche so that kind of 2299 01:40:06,930 --> 01:40:04,780 blows my mind to a completely different 2300 01:40:10,110 --> 01:40:06,940 level because this is something that is 2301 01:40:12,840 --> 01:40:10,120 being shown within very very similar 2302 01:40:15,870 --> 01:40:12,850 time frames you know the the twelve 2303 01:40:18,290 --> 01:40:15,880 thousand or earlier era from go back to 2304 01:40:22,770 --> 01:40:18,300 Taipei to thirty three thousand which is 2305 01:40:27,150 --> 01:40:22,780 you know another age another great cycle 2306 01:40:28,680 --> 01:40:27,160 of the zodiac from there so the next 2307 01:40:30,120 --> 01:40:28,690 question I have to ask is like did you 2308 01:40:31,439 --> 01:40:30,130 just look at the paintings or did you 2309 01:40:34,470 --> 01:40:31,449 look at the other astronomical 2310 01:40:37,500 --> 01:40:34,480 alignments for that particular area or 2311 01:40:39,630 --> 01:40:37,510 is that just not your area of study okay 2312 01:40:41,790 --> 01:40:39,640 have a few few questions and first point 2313 01:40:44,070 --> 01:40:41,800 out that I knew that John Anthony West 2314 01:40:45,990 --> 01:40:44,080 doesn't think that the the Sphinx is 2315 01:40:48,479 --> 01:40:46,000 thirty six thousand years ago but rather 2316 01:40:50,520 --> 01:40:48,489 the first time Zep tepi is thirty six 2317 01:40:54,479 --> 01:40:50,530 thousand years ago from which the Sphinx 2318 01:40:55,590 --> 01:40:54,489 was modeled okay that so he doesn't he 2319 01:40:56,250 --> 01:40:55,600 doesn't say that the Sphinx is 2320 01:40:57,720 --> 01:40:56,260 thirty-six 2321 01:41:00,990 --> 01:40:57,730 he thinks the Sphinx is about fourteen 2322 01:41:03,150 --> 01:41:01,000 thousand years ago and I can't speak one 2323 01:41:06,780 --> 01:41:03,160 way the other to that but I can we can 2324 01:41:10,770 --> 01:41:06,790 say that the the timing of the the 2325 01:41:13,380 --> 01:41:10,780 concept of the Sphinx is identical five 2326 01:41:16,890 --> 01:41:13,390 thousand is very close to what we see as 2327 01:41:19,169 --> 01:41:16,900 an origin a pictorial origin of what we 2328 01:41:20,970 --> 01:41:19,179 now see is the the Egyptians pink can't 2329 01:41:22,919 --> 01:41:20,980 Spinks I can't say one it was actually 2330 01:41:24,720 --> 01:41:22,929 made or and they were probably there 2331 01:41:26,910 --> 01:41:24,730 were multiple renditions of it and 2332 01:41:29,189 --> 01:41:26,920 apparently they they ultimately somebody 2333 01:41:32,640 --> 01:41:29,199 ultimately took this the face from this 2334 01:41:35,459 --> 01:41:32,650 palette of cave and put it on the line 2335 01:41:37,950 --> 01:41:35,469 from the Paladin cave and made them to 2336 01:41:40,830 --> 01:41:37,960 okay okay so that's that's one point 2337 01:41:45,180 --> 01:41:40,840 that's that's important so going back to 2338 01:41:49,020 --> 01:41:45,190 this concept of really so astronomy 2339 01:41:51,840 --> 01:41:49,030 okay universe University allottee people 2340 01:41:53,970 --> 01:41:51,850 around the world we the first stories 2341 01:41:56,610 --> 01:41:53,980 were probably told by looking up at the 2342 01:41:58,709 --> 01:41:56,620 sky and someone saw a Ryan the 2343 01:42:01,470 --> 01:41:58,719 constellation that looks like a being a 2344 01:42:03,810 --> 01:42:01,480 human being a man traveling across the 2345 01:42:05,939 --> 01:42:03,820 sea the night sky and seasons and said 2346 01:42:09,120 --> 01:42:05,949 that he trekked you know he had that 2347 01:42:10,620 --> 01:42:09,130 his journey and then they put all the 2348 01:42:12,779 --> 01:42:10,630 stars are into it you know 2349 01:42:18,049 --> 01:42:12,789 Cirrus is a common star around the world 2350 01:42:22,049 --> 01:42:18,059 as either a dog or Canis Major the 2351 01:42:22,259 --> 01:42:22,059 constellation include Cirrus is a dog as 2352 01:42:25,589 --> 01:42:22,269 well 2353 01:42:28,439 --> 01:42:25,599 Native Americans across the Mesopotamia 2354 01:42:31,319 --> 01:42:28,449 Africa it's everybody doesn't call 2355 01:42:35,459 --> 01:42:31,329 Cirrus a dog but a lot of people call 2356 01:42:37,620 --> 01:42:35,469 Cirrus a dog or Canis Major dog and they 2357 01:42:38,629 --> 01:42:37,630 use different stars to form the rest of 2358 01:42:42,779 --> 01:42:38,639 the dog 2359 01:42:44,520 --> 01:42:42,789 so the what I used for this is there's a 2360 01:42:48,180 --> 01:42:44,530 program called starry night Pro 7 it's 2361 01:42:50,189 --> 01:42:48,190 the same data that you know nASA uses ok 2362 01:42:53,040 --> 01:42:50,199 but it's it's a public available 2363 01:42:56,100 --> 01:42:53,050 software and I ran the how that night 2364 01:42:58,830 --> 01:42:56,110 sky that showed you was through the 2365 01:43:00,600 --> 01:42:58,840 model of starry night pro 7 and we're 2366 01:43:02,759 --> 01:43:00,610 looking at what they could have seen in 2367 01:43:05,969 --> 01:43:02,769 the night sky at that time which is 2368 01:43:08,219 --> 01:43:05,979 identical to the pale enough image and 2369 01:43:10,169 --> 01:43:08,229 the stars through precession what kind 2370 01:43:13,350 --> 01:43:10,179 of what the earth wobbles and stars go 2371 01:43:18,299 --> 01:43:13,360 up and down and you can you can time the 2372 01:43:20,129 --> 01:43:18,309 images you can time images to what's 2373 01:43:21,629 --> 01:43:20,139 available in the night sky and so 2374 01:43:25,259 --> 01:43:21,639 there's a combination of what the 2375 01:43:27,089 --> 01:43:25,269 archaeologists figured out by calcium 2376 01:43:28,410 --> 01:43:27,099 deposits that went over that they 2377 01:43:31,649 --> 01:43:28,420 measured through your urine a group 2378 01:43:35,279 --> 01:43:31,659 uranium technique as well as the 2379 01:43:38,640 --> 01:43:35,289 astronomy through the NASA program and 2380 01:43:42,180 --> 01:43:38,650 we can reap we can refined the world 2381 01:43:44,310 --> 01:43:42,190 that they had so it's a combination of 2382 01:43:47,910 --> 01:43:44,320 things but people carry these traditions 2383 01:43:50,640 --> 01:43:47,920 throughout time I'm not an ET person you 2384 01:43:52,529 --> 01:43:50,650 know there's a spectrum in the infinite 2385 01:43:54,899 --> 01:43:52,539 universe anything is possible and the 2386 01:43:57,330 --> 01:43:54,909 other end of the spectrum is that ET has 2387 01:44:01,350 --> 01:43:57,340 been puppeteering everything that's 2388 01:44:03,899 --> 01:44:01,360 happened since then and I'm not on the 2389 01:44:06,469 --> 01:44:03,909 puppeteering end of the spectrum but I 2390 01:44:09,839 --> 01:44:06,479 recognize that many things are possible 2391 01:44:12,060 --> 01:44:09,849 even if I haven't experienced them and 2392 01:44:14,969 --> 01:44:12,070 that's a lesson that we all learn today 2393 01:44:17,609 --> 01:44:14,979 by delving into this cave that there can 2394 01:44:18,929 --> 01:44:17,619 be many possibilities even if they 2395 01:44:21,669 --> 01:44:18,939 haven't been 2396 01:44:25,270 --> 01:44:21,679 scientifically evaluate before that the 2397 01:44:28,560 --> 01:44:25,280 rest the world hasn't seen it but it 2398 01:44:31,689 --> 01:44:28,570 goes back to the power griddle the hairs 2399 01:44:41,139 --> 01:44:31,699 there can be many truths I'm even if 2400 01:44:42,279 --> 01:44:41,149 it's not a truth for everybody and yeah 2401 01:44:43,679 --> 01:44:42,289 I'm not even sure I'd be able to respond 2402 01:44:46,089 --> 01:44:43,689 to that 2403 01:44:47,979 --> 01:44:46,099 I'm just your whole program is about 2404 01:44:50,349 --> 01:44:47,989 finding the many truths isn't it well 2405 01:44:52,479 --> 01:44:50,359 yeah I know but luring a possibilities 2406 01:44:53,739 --> 01:44:52,489 every so often a guest comes on that 2407 01:44:55,659 --> 01:44:53,749 completely makes me question the 2408 01:44:56,919 --> 01:44:55,669 paradigm of the world that I'm living in 2409 01:44:58,659 --> 01:44:56,929 it makes me question myself at the same 2410 01:45:02,199 --> 01:44:58,669 time that it's up to like it's like Oh 2411 01:45:05,500 --> 01:45:02,209 like did I just learn that and I'm still 2412 01:45:07,329 --> 01:45:05,510 looking at that multiple like I'm 2413 01:45:09,849 --> 01:45:07,339 thinking on like the multiple ways that 2414 01:45:11,949 --> 01:45:09,859 the image can be seen and how even for 2415 01:45:13,179 --> 01:45:11,959 myself when I was going through you know 2416 01:45:14,079 --> 01:45:13,189 there was a point in time in my life 2417 01:45:16,689 --> 01:45:14,089 when I was going through a very rough 2418 01:45:18,879 --> 01:45:16,699 time and I basically analyzed my life 2419 01:45:21,520 --> 01:45:18,889 from you know from all different you 2420 01:45:24,939 --> 01:45:21,530 know all different angles and you know 2421 01:45:27,459 --> 01:45:24,949 that that same idea of trying to be able 2422 01:45:30,879 --> 01:45:27,469 to compare different archetypes within 2423 01:45:32,829 --> 01:45:30,889 you know within yourself and you know I 2424 01:45:36,129 --> 01:45:32,839 was able to basically develop three and 2425 01:45:37,270 --> 01:45:36,139 you there were you know there was at one 2426 01:45:39,029 --> 01:45:37,280 point it say okay well these are the 2427 01:45:41,799 --> 01:45:39,039 three three main archetypes that I had 2428 01:45:43,299 --> 01:45:41,809 had identified as far as the 2429 01:45:45,729 --> 01:45:43,309 personalities I was putting out you know 2430 01:45:47,229 --> 01:45:45,739 one for myself that I gave to my family 2431 01:45:49,869 --> 01:45:47,239 one for myself that I gave to my friends 2432 01:45:51,369 --> 01:45:49,879 and and you know the fans that I was 2433 01:45:53,139 --> 01:45:51,379 dealing with in the music industry and 2434 01:45:55,179 --> 01:45:53,149 one that I dealt with just myself in 2435 01:45:57,279 --> 01:45:55,189 private and you know the idea of that 2436 01:45:59,520 --> 01:45:57,289 very tribal aspect I I called a three 2437 01:46:04,359 --> 01:45:59,530 tone Stoneskin there was those three 2438 01:46:09,520 --> 01:46:04,369 different gradients of color that still 2439 01:46:14,319 --> 01:46:09,530 you know that had that I'd kind of used 2440 01:46:17,139 --> 01:46:14,329 to differentiate the aspects that had 2441 01:46:18,399 --> 01:46:17,149 been that had been presented and I knew 2442 01:46:22,029 --> 01:46:18,409 that there were different shades and how 2443 01:46:24,009 --> 01:46:22,039 the kind of you know overlapped one 2444 01:46:27,040 --> 01:46:24,019 another and it took me a while to be 2445 01:46:28,419 --> 01:46:27,050 able to kind of stop doing that and it 2446 01:46:30,790 --> 01:46:28,429 was one through that self-reflection 2447 01:46:32,530 --> 01:46:30,800 that and that self realization that I 2448 01:46:34,330 --> 01:46:32,540 was able to kind of 2449 01:46:37,360 --> 01:46:34,340 mature emotionally and psychologically 2450 01:46:40,090 --> 01:46:37,370 as a young individual of early 20s into 2451 01:46:44,200 --> 01:46:40,100 my into you know my mid my mid-20s and 2452 01:46:47,650 --> 01:46:44,210 that kind of shaped how I had become as 2453 01:46:49,810 --> 01:46:47,660 as a man later on in life and I'm seeing 2454 01:46:50,950 --> 01:46:49,820 the same types of similarities and how 2455 01:46:52,660 --> 01:46:50,960 the story was actually told in that 2456 01:46:57,070 --> 01:46:52,670 heroes journey you were talking about in 2457 01:47:00,280 --> 01:46:57,080 that image it's it it blows my mind so 2458 01:47:02,950 --> 01:47:00,290 much because these same psychological 2459 01:47:05,050 --> 01:47:02,960 tools that some of us don't even have 2460 01:47:08,500 --> 01:47:05,060 necessarily have as individuals nowadays 2461 01:47:11,290 --> 01:47:08,510 we're being taught back then mm-hmm and 2462 01:47:13,450 --> 01:47:11,300 it's like okay well who'd like is this 2463 01:47:15,640 --> 01:47:13,460 something that we can realize and self 2464 01:47:17,970 --> 01:47:15,650 actualize ourselves as individuals or is 2465 01:47:21,370 --> 01:47:17,980 this something that that people tend to 2466 01:47:22,990 --> 01:47:21,380 you know discover and it gets lost in 2467 01:47:24,970 --> 01:47:23,000 them it's taught within within our 2468 01:47:26,380 --> 01:47:24,980 culture or within you know let's say a 2469 01:47:29,590 --> 01:47:26,390 medical field or you know some type of 2470 01:47:33,700 --> 01:47:29,600 higher learning center that people learn 2471 01:47:36,070 --> 01:47:33,710 and is this a skill that is not being 2472 01:47:41,070 --> 01:47:36,080 taken seriously in society today and is 2473 01:47:43,600 --> 01:47:41,080 that why we're kind of slowly it kind of 2474 01:47:45,850 --> 01:47:43,610 sinking back into the recesses of hell 2475 01:47:47,380 --> 01:47:45,860 as a as a culture like we're 2476 01:47:51,250 --> 01:47:47,390 technologically advanced but we are not 2477 01:47:54,030 --> 01:47:51,260 a high society anymore you know we are 2478 01:47:56,860 --> 01:47:54,040 very handy mystic we're very 2479 01:47:58,300 --> 01:47:56,870 narcissistic we don't care about the 2480 01:47:59,590 --> 01:47:58,310 planet anymore we don't care about the 2481 01:48:02,830 --> 01:47:59,600 animals on here we don't care about each 2482 01:48:05,680 --> 01:48:02,840 other anymore and it's a realization 2483 01:48:07,900 --> 01:48:05,690 that these people knew more about the 2484 01:48:10,930 --> 01:48:07,910 human you know potentially knew more 2485 01:48:13,870 --> 01:48:10,940 about the human nature than we know 2486 01:48:16,330 --> 01:48:13,880 ourselves with our flying you know our 2487 01:48:20,130 --> 01:48:16,340 flying machines and and instantaneous 2488 01:48:22,720 --> 01:48:20,140 cross-continental communication like 2489 01:48:24,820 --> 01:48:22,730 this this is this is important to be 2490 01:48:26,290 --> 01:48:24,830 able to discuss not just from a an 2491 01:48:28,680 --> 01:48:26,300 archaeological standpoint but just just 2492 01:48:32,230 --> 01:48:28,690 from a pure sociological standpoint and 2493 01:48:34,960 --> 01:48:32,240 yeah like to me that that kind of freaks 2494 01:48:35,470 --> 01:48:34,970 me out a little bit it's the elephant in 2495 01:48:39,220 --> 01:48:35,480 the room 2496 01:48:40,840 --> 01:48:39,230 yeah and so today you came to you've 2497 01:48:43,870 --> 01:48:40,850 you've read some of the book and you've 2498 01:48:46,240 --> 01:48:43,880 seen some of the images but through the 2499 01:48:47,950 --> 01:48:46,250 night sky which you hadn't seen 2500 01:48:51,760 --> 01:48:47,960 you've come to face the elephant in the 2501 01:48:54,100 --> 01:48:51,770 room how come this was before us for 2502 01:48:56,290 --> 01:48:54,110 over a hundred years and millions of 2503 01:48:59,590 --> 01:48:56,300 people have seen it in the media but we 2504 01:49:02,229 --> 01:48:59,600 didn't see the elf in the room and it's 2505 01:49:04,080 --> 01:49:02,239 the first it's the test of who we are as 2506 01:49:08,560 --> 01:49:04,090 a people 2507 01:49:10,120 --> 01:49:08,570 well okay so because we weren't have to 2508 01:49:11,439 --> 01:49:10,130 wrap this up so I'm gonna try and see if 2509 01:49:13,240 --> 01:49:11,449 I could segue out of this somehow I'm 2510 01:49:15,520 --> 01:49:13,250 usually good at digging my way out of 2511 01:49:17,110 --> 01:49:15,530 deep philosophical discussions to to a 2512 01:49:22,360 --> 01:49:17,120 final conclusion why don't you learn 2513 01:49:24,939 --> 01:49:22,370 about yourself I learned that if I could 2514 01:49:26,979 --> 01:49:24,949 learn if someone else can learn it it's 2515 01:49:29,500 --> 01:49:26,989 it's been it's been learned and whether 2516 01:49:33,070 --> 01:49:29,510 it was taught by a human or taught by 2517 01:49:36,490 --> 01:49:33,080 some as laird would say you know some 2518 01:49:39,700 --> 01:49:36,500 entity or some some being from you know 2519 01:49:43,390 --> 01:49:39,710 potentially from from a kind of a parody 2520 01:49:45,580 --> 01:49:43,400 universe of non material source it's 2521 01:49:48,640 --> 01:49:45,590 it's still something that tends to be 2522 01:49:51,340 --> 01:49:48,650 ingrained within us it's it's inherent 2523 01:49:52,860 --> 01:49:51,350 with it within us as a species so that's 2524 01:49:55,300 --> 01:49:52,870 kind of the cool thing I learned today 2525 01:49:58,030 --> 01:49:55,310 we all have the potential it's just 2526 01:49:59,709 --> 01:49:58,040 about looking at multiple perspectives 2527 01:50:02,860 --> 01:49:59,719 being having our minds open to the 2528 01:50:04,660 --> 01:50:02,870 possibilities now the Chris and Chad is 2529 01:50:07,840 --> 01:50:04,670 is stating that the promise that there's 2530 01:50:09,580 --> 01:50:07,850 so many elephants what do you see at 2531 01:50:11,500 --> 01:50:09,590 least and I'm not sure exactly how deep 2532 01:50:15,640 --> 01:50:11,510 you went in terms of the the research of 2533 01:50:18,870 --> 01:50:15,650 the peoples or or the background but 2534 01:50:21,280 --> 01:50:18,880 what do you see is kind of the main 2535 01:50:24,370 --> 01:50:21,290 differentiation yourself as far as what 2536 01:50:27,640 --> 01:50:24,380 could have stopped us teaching this as 2537 01:50:30,010 --> 01:50:27,650 you know as part of our development 2538 01:50:33,240 --> 01:50:30,020 process within you know within our 2539 01:50:36,870 --> 01:50:33,250 growing up as people when when we when 2540 01:50:39,070 --> 01:50:36,880 Europeans arrived on the American shores 2541 01:50:41,100 --> 01:50:39,080 these were the same tradition they had 2542 01:50:43,570 --> 01:50:41,110 the same traditions shamanic type of 2543 01:50:44,950 --> 01:50:43,580 traditions of teaching the apprentice 2544 01:50:47,229 --> 01:50:44,960 going through this journey of self 2545 01:50:50,170 --> 01:50:47,239 discovery of the Vision Quest as these 2546 01:50:52,000 --> 01:50:50,180 people had impale it at times so pale at 2547 01:50:54,840 --> 01:50:52,010 that time is there is the root of of 2548 01:50:58,959 --> 01:50:54,850 what we've had we had in North America 2549 01:51:00,100 --> 01:50:58,969 and you know their therapy they were 2550 01:51:03,580 --> 01:51:00,110 valid 2551 01:51:07,060 --> 01:51:03,590 people traditions the United States you 2552 01:51:09,010 --> 01:51:07,070 you know people young'uns people who 2553 01:51:11,379 --> 01:51:09,020 read Joseph Campbell and mythology and 2554 01:51:15,609 --> 01:51:11,389 study from the psychological standpoint 2555 01:51:18,970 --> 01:51:15,619 they're out there looking to explore 2556 01:51:20,260 --> 01:51:18,980 that same journey so people do these 2557 01:51:22,390 --> 01:51:20,270 things today 2558 01:51:25,510 --> 01:51:22,400 you know Eckhart Tolle is a brilliant 2559 01:51:27,520 --> 01:51:25,520 philosopher of a modern times who seeks 2560 01:51:32,709 --> 01:51:27,530 to find the inner self 2561 01:51:37,209 --> 01:51:32,719 there's many there's many people who who 2562 01:51:40,750 --> 01:51:37,219 are seeking that and you know we we have 2563 01:51:43,000 --> 01:51:40,760 the capacity to step into the cave as 2564 01:51:45,220 --> 01:51:43,010 The Apprentice did thirty four thousand 2565 01:51:48,970 --> 01:51:45,230 years ago and stare at those red disks 2566 01:51:51,600 --> 01:51:48,980 and not see it but ultimately we can and 2567 01:51:53,500 --> 01:51:51,610 by seeing the forest through the trees 2568 01:51:55,780 --> 01:51:53,510 we can learn a great deal about 2569 01:51:58,840 --> 01:51:55,790 ourselves we can learn where we've come 2570 01:52:01,720 --> 01:51:58,850 from and where we're going as people has 2571 01:52:05,260 --> 01:52:01,730 a global society not just Americans or 2572 01:52:08,229 --> 01:52:05,270 you know white people or you know tall 2573 01:52:11,530 --> 01:52:08,239 people you know whatever it is you know 2574 01:52:14,410 --> 01:52:11,540 identity is an illusion we're all of one 2575 01:52:16,899 --> 01:52:14,420 people were all the same cultural 2576 01:52:20,979 --> 01:52:16,909 background and we all have the capacity 2577 01:52:22,930 --> 01:52:20,989 to grow as individuals it's you know I'm 2578 01:52:24,910 --> 01:52:22,940 gonna leave it with with this it's it's 2579 01:52:26,620 --> 01:52:24,920 you know I'd mentioned it before I came 2580 01:52:28,840 --> 01:52:26,630 in expecting some some archaeological 2581 01:52:30,910 --> 01:52:28,850 discovery and I actually came away 2582 01:52:34,390 --> 01:52:30,920 learning more about ourselves as people 2583 01:52:37,540 --> 01:52:34,400 and you know in our psyche which is 2584 01:52:39,040 --> 01:52:37,550 considerably more important than you 2585 01:52:41,290 --> 01:52:39,050 know the nuts and bolts it's not just 2586 01:52:43,810 --> 01:52:41,300 about you know where we came from it's 2587 01:52:47,200 --> 01:52:43,820 who we are as people and sometimes we 2588 01:52:48,280 --> 01:52:47,210 forget about that and i'm i'm strongly 2589 01:52:49,870 --> 01:52:48,290 gonna recommend that anybody that 2590 01:52:53,560 --> 01:52:49,880 anybody check out this book the link is 2591 01:52:56,350 --> 01:52:53,570 in the show notes please do go read it 2592 01:52:59,979 --> 01:52:56,360 it and i'd have to go back and read the 2593 01:53:02,470 --> 01:52:59,989 rest of it myself just started the 2594 01:53:03,580 --> 01:53:02,480 journey oh crap it's i thought it was 2595 01:53:06,340 --> 01:53:03,590 still on it but it's like no you're 2596 01:53:10,790 --> 01:53:06,350 still at the beginning so the the book 2597 01:53:12,379 --> 01:53:10,800 the book is before or ryan exploring or 2598 01:53:14,359 --> 01:53:12,389 you know front of the face surviving the 2599 01:53:16,280 --> 01:53:14,369 face of the hero and it's that this is 2600 01:53:18,890 --> 01:53:16,290 about exploring the hero's journey 2601 01:53:21,470 --> 01:53:18,900 so did written by Bernie Taylor it's 2602 01:53:24,439 --> 01:53:21,480 available on amazon.com or dot CA or Co 2603 01:53:25,910 --> 01:53:24,449 dot uk' and you can get it in Kindle 2604 01:53:27,890 --> 01:53:25,920 edition as well if I'm not mistaken it's 2605 01:53:29,479 --> 01:53:27,900 all it's an e it's an e books in all 2606 01:53:31,729 --> 01:53:29,489 formats it's an e books in all formats 2607 01:53:33,049 --> 01:53:31,739 so you don't have to worry about getting 2608 01:53:35,419 --> 01:53:33,059 delivery you can actually get it by 2609 01:53:37,010 --> 01:53:35,429 one-click purchasing it is a direct link 2610 01:53:39,799 --> 01:53:37,020 we do not use affiliated marketing 2611 01:53:40,879 --> 01:53:39,809 although you know I just for me it they 2612 01:53:42,080 --> 01:53:40,889 say it's the smart thing to do with 2613 01:53:44,030 --> 01:53:42,090 podcasts for me it's just like you know 2614 01:53:46,430 --> 01:53:44,040 what I I bring stuff on the show that I 2615 01:53:49,040 --> 01:53:46,440 think will help people and make expand 2616 01:53:50,629 --> 01:53:49,050 people's minds a little bit so you know 2617 01:53:52,549 --> 01:53:50,639 the knowing that we can change people's 2618 01:53:54,950 --> 01:53:52,559 lives that's enough payment for me when 2619 01:53:56,540 --> 01:53:54,960 it comes to that and helping get the 2620 01:53:58,189 --> 01:53:56,550 word out on what I believe is a 2621 01:54:01,189 --> 01:53:58,199 fantastic discovery that'll really make 2622 01:54:03,200 --> 01:54:01,199 people think I'm trying to think of what 2623 01:54:04,040 --> 01:54:03,210 outro music I can actually use for this 2624 01:54:05,810 --> 01:54:04,050 one 2625 01:54:09,950 --> 01:54:05,820 scattered knowledge is unfortunately off 2626 01:54:16,220 --> 01:54:09,960 my iPad for some reason so I guess we're 2627 01:54:17,270 --> 01:54:16,230 gonna go with let's see how much you 2628 01:54:19,100 --> 01:54:17,280 know we'll use this one this one's 2629 01:54:20,780 --> 01:54:19,110 actually by an artist called Dexter 2630 01:54:23,959 --> 01:54:20,790 Britten and I think I've ever played it 2631 01:54:27,560 --> 01:54:23,969 and the track is called waking up so 2632 01:54:33,870 --> 01:54:27,570 that seemed pretty apropos 2633 01:54:35,880 --> 01:54:33,880 there we go ooh nice piano return these 2634 01:54:39,840 --> 01:54:35,890 and gentlemen this has been the dental 2635 01:54:43,110 --> 01:54:39,850 floor episode 54 first broadcast on as 2636 01:54:46,440 --> 01:54:43,120 the date says up there January 12 2008 2637 01:54:48,960 --> 01:54:46,450 een and this has been a fantastic 2638 01:54:52,419 --> 01:54:48,970 presentation with Bernie Taylor next 2639 01:54:57,910 --> 01:54:55,959 sit still there we go next week on the 2640 01:55:00,990 --> 01:54:57,920 show we've got Chris Christensen and we 2641 01:55:04,540 --> 01:55:01,000 will be discussing logos and symbols 2642 01:55:07,600 --> 01:55:04,550 hidden technology and knock gnostic 2643 01:55:09,310 --> 01:55:07,610 masonry and then at the January 19th at 2644 01:55:10,990 --> 01:55:09,320 around 8 p.m. Eastern Standard Time I 2645 01:55:14,589 --> 01:55:11,000 say around because we all know that I 2646 01:55:15,609 --> 01:55:14,599 never start the show on time but again I 2647 01:55:18,700 --> 01:55:15,619 want to thank you everyone and 2648 01:55:24,640 --> 01:55:18,710 especially to a viewer out there who 2649 01:55:27,399 --> 01:55:24,650 during the show donated both donated a 2650 01:55:29,799 --> 01:55:27,409 clear scene out to the scene oh well 2651 01:55:31,750 --> 01:55:29,809 don't know hundra bucks for the show and 2652 01:55:33,580 --> 01:55:31,760 you're helping us build a better 2653 01:55:34,990 --> 01:55:33,590 tomorrow in the dental floor and I want 2654 01:55:38,709 --> 01:55:35,000 to say thank you very much to whomever 2655 01:55:42,189 --> 01:55:38,719 you are it is much appreciated and we 2656 01:55:44,410 --> 01:55:42,199 all appreciate your contribution ladies 2657 01:55:47,169 --> 01:55:44,420 and gentlemen once again thank you for 2658 01:55:50,830 --> 01:55:47,179 joining us have yourselves a wonderful